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Douglas Harper's Etymology Dictionary
samsara

"endless cycle of death and rebirth, transmigration of souls," 1886, from Sanskrit samsara "a wandering through," from sam-, prefix denoting completeness (from the root of same), + sr- "to run, glide," from PIE root *ser- (2) "to flow" (see serum).

Wiktionary
samsara

n. (context philosophy religion English) In Hinduism, Buddhism, and some other eastern religions, the ongoing cycle of birth, death, and rebirth endured by human beings and all other mortal beings, and from which release is obtained by achieving the highest enlightenment.

WordNet
samsara

n. (Hinduism and Buddhism) the endless cycle of birth and suffering and death and rebirth

Wikipedia
Saṃsāra

Saṃsāra is a Sanskrit word that means "wandering" or "world", with the connotation of cyclic, circuitous change. It also refers to the theory of rebirth and "cyclicality of all life, matter, existence", a fundamental assumption of all Indian religions. Saṃsāra is sometimes referred to with terms or phrases such as transmigration, karmic cycle, reincarnation, and "cycle of aimless drifting, wandering or mundane existence".

The concept of Saṃsāra has roots in the Vedic literature, but the theory is not discussed there. It appears in developed form, but without mechanistic details, in the early Upanishads. The full exposition of the Saṃsāra doctrine is found in Sramanic religions such as Buddhism and Jainism, as well as the various schools of Hindu philosophy, after about mid 1st millennium BCE. The Saṃsāra doctrine is tied to the Karma theory of Indian religions, and the liberation from Saṃsāra has been at the core of the spiritual quest of Indian traditions, as well as their internal disagreements. The liberation from Saṃsāra is called Moksha, Nirvana, Mukti or Kaivalya.

Samsara (2001 film)

Samsara is a 2001 independent Indian/ Italian/ French/ German film which tells the story of a Buddhist monk's quest to find Enlightenment. The film stars Shawn Ku as the monk Tashi, and Christy Chung as Pema. It was directed by Pan Nalin and written by Pan and Tim Baker.

The film's plot is reminiscent of the story of the sage Vishvamitra and the apsara Menaka.

Samsara was awarded "Audience Award for The Most Popular Film" by the 51st Melbourne International Film Festival, among other awards from other festivals, and made it to top ten films in Italy and France.

Samsara (disambiguation)

Saṃsāra is a religious concept of reincarnation in Hinduism and other Indian religions.

Saṃsāra or Samsaram may also refer to:

  • Saṃsāra (Buddhism), similar but distinct concept in Buddhism
  • Saṃsāra (Jainism), cycle of birth and deaths as per Jainism
  • Samsara Foundation, Thailand
Samsara (2011 film)

Samsara is a 2011 non-narrative documentary film, directed by Ron Fricke and produced by Mark Magidson, who also collaborated on Baraka (1992), a film of a similar vein. Samsara was filmed over five years in 25 countries around the world. It was shot in 70 mm format and output to digital format. The film premiered at the 2011 Toronto International Film Festival and received a limited release in August 2012.

Saṃsāra (Buddhism)

Saṃsāra (Sanskrit, Pali; also samsara) in Buddhism is the beginning-less cycle of repeated birth, mundane existence and dying again that all beings pass through. Samsara is considered to be dukkha, unsatisfactory and painful, perpetuated by desire and avidya (ignorance), and the resulting karma.

Rebirths occur in six realms of existence, namely three good realms (heavenly, demi-god, human) and three evil realms (animal, ghosts, hellish). Samsara ends if a person attains nirvana, the "blowing out" of the desires and the gaining of true insight into impermanence and non-self reality.

Saṃsāra (Jainism)

Saṃsāra (transmigration) in Jain philosophy, refers to the worldly life characterized by continuous rebirths and reincarnations in various realms of existence. is described as mundane existence, full of suffering and misery and hence is considered undesirable and worth renunciation. The Saṃsāra is without any beginning and the soul finds itself in bondage with its karma since the beginning-less time. Moksha is the only way to be liberated from saṃsāra.

Samsara (album)

Samsara is the third album by Yakuza and their first for Prosthetic Records. Furthering the departure from their debut, which displayed a more stripped-down post-hardcore style, Samsara, like Way of the Dead, is more eclectic and progressive; their experimental metal style assimilating Bruce Lamont's saxophone for a unique sound that some would label "jazzcore." Mastodon's Troy Sanders performs guest vocals on the final track, "Back To The Mountain."

Usage examples of "samsara".

In a flutelike voice, he sang of the sacred writings, or Vedas, composed well before the first millennium bc, and of the catalogue of magical yajnas, sacrificial formulas, mantras, and rituals that the Vedic religion embodied, and of the many schools, sects, and religions that had developed through the centuries: Sankhya, Yoga, Vedanta, Vaishnavas, Shaivas, Shak-tas, all of which were preached and practised under the separate canopies of Buddhism, Jainism, and Sikhism, which in turn took their impetus from the original Vedic, changing and refining the basic precepts into a multiplicity of separate doctrines : Karma, avatar, samsara, dharma, trimurti, bhakti, maya.

The early yogic schools had taken the Gnostic or purely Ascending solution: the dissolution of all Form in pure unmanifest Emptiness or absorption, the extinction of samsara in nirvana.

Nirvana and samsara are one and the same, though seen from different viewpoints.

Such banal activity ignores Truth and buries oneself and others deeper into samsara and its hells.

Each of the assembled sages gives his or her definition of Nonduality: it is the not-twoness of nirvana and samsara, it is the not-twoness of enlightenment and passions, it is the not-twoness of the many and the one, and so forth.

The close-up landscapes of China and Japan are so many illustrations of the theme that Samsara and Nirvana are one, that the Absolute is manifest in every appearance.

His ignorance they set about to rectify, teaching him as they would a child about samsara and its cycles of birth, death, and rebirth, and about the Great Mandala, the Wheel of Time.

On the other side was samsara, the cycles of birth, death, and rebirth he willed to enter again and again.

These emotions afflict all who are still traveling samsara, the cycles of birth, death and rebirth.

The closeup landscapes of China and Japan are so many illustrations of the theme that samsara and nirvana are one, that the Absolute is manifest in every appearance.

Buddhist, he can live in a transfigured world where nirvana and samsara, the eternal and the temporal, are one.

Nirvana identified with samsara, the manifestation in time and flesh and feeling of the Buddha Nature.

The phenomenal world and all existence, samsara and nirvana, All has one foundation, but there are two paths and two results -- Displays of both ignorance and K.

Spontaneously arising, a vast immanent expanse, beyond expression, Where neither samsara nor nirvana exist.

In a flutelike voice, he sang of the sacred writings, or Vedas, composed well before the first millennium bc, and of the catalogue of magical yajnas, sacrificial formulas, mantras, and rituals that the Vedic religion embodied, and of the many schools, sects, and religions that had developed through the centuries: Sankhya, Yoga, Vedanta, Vaishnavas, Shaivas, Shak-tas, all of which were preached and practised under the separate canopies of Buddhism, Jainism, and Sikhism, which in turn took their impetus from the original Vedic, changing and refining the basic precepts into a multiplicity of separate doctrines : Karma, avatar, samsara, dharma, trimurti, bhakti, maya.