Crossword clues for ballet
- Tutu wearer's dance
- Toe dancer's dance
- Toe dance
- Spandau ____: pop group
- Setting for some Tchaikovsky score
- Setting for a Tchaikovsky score
- Performance where dancers wear tutus
- Performance in tutus
- Pavlova performance
- One of the performing arts
- Nureyev performance
- Markova's forte
- Margot Fonteyn's forte
- Joffrey concentration
- It's tutu divine
- It's done on tiptoe
- It may keep a performer on her toes
- Danilova's dance
- Dance on tiptoe
- Dance drama
- Corps activity
- Company practice?
- Bolshoi show
- Baryshnikov's milieu
- Baryshnikov's field
- Balanchine's genre
- Activity next to a bar
- Activity for a corps
- "Swan Lake", for one
- "Swan Lake," for one
- "Swan Lake," e.g
- "Giselle," for one
- "Black Swan" subject
- ''Swan Lake,'' e.g
- Dancers lie at first in bed, pectorals rippling
- "Swan Lake," e.g.
- 13-Down medium for Jean Baptiste Lully
- It may keep you on your toes
- Performance for Anna Pavlova
- Baryshnikov's medium
- Type of slipper
- Tallchief's forte
- Tutu event
- Misha's milieu
- Diaghilev presentation
- "L'Oiseau de Feu," e.g.
- Nureyev vehicle
- Fonteyn's milieu
- "Rodeo," for one
- Kind of slipper
- Susan Jaffe's milieu
- Giselle, say, put everything into gamble
- Classical dance
- Speculation about everyone dancing in classical style
- Speculation about everyone dancing
- Nureyev's forte
- Inform sailor about dance 23A?
- Dance style
- Dance entertainment
- Type of dance
- Balanchine's specialty
- Tutu wearer's performance
- Pavlova's field
- Danseur's forte
- Dance company
- Bolshoi performance
- Balanchine's field
- 'Swan Lake,' e.g
- With slippers, Karen Kain's footwear
Longman Dictionary of Contemporary English
The Collaborative International Dictionary
Ballet \Bal"let`\ (b[a^]l"l[asl]` or b[a^]l"l[e^]t; 277), n.
An artistic dance performed as a theatrical entertainment, or an interlude, by a number of persons, usually women. Sometimes, a scene accompanied by pantomime and dancing.
The company of persons who perform the ballet.
(Mus.) A light part song, or madrigal, with a fa la burden or chorus, -- most common with the Elizabethan madrigal composers; -- also spelled ballett.
(Her.) A bearing in coats of arms, representing one or more balls, which are denominated bezants, plates, etc., according to color.
Douglas Harper's Etymology Dictionary
1660s, from French ballette from Italian balletto, diminutive of ballo "a dance" (see ball (n.2)). Balletomane attested by 1930.
n. 1 A classical form of dance. 2 A theatrical presentation of such dancing, usually with music, sometimes in the form of a story. 3 The company of persons who perform this dance. 4 (context music English) A light part song, frequently with a fa-la-la chorus, common among Elizabethan and Italian Renaissance composers. 5 (context heraldry English) A bearing in coat of arms representing one or more balls, called bezants, plates, etc., according to colour.
n. a theatrical representation of a story performed to music by ballet dancers [syn: concert dance]
music written for a ballet
Ballet is a type of performance dance that originated in the Italian Renaissance courts of the 15th century and later developed into a concert dance form in France and Russia. It has since become a widespread, highly technical form of dance with its own vocabulary based on French terminology. It has been globally influential and has defined the foundational techniques used in many other dance genres. Becoming a ballet dancer requires years of training. Ballet has been taught in various schools around the world, which have historically incorporated their own cultures to evolve the art.
Ballet may also refer to a ballet dance work, which consists of the choreography and music for a ballet production. A well-known example of this is The Nutcracker, a two-act ballet that was originally choreographed by Marius Petipa and Lev Ivanov with a music score by Pyotr Ilyich Tchaikovsky. Ballets are choreographed and performed by trained artists. Traditional classical ballets usually are performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets, such as the neoclassical works of American choreographer George Balanchine, often are performed in simple costumes (e.g., leotards and tights) and without the use of elaborate sets or scenery.
Ballet as a music form progressed from simply a complement to dance, to a concrete compositional form that often had as much value as the dance that went along with it. The dance form, originating in France during the 17th century, began as a theatrical dance. It was not until the 19th century that ballet gained status as a “classical” form. In ballet, the terms ‘classical’ and ‘romantic’ are chronologically reversed from musical usage. Thus, the 19th century classical period in ballet coincided with the 19th century Romantic era in Music. Ballet music composers from the 17th–19th centuries, including the likes of Jean-Baptiste Lully and Pyotr Ilyich Tchaikovsky, were predominantly in France and Russia. Yet with the increased international notoriety seen in Tchaikovsky’s lifetime, ballet music composition and ballet in general spread across the western world.
Ballet is a formalized kind of performance dance.
Ballet may also refer to:
Ballet company, a group of dancers who perform ballet
- Ballet dancer, individual performer
- Ballet (film), a 1995 documentary by Frederick Wiseman about the American Ballet Theater
Ballet is a 1995 American documentary film directed by Frederick Wiseman. It portrays rehearsals, choreography, performances, business transactions, and other day-to-day life of the American Ballet Theatre. Much of the footage dates from the 1992 season. It also includes scenes from the company's European tour, namely in Greece and Copenhagen.
Appearances are made by Susan Jaffe, Julie Kent, Julio Bocca, Angel Corella, Amanda McKerrow, Alessandra Ferri and others. Various ballet masters and choreographers also appear, including Kevin McKenzie, ABT's artistic director, Ulysses Dove, Irina Kolpakova, Natalia Makarova and Agnes de Mille. Business transactions by then-director Jane Hermann are also included.
The film is currently released to the public by Wiseman's distribution company, Zipporah Films
Usage examples of "ballet".
When Felsner-Imbs moved to Berlin with hourglass, porcelain ballerina, goldfish, stacks of music, and faded photographs -- Haseloff had engaged him as pianist for the ballet -- Tulla gave him a letter to take with him: for Jenny.
Her ballet slippers had grown too tight for her swelling feet, and at long last Jenny Angustri appeared to have the perfect high instep that every ballerina ought to have.
Brunies and Felsner-Imbs the piano teacher decided to send Jenny to a ballet school three times a week.
On it stood a modest early-nineteenth-century villa, to whose sand-yellow stucco clung, half concealed by red-blowing hawthorn, the enamel sign of the ballet school.
Sitting by the piano equipped with his sketching pad, extracting mana from soft lead, he followed the bar exercises with swift eyes and was soon able to transfer the various positions to paper more pleasingly than the boys and girls, some of them members of the child ballet at the Stadttheater, could perform them at the bar.
Another time -- Jenny, Amsel, and Matern were absent be cause Jenny was having her ballet lesson -- Tulla swiped two schlagball balls for us, and a kid from the Athletic and Fencing Club was suspected.
She was outside in the yard and I, with still electric hair, was too slow in following to prevent her assault on the piano teacher and ballet pianist.
Stooped, he strode stiffly to the machine shop and inquired of the machinist when the buzz saw and lathe were planning to take a fairly protracted intermission, because he, the ballet pianist and former concert pianist, wished to practice, very softly, some thing complicated, a so-called adagio.
I am writing, to whom I am writing, although if Brauxel had his way, I should be writing of nothing but Eddi Amsel, Tulla arranged for our watchdog Harras to attack Felsner-Imbs, the piano teacher and ballet pianist, a second time.
Imbs and Jenny -- she in a yellowish fluffy coat -- were probably on their way from the ballet school, for the laces of her ballet slippers were dangling pink and silky out of a gym bag that Jenny was carrying.
In addition to the Renaissance desk and the Singer sewing machine, his equipment included a tall, narrow mirror, reaching up to the ceiling paneling, of the kind to be found in tailor shops and ballet schools.
Goldmouth and listen to the scraping of silvery exercising ballet slippers: Jenny is holding the bar, embarking on a career.
Everyone was eager to know what had happened at the ballet school since the day before yesterday.
We uncertain spellers, five or six ballet fans, sat in the gallery of the Stadttheater and looked on critically at the recital that the ballet master had ventured to stage with the help of Madame Lara.
We barely caressed them, we gazed upon their frayed silver glitter, tapped their hard unsilvered tips, played absently with silver ribbons, and all of us attributed magical power to the slippers: out of the poor roly-poly they had been able to make something ethereal which, thanks to ballet slippers, was capable, day in day out, of going to heaven on foot.