Crossword clues for elements
elements
- Wind, rain, etc
- Water and air, e.g
- Lead and gold
- Component parts
- Wind, rain, cold, etc
- What B and C (but not A) may represent
- Uranium and plutonium
- Tungsten and tellurium
- Tin and lead, e.g
- They have atomic numbers
- Thallium and mercury, e.g
- Sodium and oxygen
- Rain, snow, sleet, etc., with "the"
- Periodic-table listing
- Periodic-table entries
- Periodic table slots
- Periodic table items
- Periodic table entries
- Mercury and argon
- Man against the ___
- Listings on the periodic table
- Lab table, essentially
- Items on the periodic table
- Halogens, e.g
- Fire, air, water and earth
- Fire and water
- Factors that make a band
- Euclid work
- Earth, wind and fire, e.g
- Earth, wind and fire
- Earth, fire and water
- Earth and air
- Copper and carbon
- Atmospheric forces
- 13-book Euclidean treatise
- Strunk and White's "The _____ of Style"
- Euclid's grand work
- Euclidean work
- Weather, with "the"
- Classic work of Euclid
- Gold and silver, e.g.
- Periodic table listings
- Some metals
- Things on a table
- Mendeleev's tabulation
- Gold and silver, but not bronze
- Astatine and vanadium
- Violent weather
- Wind, rain, etc.
- Tin and lead, e.g.
- Chemistry's basics
- A B C's
- Indium and osmium
- Rudiments
- Neon and mercury, e.g.
- Wolfram and selenium
- Components
- Gold and silver, e.g
- Krypton and xenon
- Constituents
- Water and air, e.g.
- Carbon and gold, e.g
- Weathermen caught in a flurry of sleet
- A, B, C etc, as periodically arranged? He and I are with them
- Hydrogen and oxygen, e.g
- How the weather can heat kettles
- He is one of them in a chemistry set
- Basic principles
- Rudimentary principles
- Silver and gold, e.g
Wiktionary
n. 1 (plural of element English) 2 (context pluralonly English) Outdoor weather, such as wind or rain. 3 (context pluralonly English) The basic tenets of an area of knowledge. 4 (context pluralonly English) The bread and wine of the eucharist.
WordNet
n. violent or severe weather (viewed as caused by the action of the four elements); "they felt the full fury of the elements"
Wikipedia
Elements is the third album released by the progressive / technical death metal band Atheist. It was released on August 30, 1993 by Music for Nations in Europe and by Metal Blade Records in the US. Elements was reissued by Relapse Records in 2005 and was digitally remastered with the addition of six bonus tracks.
The album has more of a jazz influenced style than their two previous albums, but it remains highly technically complex. Eduardo Rivadavia described it for Allmusic as remaining "admirably true to the band's famously complicated arrangements, syncopated rhythms, and ultra-precise attack, but also boast[ing] a cleaner musicality never before attempted by the group". Elements was written, recorded and mixed in forty days in Pro Media Studios. The band wanted to dissolve but they were required to finish their third album in order to fulfill a contract to their record label. Elements features the addition of a third guitarist, Frank Emmi. Initially, Rand Burkey was not going to appear on the album, and as Kelly Shaefer had developed carpal tunnel syndrome, (preventing him from playing anything but rhythm guitar) a new lead guitar player was needed. Before recording, Burkey rejoined the band, and thus the band ended up with three guitarists. Shaefer plays rhythm guitar, while Emmi and Burkey share responsibilities for leads and solos.
Elements was Atheist's last studio album for 17 years, until the 2010 release of Jupiter.
Elements is the second solo album from Deep Purple bassist Roger Glover. It was recorded in early 1977 but wasn't released until April 1978 on PolyGram Records. The album's main concept is based on the four elements.
Elements is the thirteenth solo studio album by guitarist Steve Howe.
Elements is an American jazz fusion ensemble founded by bass guitarist Mark Egan and drummer Danny Gottlieb in 1982. Both Egan and Gottlieb were members of the Pat Metheny Group, and Elements's sound draws from their experience. Band members include Bill Evans, Gil Goldstein, Steve Khan and Clifford Carter.
Elements: An International Magazine of Mineralogy, Geochemistry, and Petrology is a bimonthly peer-reviewed scientific journal published by 17 scientific societies: Mineralogical Society of America, Mineralogical Society of Great Britain and Ireland, Mineralogical Association of Canada, Geochemical Society, Clay Minerals Society, European Association of Geochemistry, International Association of GeoChemistry, Société Française de Minéralogie et de Cristallographie, Association of Applied Geochemists, , , International Association of Geoanalysts, Polskie Towarzystwo Mineralogiczne ( Mineralogical Society of Poland), Sociedad Española de Mineralogía ( Spanish Mineralogical Society), Swiss Society of Mineralogy and Petrology, Meteoritical Society, and the Japan Association of Mineralogical Sciences. It was established in January 2005. The editors-in-chief are Patricia M. Dove ( Virginia Tech), Gordon E. Brown, Jr ( Stanford University), and Bernard J. Wood ( University of Oxford). The journal covers all aspects of mineralogy, geochemistry, and petrology. Each issue is devoted to a particular topic and contains invited review articles, as well as society news and book reviews.
elements is a New American fine dining restaurant located in Princeton, New Jersey which reopened on August 11, 2015 at its new location on Witherspoon Street in downtown Princeton. The restaurant originally opened in 2008 on Bayard Lane in Princeton and closed in 2014 while the new location was developed.
Elements was a League of Legends team that competed in the European League of Legends Championship Series (EU LCS). They were formerly part of Alliance but was spun-off of the organization for the 2015 LCS Spring Split after Riot Games announced a new sale of sponsorship rule. The team played LCS games out of the Am Studio 20D in Adlershof, Berlin.
Elements is a studio album by Italian composer Ludovico Einaudi released on .
The album takes inspiration from elements of nature, with each track evolving from a small gesture or motif, evoking a journey through fragmented thoughts and feelings. Einaudi says: "I saw new frontiers — on the edge between what I knew and what I didn't know — that I had long wanted to explore: creation myths, the periodic table, Euclid's geometry, Kandinsky's writings, the matter of sound and of colour, the stems of wild grass in a meadow, the shapes of the landscape…"
The title track "Elements" epitomises this exploration of organic growth. The opening begins with small, understated gestures: the "heartbeat" of the bass and electric guitar, coloured with the Rhodes motif. This gradually builds through waves of energy as each element develops, eventually incorporating the full, momentous force of the string orchestra (recorded on the album by the Amsterdam Sinfonietta). This piano solo arrangement remains faithful to the original impression, with each layer growing from the opening fragments. The unique accompanying backing track supports the soloist and reproduces the same invigorating energy as the album recording. This is a chance to delve into the music and immerse yourself in a truly exhilarating experience. The opening keyboard loop of "Night" forms the identity of the song, which develops gradually with gentle cross rhythms from the piano, blended with rich harmonies and scalic fragments from the strings.
For the first time in his career in anticipation of the album release, Einaudi made available piano scores of two tracks, "Elements" and "Night", complete with the free original backing tracks.
Einaudi discussed the themes of "Elements" in a September 2015 podcast with The Mouth Magazine.
Usage examples of "elements".
This new and more complicated patterning presents general grammar with a necessary choice: either to pursue its analysis at a lower level than nominal unity, and to bring into prominence, before signification, the insignificant elements of which it is constructed, or to reduce that nominal unity by means of a regressive process, to recognize its existence within more restricted units, and to find its efficacity as representation below the level of whole words, in particles, in syllables, and even in single letters themselves.
And, indeed, representation undertakes to represent itself here in all its elements, with its images, the eyes to which it is offered, the faces it makes visible, the gestures that call it into being.
Creator has ordained that the elementary bodies shall be composed of mingled elements, therefore arc their harmonies and discordancies remarkable, as we may know from their qualities.
The only possible form of link between the elements of this knowledge is addition.
It is rather an opaque, mysterious thing, closed in upon itself, a fragmented mass, its enigma renewed in every interval, which combines here and there with the forms of the world and becomes interwoven with them: so much so that all these elements, taken together, form a network of marks in which each of them may play, and does in fact play, in relation to all the others, the role of content or of sign, that of secret or of indicator.
The language of the sixteenth century -understood not as an episode in the history of any one tongue, but as a global cultural experience - found itself caught, no doubt, between these interacting elements, in the interstice occurring between the primal Text and the infinity of Interpretation.
In the proposition, all the functions of language are led back to the three elements that alone are indispensable to the formation of a proposition: the subject, the predicate, and the link between them.
For is it not, in fact, a duplicated kind of representation, and thus able to combine with the elements of its representation another representation distinct from the first, even though the only function and meaning of the second representation is the representation of the first?
The idea that, when we destroy words, what is left is neither mere noise nor arbitrary, pure elements, but other words, which, when pulverized in turn, will set free still other words - this idea is at once the negative of all the modem science of languages and the myth in which we now transcribe the most obscure and the most real powers of language.
They transcribe in space, not their ideas but sounds, and from those sounds they extract the common elements in order to form a small number of unique signs whose combination will enable them to form all possible syllables and words.
Since it is very easy to learn this alphabet, because of its very small number of elements, everyone is able to devote to reflection and to the analysis of ideas the time that the hieroglyphic peoples wasted in learning how to write.
And by four variables only: the form of the elements, the quantity of those elements, the manner in which they are distributed in space in relation to each other, and the relative magnitude of each element.
In effect, description is to the object one looks at what the proposition is to the representation it expresses: its arrangement in a series, elements succeeding elements.
Classical culture, does not lie essentially in what they make it possible to see, but in what they hide and in what, by this process of obliteration, they allow to emerge: they screen off anatomy and function, they conceal the organism, in order to raise up before the eyes of those who await the truth the visible relief of forms, with their elements, their mode of distribution, and their measurements.
Any difference not related to one of these elements will be considered irrelevant.