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Douglas Harper's Etymology Dictionary
Anastasia

fem. proper name, from fem. of Late Latin Anastasius, from Greek Anastasios, from anastasis "resurrection," literally "a standing or rising up," from ana "up; again" (see ana-) + histanai "to cause to stand, to stand up" from PIE root *sta- "stand" (see stet).

Wikipedia
Anastasia (1956 film)

Anastasia is a 1956 American historical drama film directed by Anatole Litvak. Set in interwar France, the film follows the story of a suicidal amnesiac ( Ingrid Bergman), whose remarkable resemblance to the Grand Duchess Anastasia Nikolaevna of Russia — the youngest daughter of the late Tsar Nicholas II and Empress Alexandra Feodorovna, who is rumored to have survived the execution of her family — draws her into a plot devised by the former White Russian General Bounine ( Yul Brynner) and his associates to swindle from the Grand Duchess an inheritance of £10 million. However, the ultimate hurdle to their plan is the exiled Russian aristocracy — in particular the Dowager Empress Marie Feodorovna ( Helen Hayes) — whom their handpicked claimant must convince of her legitimacy if they wish for their scheme to succeed.

The origins of Anastasia lie in a play written by Marcelle Maurette and adapted by Guy Bolton when it was translated into English, which was in turn inspired by Anna Anderson, the most famous of the many Anastasia impostors who appeared after the death of the Imperial family in July 1918. An animated version of Anastasia was released by Fox Animation Studios in 1997, keeping much of Maurette's original storyline.

Anastasia

Anastasia (also spelled Anastasiya, Annastasia, Ánnstas, Anastazia, Anastazja, Anastacia or Annastatia) is a name bestowed to women and the feminine equivalent of the male name Anastasius. The name is of Greek origin, coming from the Greek word "anastasi" (gr. "ανάσταση"), meaning "resurrection". It is a popular name in Eastern Europe, particularly in Russia, where it was the most used name for decades until 2008, when its place was taken by Sophia. It is still heavily used.

Anastasia (1997 film)

Anastasia is a 1997 American animated epic musical film produced by Fox Animation Studios and distributed by 20th Century Fox, directed by former Disney animation directors Don Bluth and Gary Goldman, and starring the voices of Meg Ryan, John Cusack, Kelsey Grammer, Hank Azaria, Christopher Lloyd and Angela Lansbury. The film is an adaptation of the legend of Grand Duchess Anastasia Nikolaevna of Russia, which claims that she in fact escaped the execution of her family. Its basic plot - that of an eighteen-year-old amnesiac orphan named Anya who, in hopes of finding some trace of her family, sides with con men who wish to take advantage of her likeness to the Grand Duchess - is the same as the 1956 film by Fox, written by Guy Bolton and Arthur Laurents, which, in turn was based on the 1955 play by Marcelle Maurette.

The film premiered on November 14, 1997 in New York City, and was released on November 21, 1997 in the United States, and despite the objections of some historians to its fantastical retelling of the life of the Grand Duchess, enjoyed a positive reception from many critics. From a $50 million budget, the film grossed $139,804,348 worldwide, making Anastasia a box office success. The film also received nominations for several awards, including two Oscars for Best Original Song (" Journey to the Past") and Best Original Musical or Comedy Score. It is the most profitable film from Don Bluth and Fox Animation Studios to date.

The success of Anastasia spawned various adaptations of the film into other media, including a direct-to-video spin-off film, a computer game, books, toys, and a stage adaptation which premiered in 2016.

Anastasia (sister of Constantine I)

Anastasia was the daughter of Roman Emperor Constantius Chlorus and Flavia Maximiana Theodora, and half sister of Emperor Constantine I. Anastasia was associated with a plot to assassinate Constantine. Her husband, Bassianus, was found to be plotting against Constantine.

Anastasia (wife of Constantine IV)

Anastasia (c. 650 – after 711) was the Empress consort of Constantine IV of the Byzantine Empire.

Anastasia (disambiguation)

Anastasia is a female given name of Greek origin, deriving from "Αναστασία", the Greek word for "resurrection".

Anastasia may also refer to:

Anastasia (TV series)

Anastasia is a Greek TV series that was aired in season 1993-94 by Mega Channel. The series was one of the most successful series of that period. It is written by Mirella Papaeconomou and it stars Myrto Alikaki, Alkis Kourkoulos and Minas Hatzisavvas. The series was about a love triangle and it is considered pretty bold for the Greek society of 1990s. The soundtrack of the series, that was composed by Dimitris Papadimitriou and was performed by Eleftheria Arvanitaki, became the first platinum TV soundtrack.

Anastasia (artist)

Anastasia (flourished c 1400, Paris) was a French illuminator of manuscripts, apparently specializing in the elaborate decorative borders that were increasingly fashionable, and landscape backgrounds. By her day most manuscripts were produced in commercial workshops, and many artists were women, probably especially those specializing in borders, which were often produced by a different artist from the main miniature image. The School of Paris was still the leading centre of illumination at this period, and Parisian works were widely distributed across Europe.

Nothing is known about her except for the praise heaped upon her by the medieval writer Christine de Pisan in her work, The Book of the City of Ladies (1405). Pisan describes her as the finest illuminator of her day, in her field.

"I know a woman today, named Anastasia, who is so learned and skilled in painting manuscript borders and miniature backgrounds that one cannot find an artisan in all the city of Paris - where the best in the world are found - who can surpass her, nor who can paint flowers and details as delicately as she does, nor whose work is more highly esteemed, no matter how rich or precious the book is. People cannot stop talking about her. And I know this from experience, for she has executed several things for me, which stand out among the ornamental borders of the great masters. (City of Ladies 85)
Anastasia (soundtrack)

Anastasia: Music from the Motion Picture is the soundtrack for the 1997 Fox Animation Studios film Anastasia. It contains songs from the film written by Lynn Ahrens and Stephen Flaherty, selections of the original score composed by David Newman, and performed by Liz Callaway, Jim Cummings, Jonathan Dokuchitz, and Kelsey Grammer, among others, and featured singles by Aaliyah and Deana Carter and a duet with Richard Marx and Donna Lewis, along with tracks from the film's score composed by David Newman. It was released on October 28, 1997 on CD and audio cassette.

The songs " Journey to the Past" and "Once Upon a December" were given nominations from the Academy Awards and Golden Globes. Newman also received his first Oscar nomination for the score. The single " At the Beginning" managed to position #45 on the Billboard Hot 100, and also to #1 on Billboard's Adult Contemporary.

Anastasia (Boardwalk Empire)

"Anastasia" is the fourth episode of the first season of the HBO television series Boardwalk Empire, which premiered October 10, 2010. It was written by co-executive producer Lawrence Konner and supervising producer Margaret Nagle and directed by Jeremy Podeswa. The episode received generally favourable reviews from television critics.

The episode centres on Nucky celebrating his birthday and Jimmy getting settled into his new home, Chicago.

The title of the episode comes from a contemporary news story when Anna Anderson, a Polish factory worker, surfaced claiming to be the lost Grand Duchess Anastasia of Russia, creating a sensation in March, 1922.

Anastasia (band)

Anastasia (, transliterated Anastasija) is a Macedonian music group. The band was formed in 1987 as Apokrifna Realnost and changed their name to Anastasia in 1989. Their members are:

  • Goran Trajkoski (ex Saraceni, Padot na Vizantija, Mizar)
  • Klime Kovaceski (ex Aporea, Padot na Vizantija)
  • Zlatko Oriǵanski (ex Lola V. Stain)
  • Zoran Spasovski (ex Mizar, Aporea)

Their music is a blend combining Byzantine past, through Eastern Orthodox Church music with a rich gamut of ethnic Macedonian music rhythms.

Anastasia have written several music scores for films, theater performances and TV programs. Their soundtrack for the Academy Award nominated movie Before the Rain was released in 1994 by Polygram and sold thousands of copies worldwide. In the same year, the Thessaloniki-based label Poeta Negra released a 12" EP containing the tracks " By the Rivers of Babylon" and " Pass Over." In 1997, they released " Melourgia" on the Greek label Libra (cat. no. L.M.007); the record included a reworked version of " By the Rivers of Babylon." This was followed by their last album to date, " Nocturnal," on the same label (cat.no. L.M.013); this record saw the band including electronic elements in their music as well.

Anastasia (ballet)

Anastasia is a ballet created by Kenneth MacMillan. The first version in one act was premiered in 1967 by the Deutsche Oper Ballet. In 1971 MacMillan expanded the work to three acts for the Royal Ballet; the original one-act version became the final act of the 1971 work.

The 1967 version uses Martinů's Symphony No. 6 (1953) and untitled electronic music by Fritz Winckel and Rüdiger Rüfer. The three-act version also used Tchaikovsky's Symphony No. 1 and Symphony No. 3.

The ballet is based on the story of Anna Anderson, who purported to be the Grand Duchess Anastasia Nikolaevna of Russia. After MacMillan's death, DNA tests showed that Anderson was unrelated to the Russian imperial family, but at the time the ballet was created many, including MacMillan, were inclined to accept that she might be the lost Grand Duchess. Anderson was confined for a time to a mental institution in Berlin in 1920. The 1967 ballet depicts her there, painfully attempting to recover her memory. The first two acts of the 1971 version show Anastasia's life (or Anderson's mental image of it) in her privileged surroundings before the Russian Revolution. MacMillan chose Tchaikovsky's music for these acts, to provide a dramatic contrast with the musique concrète and the edgy Martinů score in the third act.

The first performance of the single-act version was given at the Deutsche Oper, Berlin on 25 June 1967. The title role of Anastasia/Anderson was danced by Lynn Seymour. The three-act version was premiered by the Royal Ballet at the Royal Opera House, Covent Garden on 22 July 1971. Barry Kay designed costumes and scenery for both productions. After MacMillan's death the ballet was revived, with minor changes, under the supervision of his widow Deborah MacMillan in May 1996. New costumes and scenery were designed by Bob Crowley. In that, and later revivals, the title role was performed by Viviana Durante, Leanne Benjamin, Gillian Revie and Mara Galeazzi.

Anastasia (musical)

Anastasia is a musical with music and lyrics by Lynn Ahrens and Stephen Flaherty, and a book by Terrence McNally. Based on the 1997 film of the same name, the musical tells the story of the legend of Grand Duchess Anastasia Nikolaevna of Russia, which claims that she in fact escaped the execution of her family. Anastasia, who appears in the plot as an amnesiac orphan named Anya, hopes to find some trace of her family and sides with con men who wish to take advantage of her likeness to the Grand Duchess.

Usage examples of "anastasia".

I am My Serene Highness, Crown Princess of the Nonarable Lands, Duchess of the Frozen Fjords, Marchioness of the Miserable Mires, Anastasia Ilonia Vasilia Gwendolyn Martha Nettletongue, at your service, though actually, you understand, that is only a figure of speaking.

The three of them turned back towards where Anastasia waited, no longer fainting but sore and silent.

Bronwyn and Jack fell quickly asleep and shortly afterwards, she heard Anastasia struggle upright and limp toward the river, and thought the swan must be feeling better if she felt like swimming.

Sighing, Anastasia made a sort of hopping swoop to the center of the river, where the current was strongest.

She peered with her wide, green stare at Jack and Bronwyn, and with less curiosity at Anastasia, who fluttered down beside them.

Though the pool contained fresh water rather than salt unless inadvertently mingled with unusually high waves, it grew none of the plants of which Anastasia was fond, and she was obliged, as were the rest of them, to subsist on seaweed salad.

Maybe Anastasia would mend enough, in a few days, to fly them to land, one at a time, while the mermaids were showing Carole how to scout for ships or taking her on tours of their past conquests, wrecks sunk far beneath the waves.

One never knew when Carole would decide to dunk one in something liquid, or when Anastasia would fly into a royal swanly conniption.

Behind her, a growl and a bark and a small dog, some sort of terrier perhaps, popped from between her knees to give Anastasia a piece of his mind.

The ones they gave Anastasia were more covetous than anything else, Jack thought.

He would be back in a few hours, much enriched, and at that time he would waken them and tell them of the conversation he had overheard and together they would take pains to see to it that they and the Princess Anastasia remained whole and mobile enough to repair to the capital.

Since Anastasia was probably not staying up reading, and would have been unable to light a candle even had their hosts been kind enough to provide her with one, he had to assume someone else was in the stable.

They pushed it half into the water, but when they were ready to hitch Anastasia to it, the swan flatly refused.

At least Carole and Anastasia were not troubled by water monsters, a fact with which they comforted each other.

Carole sat on the edge of the fountain and fumed while Anastasia zoomed around the statue of the octopus spouting water into the pool.