Crossword clues for perspective
Longman Dictionary of Contemporary English
The Collaborative International Dictionary
Perspective \Per*spec"tive\, a. [L. perspicere, perspectum, to look through; per + spicere, specere, to look: cf. F. perspectif; or from E. perspective, n. See Spy, n.]
Of or pertaining to the science of vision; optical. [Obs.]
--Bacon.-
Pertaining to the art, or in accordance with the laws, of perspective.
Perspective plane, the plane or surface on which the objects are delineated, or the picture drawn; the plane of projection; -- distinguished from the ground plane, which is that on which the objects are represented as standing. When this plane is oblique to the principal face of the object, the perspective is called oblique perspective; when parallel to that face, parallel perspective.
Perspective shell (Zo["o]l.), any shell of the genus Solarium and allied genera. See Solarium.
Perspective \Per*spec"tive\, n. [F. perspective, fr. perspectif: cf. It. perspettiva. See Perspective, a.]
A glass through which objects are viewed. [Obs.] ``Not a perspective, but a mirror.''
--Sir T. Browne.That which is seen through an opening; a view; a vista. ``The perspective of life.''
--Goldsmith.-
The effect of distance upon the appearance of objects, by means of which the eye recognized them as being at a more or less measurable distance. Hence, a["e]rial perspective, the assumed greater vagueness or uncertainty of outline in distant objects.
A["e]rial perspective is the expression of space by any means whatsoever, sharpness of edge, vividness of color, etc.
--Ruskin. The art and the science of so delineating objects that they shall seem to grow smaller as they recede from the eye; -- called also linear perspective.
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A drawing in linear perspective.
Isometrical perspective, an inaccurate term for a mechanical way of representing objects in the direction of the diagonal of a cube.
Perspective glass, a telescope which shows objects in the right position.
Douglas Harper's Etymology Dictionary
late 14c., "science of optics," from Old French perspective and directly from Medieval Latin perspectiva ars "science of optics," from fem. of perspectivus "of sight, optical" from Latin perspectus "clearly perceived," past participle of perspicere "inspect, look through, look closely at," from per- "through" (see per) + specere "look at" (see scope (n.1)). Sense of "art of drawing objects so as to give appearance of distance or depth" is first found 1590s, influenced by Italian prospettiva, an artists' term. The figurative meaning "mental outlook over time" is first recorded 1762.
Wiktionary
a. 1 of, in or relating to perspective 2 (context obsolete English) providing visual aid; of or relating to the science of vision; optical n. 1 A view, vista or outlook. 2 The appearance of depth in objects, especially as perceived using binocular vision. 3 The technique of representing three-dimensional objects on a two-dimensional surface. 4 (context figuratively English) The choice of a single angle or point of view from which to sense, categorize, measure or codify experience. 5 The ability to consider things in such relative perspective 6 A perspective glass. 7 A sound recording technique to adjust and integrate sound sources seemingly naturally.
WordNet
n. a way of regarding situations or topics etc.; "consider what follows from the positivist view" [syn: position, view]
the appearance of things relative to one another as determined by their distance from the viewer [syn: linear perspective]
Wikipedia
Perspective (from to see through) in the graphic arts is an approximate representation, on a flat surface (such as paper), of an image as it is seen by the eye. The two most characteristic features of perspective are that objects are smaller as their distance from the observer increases; and that they are subject to foreshortening, meaning that an object's dimensions along the line of sight are shorter than its dimensions across the line of sight.
Italian Renaissance painters and architects including Filippo Brunelleschi, Masaccio, Paolo Uccello, Piero della Francesca and Luca Pacioli studied linear perspective, wrote treatises on it, and incorporated it into their artworks, thus contributing to the mathematics of art.
Perspective may refer to:
Perspective is the second studio album by the guitarist Jason Becker, released independently on May 21, 1996, through Jason Becker Music and reissued on May 22, 2001, through Warner Bros. Records.
According to Becker's web site, the album features " Steve Perry, Michael Lee Firkins, Matt and Gregg Bissonette, Steve Hunter, members of Bobby McFerrin’s Voicestra and members of the San Francisco Girls Chorus." This is the first album in history released by a person affected by amyotrophic lateral sclerosis.
Two figures in a plane are perspective from a point O if the lines joining corresponding points of the figures all meet at O. Dually, the figures are said to be perspective from a line if the points of intersection of corresponding lines all lie on one line. The proper setting for this concept is in projective geometry where there will be no special cases due to parallel lines since all lines meet. Although stated here for figures in a plane, the concept is easily extended to higher dimensions.
Perspective is a 9-chapter episodic drama film from Canada written and directed by B. P. Paquette and starring Stéphane Paquette, Patricia Tedford, and Pandora Topp in a love triangle. The first five of the nine chapters, titled, respectively, Chapter 1: Salt & Soda (2012), Chapter 2: Chris and Other Beards (2013), Chapter 3: Hush, hsuH (2014), Chapter 4: Reflecting (2015), and Chapter 5: Triangulation (2016) have been completed as of 2016.
Perspective, in the context of vision and visual perception, is the way that objects appear to the eye based on their spatial attributes or dimensions, and the position of the eye relative to the objects. There are two main meanings of the term: linear perspective and aerial perspective.
The development of new forms of geometric projection in the construction of perspective corresponds with the invention of novel pictorial art forms of visual representation in the Italian Renaissance, since the fourteenth century and up till the end of the sixteenth century, and specifically within the circles of architectural and artistic experimentation and design. Treatises were composed on perspective by eminent theorists of art and architecture, including figures like Leon Battista Alberti, Lorenzo Ghiberti, and Piero della Francesca, also aided by experimental uses of optical devices through the installations of Filippo Brunelleschi (around 1413). The investigations and writings of these Renaissance theorists of architecture and visual art were informed by the studies in classical optics of thirteenth-century Franciscan perspectivists like Roger Bacon, John Peckham, and Witelo, who were all directly inspired and influenced by the translation into Latin from Arabic of the Book of Optics (known in Latinate renditions as Perspectiva, and in Arabic as Kitab al-manazir) of the eleventh-century Arab polymath and optician, Alhazen ( Ibn al-Haytham).
According to the book Practice of Looking: An Introduction to Visual Culture, Lisa Cartwright and Marita Sturken state, "Perspective refers to a set of systems or mechanisms used to produce representations of objects in space as if seen by an observer through a window or frame. In perspective, the size and detail of objects depicted corresponds to their relative distance from the imagined position of the observer" (page 151).
Perspective in pharmacoeconomics refers to the economic vantage point of a pharmacoeconomic analysis, such as a cost-effectiveness analysis or cost-utility analysis. This affects the types of costs (resource expenditures) and benefits that are relevant to the analysis.
Five general perspectives are often cited in pharmacoeconomics, including institutional, third party, patient, governmental and societal. The author must state the perspective and then ensure that costs and valuations remain consistent with it throughout the study,explaining briefly the applicable nomenclature. This should allow prospective reader to get a better understanding, and a firmer grasp of the subject matter.
If, for example, a pharmacoeconomic study takes the institutional perspective, medication cost would be relevant to resource expenditures involved in therapy delivery. Since the institution (e.g. hospital) incurs this expense, it would be included. Other relevant costs include inventory carrying cost, pharmacy time to compound or dispense, nursing time to administer, disposables (e.g. medication cups or intravenous tubing) and allocated hospital overhead costs Valuation defines the currency reference that represents the resource expenditure associated with a given cost. The actual "dollar amount" to be attributed to the medication needs to be consistent with the perspective as well. Average wholesaler price (AWP) might not be considered an appropriate valuation of medication cost from an institutional perspective, if it does not represent the cost to the institution. Average acquisition cost would be more relevant.
More complex perspectives may require broader consideration of costs and more sophisticated valuations. For example, in the "societal" perspective, it is necessary for the author to consider costs that would not be relevant to a given institutional perspective. Examples include lost productivity and lost wages due to illness.
Category:Pharmaceutical industry
Perspective is the second EP by British progressive metal band Tesseract, released on 21 May 2012. The EP is not a metal record, instead it consists of new renditions of four songs from One: a newly edited version of "Eden" called "Eden 2.0" and acoustic versions of the songs "Perfection," "April," and "Origin." It also includes a cover of Jeff Buckley's " Dream Brother". It is the band's first and only release with vocalist Elliot Coleman, who left the band in June 2012, mere weeks after the release of Perspective.
The cover is very similar to that of the band's album One, but, whereas the tesseract on the cover of that album is grey, the tesseract on Perspective is blue and "sparkly."
The EP has a special edition on iTunes where there is an instrumental version of each song.
Perspective is an experimental puzzle video game that includes aspects of a 2-dimensional platform game. The player moves the avatar through a 2D screen that changes based on the player's camera angle in 3D space. This perspective-shifting mechanic is used to reach a goal at the end of each level. When the player takes control of the camera angle, the 2D avatar is locked in place until the player decides to return to 2D mode.
Overall, Perspective was very well received by critics, with the unique game mechanics as well as the level design singled out as strong features.
Perspective is the second studio album released by four-piece British band Lawson. The album was released on 8 July 2016. The album was preceded by the singles " Roads", " Money" and "Where My Love Goes". The album was recorded over the course of two years. Initial recording took place between March 2014 and April 2015; with additional recording sessions taking place between January and March 2016. The album introduces a more progressive and adult sound for the band, incorporating elements of synthpop amongst a heavier selection of electronic guitars.
Usage examples of "perspective".
But nearly all these authors treat chiefly of parallel perspective, which they do with clearness and simplicity, and also mathematically, as shown in the short treatise in Latin by Christian Wolff, but they scarcely touch upon the more difficult problems of angular and oblique perspective.
Note that he frequently puts the point of sight quite at the side of his canvas, as at S, which gives almost the effect of angular perspective whilst it preserves the flatness and simplicity of parallel or horizontal perspective.
This far-away vanishing point is one of the inconveniences of oblique or angular perspective, and therefore it will be a considerable gain to the draughtsman if we can dispense with it.
Given Line Placed at an Angle to the Base Draw a Square in Angular Perspective, the Point of Sight, and Distance, being given.
Or if we wish to put it into angular perspective we adopt the same method as with the hexagon, as shown at Fig.
All-seeing Eye be the centre of many concentric circles, beholding equally in perspective the circumference of each, and for accordance with human periods of time measuring off segments by converging radii: separately marked on each segment of the wheel within wheel, in the way of actual fulfilment, as well as type and antitype, will appear its satisfied word of prophecy, shining onward yet as it becomes more and more final, until time is melted in eternity.
Right and left of us they towered, with the afternoon sun falling full upon them and bringing out all the glorious colours of this beautiful range, deep blue and purple in the shadows of the peaks, green and brown where grass and rock mingled, and an endless perspective of jagged rock and pointed crags, till these were themselves lost in the distance, where the snowy peaks rose grandly.
And I moved through these expressionist perspectives in my black dress as though I was the creator of all and of myself, too, in a black dress, in love, crying, walking through the city in the third person singular, my own heroine, as though the world stretched out from my eye like spokes from a sensitised hub that galvanised all to life when I looked at it.
I had no idea what the homogeneity of TV broadcasting might be from a vampire perspective.
From the present limited perspective of Houyhnhnm nationhood, the major question is what the Houyhnhnm utopia implies about the nature of nations.
His comment had been made purely from a humorous and the next word seemed to cause the presenter some trouble metonymic perspective, and he unconditionally rejected any literal interpretation that might be placed on it.
In the perspectives of the plaza, the junctions of the underpass and embankment, Talbot at last recognized a modulus that could be multiplied into the landscape of his consciousness.
In the distance, it was hard to determine how far because the perspective was distorted, a gigantic multisided ship was rising.
The murky area at the edges of the simulacrum quickly grew to overshroud the whole scene, then parted, revealing a much closer perspective.
Scenes were blocked out with extreme care, and pencilled guide lines told of the minute exactitude which Pickman used in getting the right perspective and proportions.