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Polyeucte
"Polyeucte" is also the name of an overture by Paul Dukas.

Polyeucte martyr is a drama in five acts by French writer Pierre Corneille. It was finished in December 1642 and debuted in October 1643. It is based on the life of the martyr Saint Polyeuctus (Polyeucte).

In 1878 it was adapted into an opera by Charles Gounod, with the assistance of the librettist Jules Barbier. The opera was not a success and is rarely performed except for a number of arias including "Source délicieuse" and the barcarolle "Nymphes attentives". Other works based on the play include a ballet by Marc-Antoine Charpentier (1679), the opera Poliuto (1838) by Donizetti (adapted into French by Scribe as Les Martyrs), an overture by Paul Dukas (1891) and a composition by Edgar Tinel.

The drama is set in ancient Armenia (in a city, Melitene, which is in present-day Turkey) during a time when Christians were persecuted there under the Roman Empire. Polyeucte, an Armenian nobleman, converts to Christianity to the great despair of his wife, Pauline, and of his father-in-law, Felix. Despite them, Polyeucte becomes a martyr, causing Pauline and Felix to finally convert as well.

There is also a romantic subplot: the Roman Severus is in love with Pauline and hopes she will be his after the conversion of Polyeucte. However, she chooses to stay at the side of her husband. Before dying, Polyeucte entrusts Severus with Pauline.

Polyeucte is one of the last 17th-century French dramas with a religious subject—Corneille did also write Théodore in 1645 and Racine wrote Esther (1689) and Athalie (1691), but these were not meant for public performance. Later playwrights were not as willing to mix religious and worldly themes.

Polyeucte (opera)

'' Polyeucte'' is an opéra by Charles Gounod based on the play about Saint Polyeuctus by Pierre Corneille. The libretto by Jules Barbier and Michel Carré is more faithful to its source than Les martyrs, Scribe's adaptation for Donizetti, and Gounod hoped to express "the unknown and irresistible powers that Christianity has spread among humanity". The subject had occupied Gounod for some ten years. An initial delay was caused by a fire which destroyed the theatre of the Paris Opéra, the Salle Le Peletier, in October 1873. Further delay came about because the first draft remained in the hands of the jealous Georgina Weldon when Gounod left England in 1874 to return to Paris. He had to resort to a lawsuit before resigning himself to recomposing the work from memory, although towards the end of that endeavor, Weldon did return it.

The opera finally premiered at the Opéra's new house, the Palais Garnier on 7 October 1878, in stage sets designed by Jean Émile Daran (Act I), Louis Chéret (Act II), Auguste-Alfred Rubé and Philippe Chaperon (Act III), Eugène Louis Carpezat and Antoine Lavastre (Act IV), and Jean-Baptiste Lavastre (Act V). Despite the splendid staging, the premiere was a failure – "the sorrow of my life," noted Gounod – and closed after 29 performances. Polyeucte's aria "Source délicieuse" is sometimes heard in concert.

A 2004 co-production by Jean-Louis Pichon was seen that year in Martina Franca, then in 2006 in Saint-Etienne conducted by Laurent Campellone and Jean-Pierre Furlan in the title role.

Polyeucte (Dukas)

Polyeucte is an overture composed by Paul Dukas in 1891 for the tragedy of the same name by Pierre Corneille. Dukas made his public debut with the first performance of this overture on 23 January 1892 at the Concerts Lamoureux.