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intermodulation

n. (context physics English) modulation of the different frequency of interacting waves

Wikipedia
Intermodulation

Intermodulation (IM) or intermodulation distortion (IMD) is the amplitude modulation of signals containing two or more different frequencies, caused by nonlinearities in a system. The intermodulation between each frequency component will form additional signals at frequencies that are not just at harmonic frequencies ( integer multiples) of either, like harmonic distortion, but also at the sum and difference frequencies of the original frequencies and at multiples of those sum and difference frequencies.

Intermodulation is caused by non-linear behaviour of the signal processing (physical equipment or even algorithms) being used. The theoretical outcome of these non-linearities can be calculated by generating a Volterra series of the characteristic, while the usual approximation of those non-linearities is obtained by generating a Taylor series.

Practically all audio equipment has some non-linearity, so it will exhibit some amount of IMD, which however may be low enough to be imperceptible by humans. Due to the characteristics of the human auditory system, the same percentage of IMD is perceived as more bothersome when compared to the same amount of harmonic distortion.

Intermodulation is also rarely desirable in radio, as it creates unwanted spurious emissions, often in the form of sidebands. For radio transmissions this increases the occupied bandwidth, leading to adjacent channel interference, which can reduce audio clarity or increase spectrum usage.

IMD is only distinct from harmonic distortion in that the stimulus signal is different. The same nonlinear system will produce both THD (with a solitary sine wave input) and IMD (with more complex tones). In music, for instance, IMD is intentionally applied to electric guitars using overdriven amplifiers or effects pedals to produce new tones at subharmonics of the tones being played on the instrument. See Power chord#Analysis.

IMD is also distinct from intentional modulation (such as a frequency mixer in superheterodyne receivers) where signals to be modulated are presented to an intentional nonlinear element ( multiplied). See non-linear mixers such as mixer diodes and even single- transistor oscillator-mixer circuits. However, while the intermodulation products of the received signal with the local oscillator signal are intended, superheterodyne mixers can, at the same time, also produce unwanted intermodulation effects from strong signals near in frequency to the desired signal that fall within the passband of the receiver.

Intermodulation (album)

Intermodulation is a 1966 jazz album by pianist Bill Evans and jazz guitarist Jim Hall. It is a follow-up to their 1963 collaboration Undercurrent.

Usage examples of "intermodulation".

The best they’d managed was to clean up the audio, and being able to drop the transient intermodulation distortion to zero was no consolation.