Crossword clues for tenor
tenor
- Voice above bass
- Operatic voice type
- Male choir member
- Highest natural adult male voice
- General vibe
- Caruso, e.g
- Voice part
- Voice higher than baritone
- Range of some saxophones
- Quartet voice
- Opera hero, often
- Male operatic voice
- Voice between alto and baritone
- Part of SATB
- Male choral voice
- Caruso or Domingo
- Placido Domingo, for one
- Met singer
- Melchior, for one
- Jan Peerce, e.g
- Highest male voice
- Four-part harmony part
- Certain singer
- Bocelli's range
- Bocelli's pitch
- Bocelli, for one
- Baritone colleague
- A cappella group member
- "Danny Boy" singer, often
- Viola's range
- Member of the choir
- Man in the choir
- Jon Vickers, e.g
- High choir voice
- Certain voice range
- Carreras or Domingo
- Barbershop member
- Word from the Latin for "hold"
- Vocal range of Luciano Pavarotti
- Verdi's Otello, for one
- Type of sax played by Bill Clinton
- Sax selection
- Pavarotti's range
- Pavarotti, for example
- Pavarotti was one
- Pavarotti for one
- Overall tone
- Mario Lanza, for one
- Male chorus member
- Kind of sax or singer
- Jussi Bjorling, notably
- Jonas Kaufmann, e.g
- Hymn part
- Highest adult male voice
- General tone
- Don José in "Carmen," e.g
- Common sax
- Chorale member
- Certain opera voice
- Caruso, notably
- Caruso, famously
- Bocelli or Domingo, e.g
- Bocelli or Domingo
- Aria singer, at times
- Andrea Bocelli, e.g
- Wagner's Siegfried, for one
- Voice in a singing trio
- Voice between baritone and alto
- Vocal range of many male opera stars
- Variety of sax
- Type of sax used in some Al Jarreau songs
- Top man in the chorus?
- Third part of four-part harmony
- Tamino in "The Magic Flute," e.g
- T in a vocal score
- Steve Douglas played this sax on Dylan's "Street-Legal"
- Signor Pavarotti, e.g
- Sax smaller than a baritone
- Sax played by Clinton
- Sax larger than an alto
- Sax for Getz or Coltrane
- SATB section
- Rodolfo in "La Bohème," e.g
- Rocker Robert Plant, e.g
- Range for Don José in "Carmen"
- Range between bass and alto
- Ramon Vinay is one
- Radames of "Aida"
- Prince Ramiro in Rossini's "La Cenerentola," e.g
- Placido Domingo, say
- Placido Domingo, e.g
- Placido for one
- Pinkerton in "Madama Butterfly," e.g
- Peter Pears e.g
- Pavarotti's voice range
- Pavarotti, voicewise
- Pavarotti is one
- Pavarotti e.g
- Part of a famous trio
- Part in the middle
- Otellos voice
- Otello, in "Otello"
- Otello portrayer, e.g
- Operatic male
- One of a singing trio
- Neil Shicoff, e.g
- Member of a chorale
- Melchior or Caruso
- Many an opera singer
- Male voice higher than a baritone
- Male voice above a baritone
- Male singing voice that's above baritone and bass
- Male opera star
- Like Bill Clinton's saxophone
- Lanza or Gigli
- Justin Timberlake's vocal range
- Justin Bieber or Justin Timberlake
- Julio Iglesias, for one
- José Carreras, for one
- It's above bass
- Idomeneo in the opera "Idomeneo," e.g
- His range is one octave below and one octave above middle C
- High male singer
- Guy in a chorus
- Gigli, e.g
- General sentiment
- General sense
- Gedda, e.g
- Faust, e.g
- Domingo for one
- Covent Garden vocalist
- Choral voice higher than bass
- Choral voice above bass
- Choir male, often
- Che in "Evita"
- Certain horn or sax
- Caruso, among others
- Caruso or Carreras, e.g
- Caruso or Bocelli
- Caruso e.g
- Carreras, e.g
- Brian Sullivan
- Bono or Beck, singing-wise
- Bocelli or Caruso
- Basic drift
- Baritone's little brother
- Barbershop voice
- An opera voice
- A singing voice
- "Nessun dorma" singer
- "Lend Me a ____"
- "Danny Boy" voice, usually
- Canio, e.g., in "Pagliacci"
- Kind of saxophone
- Band instrument, with 72 Across
- Drift
- Opera voice
- Quartet member
- Caruso was one
- Jose Carreras, for one
- Martinelli or Caruso
- Jan Peerce was one
- Purport
- Don Jose, in "Carmen"
- Domingo, for one
- Pavarotti, e.g.
- Domingo's voice
- Voice above baritone
- Alfredo, in "La Traviata"
- Verdi's Alfredo Germont, e.g.
- Male caroler, maybe
- Luciano Pavarotti, e.g.
- Barbershop figure
- There's one in 55-Across
- One of a traveling musical trio
- Soprano's counterpart
- Overall sense
- Riccardo, in "Un Ballo in Maschera"
- Pavarotti or Carreras
- Kind of horn
- Lowish voice
- Lohengrin, for one
- Pavarotti, notably
- Top man in the choir?
- Andrea Bocelli, for one
- Tone
- Pinkerton in "Madama Butterfly"
- 114-Across, e.g.
- Pinkerton, in "Madama Butterfly," e.g.
- Voice below alto
- Pavarotti, for one
- Sax type played by Clinton
- Faust, e.g.
- Voice above a baritone
- Wagner's Tannhäuser, e.g.
- Pervading tone
- PlГЎcido Domingo, for one
- Don JosГ© in "Carmen," e.g.
- Opera's Mario Lanza, for one
- Barbershop quartet harmonizer
- Pavarotti or Caruso
- Barbershop part
- Choir member
- Pervading note of an utterance
- The adult male singing voice above baritone
- The pitch range of the highest male voice
- Wagner's Tannhäuser, e.g
- Tannhäuser, for one
- Course of thought
- Carreras, e.g.
- Domingo is one
- Neil Shicoff, e.g.
- Carreras is one
- Import
- Carlo Bergonzi, e.g.
- José Carreras is one
- McCormack or Melchior
- Peerce was one
- John McCormack was one
- Jon Vickers, e.g.
- Transcript
- Lincoln Center performer
- Domingo, e.g.
- Neil Shicoff is one
- General course
- Pavarotti or Domingo, e.g
- RADIO KNOB
- Member of a choir
- Bergonzi, for one
- Vladimir Popov is one
- Trend
- Pavarotti or Popov
- Chorus member
- Jon Vickers is one
- ___ sax
- Meaning
- Domingo or Kraus
- John McCormack, e.g.
- Robert Nagy is one
- Alfredo in "Traviata"
- John Alexander is one
- What 33 Down is
- Luciano Pavarotti, for one
- Choir voice
- Gedda, e.g.
- Substance
- Andrea Velis is one
- General nature
- High male voice
- Jan Vickers is one
- Downey was one
- Met performer
- General drift
- Harmony part
- A chorus line
- Verdi's Alfredo Germont, e.g
- Gets close attention in new society
- General meaning of vocalist
- General meaning of an utterance
- Content, round figure with right clothes
- Carreras, for example
- Opera singer somewhat fat? Enormous!
- Wrong note, right singer
- Spanish gentleman has little time for second singer
- Singing voice of cute northerner
- Singer's taken aback during 4,1,3?
- Singer's note right, after short number
- Singer’s theme
- Singer’s note read out
- Singer in first ENO Rigoletto
- Singer in English National Opera runs on time
- Singer from Crete? No, Rhodes
- Note called out for a singer
- Leaders picked off IT men for course
- Pavarotti, say, vocalised note
- Drift to one side round middle of bend
- Low voice
- Singing voice
- Male voice range
- Glee club member
- Opera hero's range, often
- Choir part
- Sax range
- Vocal range of Plácido Domingo
- Saxophone range
- Barbershop quartet member
- Caruso, for one
- Voice range
- Male singing voice that's higher than baritone
- Pavarotti, e.g
- Domingo, e.g
- Copier powder
- Enrico Caruso, for one
- Doo-wop group member
- Saxophone type
- General idea
- Opera singer
- Barbershop quartet voice
- Type of saxophone
- Train of thought
- Male singer above a baritone
- Andrea Bocelli, notably
- Chorus line
Longman Dictionary of Contemporary English
The Collaborative International Dictionary
high-pitched \high-pitched\ adj.
-
high in pitch or frequency; -- used of sounds and voices. Opposite of low. [Narrower terms: adenoidal, pinched, nasal; altissimo; alto; countertenor, alto; falsetto; peaky, spiky; piping; shrill, sharp; screaky, screechy, squeaking, squeaky, squealing; soprano, treble; sopranino; tenor]
Syn: high.
-
set at a sharp or high angle or slant; as, a high-pitched roof.
Syn: steeply pitched, steep.
Douglas Harper's Etymology Dictionary
c.1300, "general meaning, prevailing course, purpose, drift," from Old French tenor "substance, contents, meaning, sense; tenor part in music" (13c. Modern French teneur), from Latin tenorem (nominative tenor) "a course," originally "continuance, uninterrupted course, a holding on," from tenere "to hold" (see tenet). The musical sense of "high male voice" is attested from late 14c. in English, so-called because the sustained melody (canto fermo) was carried by the tenor's part. Meaning "singer with a tenor voice" is from late 15c. As an adjective in this sense from 1520s.
Wiktionary
a. of or pertaining to the tenor part or range n. 1 (context archaic music English) Musical part or section that holds or performs the main melody, as opposed to the ''contratenor bassus'' and ''contratenor altus'', who perform countermelodies. 2 (context obsolete English) duration; continuance; a state of holding on in a continuous course; general tendency; career. 3 (context music English) Musical range or section higher than bass and lower than alto. 4 A person, instrument(,) or group that performs in the tenor (gloss: higher than bass and lower than alto) range. 5 tone, as of a conversation. 6 (context linguistics English) The subject in a metaphor to which attributes are ascribed. 7 (context finance English) Time to maturity of a bond. 8 Stamp; character; nature. 9 (context legal English) An exact copy of a writing, set forth in the words and figures of it. It differs from ''purport'', which is only the substance or general import of the instrument. 10 That course of thought which holds on through a discourse; the general drift or course of thought; purport; intent; meaning; understanding.
WordNet
n. the adult male singing voice above baritone [syn: tenor voice]
the pitch range of the highest male voice
an adult male with a tenor voice
pervading note of an utterance; "I could follow the general tenor of his argument" [syn: strain]
adj. (of a musical instrument) intermediate between alto and baritone or bass; "a tenor sax"
of or close in range to the highest natural adult male voice; "tenor voice"
Wikipedia
Tenor (finance) refers to the time-to-maturity of a bond, or for an interest rate swap, the length of time during this payments are made.
For a swap, tenor may also mean the coupon frequency.
For a bond, it may mean the remaining time-to-maturity as well.
Tenor is a live solo album by multi-instrumentalist and composer Joe McPhee, recorded in 1976 it was the third album released on the Swiss HatHut label and was rereleased on CD in 2000 as Tenor & Fallen Angels with a bonus track.
Tenor is a type of classical male singing voice whose vocal range is one of the highest of the male voice types. It is also used to refer to singers of that voice type. The tenor's vocal range (in choral music) lies between C, the C one octave below middle C, and A, the A above middle C. In solo work, this range extends up to C, or "tenor high C". The low extreme for tenors is roughly A (two As below middle C). At the highest extreme, some tenors can sing up to two Fs above middle C (F). The tenor voice type is generally divided into the leggero tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or spieltenor.
A tenor is a type of classical male singing voice whose vocal range is higher than bass and lower than alto.
Tenor may also refer to:
- Tenor (linguistics), the relationship between participants in a discourse
- in finance
- the duration or time-to-maturity of a bond or swap, see Tenor (finance)
- the coupon frequency of an equity swap
- in music
- in change ringing, the bell with the lowest pitch
- the recitation tone of a Gregorian chant
- a tenor saxophone
- a tenor drum
- In systemic functional linguistics, the term tenor refers to the participants in a discourse, their relationships to each other, and their purposes.
- In analysing the parts of a metaphor, "tenor" has another meaning, unrelated to the meaning above. According to I. A. Richards, the two parts of a metaphor are the tenor and vehicle. The tenor is the subject to which attributes are ascribed. The vehicle is the subject from which the attributes are derived. Thus, they are broadly equivalent to the notions of target and source domains in conceptual metaphor theory.
Usage examples of "tenor".
The violin and the other members of its family had taken their places somewhat as we now have them, but the number of basses and tenors was much less than at present, their place being filled by the archlute and the harpsichord.
Garcia was a tenor with a voice sufficiently deep to enable him to sing the barytone part of Don Giovanni in Paris and at subsequent performances in London.
Despite the aggressive tenor of the moment, kochan-father Brem would have seen this as an opportunity to widen association.
He had a tenor voice of remarkable power, flexibility, and range, which because of his superb musicianship was never merely, monotonously, perfect.
And she thought of Rory, bright and beautiful Rory, who would have outdanced the lot of them and raised his clear tenor voice in song.
After he swam away for some distance some of the boys amused themselves by shooting at him with their revolvers, but if they succeeded in hitting him, of which I have my doubts, his sharkship gave no sign of being in trouble and pursued the even tenor of his way until he was lost to sight.
She occupied the place as soloist in Calvary Church for a while when the choir was composed of Harry Gates, tenor, Fred Borneman, bass, M.
None could ignore the music, although they were only barely aware of the nasal tenor whose voice was not strong enough to carry over the wild squeals of the theremin and the twang of a dozen steel-stringed guitars.
As a result the protest movements seized on and adopted two Second World War novels as their own, novels that expressed the absurdist tenor of the modern revulsion.
But the tumult on the other campuses and the antiauthoritarian tenor of the times could be measured by the length of the sideburns creeping down the faces of Carolina men.
Fakredeen shot a glance at Eva and Baroni, as if to remind them of the tenor of the discourse for which he had prepared them.
With a cakey dryness about the lips, the sweetness of cotton candy filming her teeth, numb to cacophony and in her element, little Linds saw out of the corner of her eye a switched-on filament of stilted brilliance in the no-color sky, heard mobbed shrieks out of tenor with the cries of thrillseekers.
Two pairs of bodyguards walked in front of us, while the trio behind us kept up a marching song, the baritone taking up the verse and melody, the tenor gracing the end of each phrase with a high harmony that soared above like a bird, while the bass sang a slow countermelody that still managed to keep perfect time.
For if we look closely at his lifelong creative metaphor, even though his vehicle is frequently a futurological scenario, his tenor is always a variation on an Earthly theme.
With the two duets she was obedient, tamely accepting the harmonies of the composer, but on the final tenor solo, she played with the music a little, embroidering a little here, echoing a little there.