Crossword clues for flex
Longman Dictionary of Contemporary English
The Collaborative International Dictionary
Flex \Flex\, v. t. [imp. & p. p. Flexed; p. pr. & vb. n. Flexing.] [L. flexus, p. p. of flectere to bend, perh. flectere and akin to falx sickle, E. falchion. Cf. Flinch.] To bend; as, to flex the arm.
Flex \Flex\, n.
Douglas Harper's Etymology Dictionary
1520s, "to bend," usually of muscles, probably a back-formation from flexible. Related: Flexed; flexing.
n. 1 (context uncountable English) flexibility, pliancy. 2 (context countable English) The act of flexing. 3 (context uncountable chiefly British English) Any flexible insulated electrical wiring. 4 (context countable geometry English) A point of inflection. vb. 1 To bend something. 2 To repeatedly bend one of one's joints. 3 To move part of the body using one's muscles. 4 (context bodybuilding English) To tighten the muscles for display of size or strength.
v. contract; "flex a muscle"
exhibit the strength of; "The victorious army flexes its invincibility"
bend a joint; "flex your wrists"; "bend your knees" [syn: bend]
n. the act of flexing; "he gave his biceps a flex to impress the ladies"
Flex or FLEX may refer to:
Flex (fast lexical analyzer generator) is a free and open-source software alternative to lex. It is a computer program that generates lexical analyzers (also known as "scanners" or "lexers"). It is frequently used as the lex implementation together with Berkeley Yacc parser generator on BSD-derived operating systems (as both lex and yacc are part of POSIX), or together with GNU bison (a version of yacc) in *BSD ports and in GNU/Linux distributions. Unlike Bison, flex is not part of the GNU Project and is not released under the GNU Public License.
FLEX is a communications protocol developed by Motorola and used in many pagers. FLEX provides one-way communication only (from the provider to the pager device), but a related protocol called ReFLEX provides two-way messaging.
Transmission of message data occurs in one of four modes: 1600/2, 3200/2, 3200/4, or 6400/4. All modes use FSK modulation. At 1600/2 this is on a 2 level FSK signal transmitted at 1600 bits per second. At 3200/2, this is a 2 level FSK signal transmitted at 3200 bits per second. At 3200/4, this is a 4 level FSK signal transmitted at 1600 symbols per second. Each 4 level symbol represents two bits for a bit rate of 3200 bits per second. At 6400/4, this is a 4 level FSK signal transmitted at 3200 symbols per second or 6400 bits per second.
Data is transmitted in a set of 128 frames that takes 4 minutes to complete. Each frame contains a sync followed by 11 data blocks. The data blocks contain 256, 512 or 1024 bits for 1600, 3200 or 6400 bits per second respectively.
A BCH type ECC is used to improve the integrity of the data. The standard has been designed to allow the pager's receiver to be turned off for a high percentage of the time and therefore save on battery usage.
The FLEX single-tasking operating system was developed by Technical Systems Consultants (TSC) of West Lafayette, Indiana, for the Motorola 6800 in 1976. The original version was for 8" floppy disks and the (smaller) version for 5.25" floppies was called mini-Flex. It was also later ported to the Motorola 6809; that version was called Flex9. All versions were text-based and intended for use on display devices ranging from printing terminals like the Teletype Model 33 ASR to smart terminals. While no graphic displays were supported by TSC software, some hardware manufacturers supported elementary graphics and pointing devices.
It was a disk-based operating system, using 256-byte sectors on soft-sectored floppies; the disk structure used linkage bytes in each sector to indicate the next sector in a file or free list. The directory structure was much simplified as a result. TSC (and others) provided several programming languages including BASIC in two flavors (standard and extended) and a tokenizing version of extended BASIC called Pre-compiled BASIC, FORTH, C, FORTRAN, and PASCAL.
TSC also wrote a version of FLEX, Smoke Signal DOS, for the California hardware manufacturer Smoke Signal Broadcasting; this version used forward and back linkage bytes in each sector which increased disk reliability at the expense of compatibility and speed.
Later, TSC introduced the multitasking, multi-user, Unix-like UniFLEX operating system, which required DMA disk controllers, 8" disk, and so sold in only small numbers. Several of the TSC computer languages were ported to UniFLEX.
During the early 1980s, FLEX was offered by Compusense Ltd as an operating system for the 6809-based Dragon 64 home computer.
Flex is an EP released in 2003 by New Zealand electronica duo, Pitch Black.
The FLuorescence EXplorer (FLEX) is a planned mission by the European Space Agency to launch a satellite to monitor the global steady-state chlorophyll fluorescence in terrestrial vegetation. FLEX was selected for funding on 19 November 2015 and will be launched in 2022.
Flex is a nightclub in Vienna. It is located between underground station Schottenring and Augartenbrücke. Many international and Austrian music acts and DJs, such as Pete Doherty, Juliette and the Licks and Arcade Fire, have performed in Flex. There have been hundreds of visits from drum and bass DJs like: Pendulum, High Contrast, DJ Marky, Aphrodite, Patifee, DJ Hype, Logistics, Leopoi, and others. According to the annual rating of German music magazine Spex Flex has been among the best nightclubs in Europe for years. The soundsystem is also widely considered one of the best.
"Flex" is the third single from British rapper Dizzee Rascal's third studio album Maths + English, and ninth overall. The song reached #23 on the UK Singles Chart, while his previous single placed 1 higher at #22, but topped the UK Indie Singles Chart for 2 weeks, while his previous single topped it only for a week.
Flex is the second studio album by American singer-songwriter Lene Lovich, released in 1979 by Stiff Records. The album is produced by Lovich and Les Chappell with additional production by Roger Bechirian and Alan Winstanley. It was recorded at the Wisseloord Studios in Hilversum, Netherlands. She worked with Chappell and Judge Smith on writing the songs.
The cover sleeve depicts Lovich wearing a wedding dress and playing with hockey pucks on a string. It was taken inside a stainless steel fermentation tank at a Guinness brewery, after it had been emptied prior to cleaning. It caused controversy and few members of the Baptist church tried to get the album banned in the United States, saying it depicted an act of witchcraft.
Lovich described Flex as her more introverted album. After its release, it received relatively positive reviews praising album's enhanced production compared to her previous album Stateless' rough sound. It was also more successful in charts, peaking at number 94 on the Billboard 200 and number 19 on the UK Albums Chart. The lead single "Bird Song" peaked at number 39 on the UK Singles Chart. The following singles were "Angels" and "What Will I Do Without You?", of which the latter peaked at number 58.
The release of the album was followed by Lovich's first sold-out tour in the United States and a three-month tour within Europe, the highlight of which was a sold-out show in front of 10,000 fans in Belgrade.
Flex is a 2000 video installation by the British video artist Chris Cunningham. It consists of a 15-minute film loop that endlessly depicts a naked man and woman floating in darkness, who by turns embrace and furiously beat one another, culminating in an act of anal sex during which they disappear in a blast of light. The film is set to an electronic soundtrack by Aphex Twin.
It was first displayed to the public in 2000 as part of the Apocalypse: Beauty and Horror in Contemporary Art exhibition at the Royal Academy of Arts, and subsequently at the Anthony d'Offay Gallery and other art galleries.
It was given an 18 certificate by the BBFC, with no cuts from its original form.
A 3.5-minute excerpt of the 17-minute film was released on the DVD The Work of Director Chris Cunningham.
It was also re-edited for the back-drop screen projection during Madonna's performance of " Frozen" during her Re-Invention World Tour.
The full 17-minute video was shown in the Barbican's exhibition Seduced: Art and Sex from Antiquity to Now curated by Martin Kemp, Marina Wallace and Joanne Bernstein. alongside other pieces by Bacon, Klimt, Rembrandt, Rodin and Picasso.
The man and woman are depicted by combining the performances of a number of performers and body doubles, including actors Jon and Jo Hadfield, and dancers Rob Tannion and Desiree Kongerod. Post-production work was done at Glassworks and the Moving Picture Company.
Félix Danilo Gómez (born August 31, 1980), known by his stage namesFlex and Nigga, is a Panamanian Latin Grammy Award-winning reggaeton artist. He adopted the name '' Nigga'' after being told by another Panamanian artist that he "sings like an African." Before releasing an album in the United States in 2008, Flex removed references to his nickname in songs, and his CD packages were reprinted with the name "Flex."
In computing, the FLEX language was developed by Alan Kay in the late 1960s while exploring ideas that would later evolve into the Smalltalk programming language.
"Flex (Ooh, Ooh, Ooh)" is a song by American rapper Rich Homie Quan. It was released on February 10, 2015, as a single from his mixtape If You Ever Think I Will Stop Goin' in Ask RR (Royal Rich) (2015) and his debut album Rich As In Spirit (2016). The track was produced by Nitti Beatz and DJ Spinz and mixed by Ray Seay and Justin Childs.
Flex is a 1993/95 song by Jamaican reggae musician Mad Cobra. It was a single from the album of the same name and achieved success in the United States (1995) and the United Kingdom (1993) when it was released .
Usage examples of "flex".
In the same motion, he flexed his wrist tendons, squeezing tightly so the actuators would be triggered even through the padding of the EVA suit.
Inoshiro flexed vis facial actuators experimentally, shearing off mulch and grime.
My toes curled and my foot flexed, reveling in the delicate touch of the thumb that traced its way from the ball of my foot down the high arch and up into the hollow below my anklebone, managing to stimulate an entire plexus of sensation.
And at last the older members of the tribe had been infected by the new restlessness: Thaggoran sniffing around the old deep tunnels for shinestones, burly red-bearded Harruel climbing the walls like a boy, Konya flexing his muscles and pacing back and forth.
He flexed a leg so that his horny fingers might tap the gilt spurs on his bootheels, meaningfully.
He stepped out on the old footbridge and when he came to the middle flexed his knees as he had done as a boy, in order to feel the gentle, elastic counterthrust of the wooden structure.
As she clung to me, she never moved in disruptive opposition, or murmured the wrong word, or in any way disturbed the deeply satisfying and astonishingly complex rhythms of our passion, but matched each flex and counterflex, each thrust and counterthrust, each shuddering pause, each throb and stroke, until we had achieved and then surpassed flawless harmony.
Tanner moaned and snapped away, sensing the dinichthys below him, kicking out fearfully, slashing ineffectually at nothing as with a sudden vicious tide the ridges and scales swept past him, tons of muscle flexing, the sound of bone on bone jarring through the water.
She sat down and flexed her fingers over the ergonomically designed keyboard.
The Huntsmen strut about with imbecile narcissism in black leather jackets and studded belts, flexing their muscles for the fags to feel.
Sabrina had ever been inside an interrogation room and what she found in Fribourg shattered the Hollywood image of four whitewashed walls with a table and two wooden chairs in the centre of a bare concrete floor and a single, naked bulb hanging from a piece of platted flex.
She flexed her hands, with the extra finger that Herm had told Katherine was common in the Domain families, and which looked so peculiar.
Her hips began to flex strongly and her fingers came up to massage her clitoris.
The idea I had had of putting her leg out in front of her had been an admirable one, because it gaped the shadowy groove between those jouncy globes of hers and it made the buttocks flex uncontrollably.
I sensed her flexing her legs and tightening her shoulders, and knew kinesthetically what she was going to do and matched it without thinking: we spun and flowed and traded places.