What is "so what"

interj. (context colloquial rhetorical question English) A reply to an unimportant or irrelevant statement, indicating indifference on the part of the speaker.

So What is the third solo studio album by the American singer-songwriter and multi-instrumentalist Joe Walsh. It was released in late 1974 on ABC-Dunhill Records. It contains hard rock songs such as "Welcome To The Club" and a remake of the Barnstorm track, " Turn To Stone". It also contains more introspective material such as "Help Me Through the Night" and "Song For Emma", a tribute to Walsh's daughter who had been killed in a car crash the previous year. On a few tracks, Don Henley, Glenn Frey, and Randy Meisner of the Eagles contributed backing vocals. Over a year and a half later, Walsh would be drafted into the Eagles to replace founding member Bernie Leadon, playing on their best-selling studio album Hotel California. The album was re-issued five years later by MCA Records in 1979.

So What may refer to:

"So What" is the first track on the 1959 Miles Davis album Kind of Blue.

"So What" is the first single from Field Mob's third album, Light Poles and Pine Trees, featuring multi-platinum recording artist, Ciara, who performs the chorus and the bridge. The single peaked at #10 on the Billboard Hot 100 chart making it Field Mob's first Top 10 single and Ciara's sixth.

The first two lines from the first verse (I'm a slut, I'm a hoe, I'm a freak, I got a different girl everyday of the week) are taken from the chorus rapped by The Notorious B.I.G. from Lil' Kim's 1997 single " Crush on You."

So What is the fifth compilation album by English punk rock band the Anti-Nowhere League. It contains mostly well known studio tracks along with a mix of live tracks, once again taken from the Live in Yugoslavia album.

"Woman" appears in an unreleased version, as well as a rare studio version of "Noddy", after the live version had already been released on The Horse is Dead.

So What is an acoustic jazz album by Jerry Garcia and David Grisman. It was released on the Acoustic Disc record label in 1998.

"So What" is a song recorded by American singer Pink for her fifth studio album, Funhouse (2008). The song was written by Pink, Max Martin, and Shellback, and produced by Martin. Selected as the album's debut single, "So What" was first released to mainstream radios on August 25, 2008, through LaFace and Zomba Label Group. The song consists of a martial beat and synth backing. The lyrics are based on her separation from motocross racer Carey Hart, which occurred six months prior to the release.

"So What" received generally positive reviews from contemporary music critics; many praised it for its aggressive and empowering nature while others deemed it childish and bratty. The song was also successful commercially, topping the charts in several countries across Europe and Oceania and peaking within the top five worldwide. In the United States, the song reached number one on the Billboard Hot 100, becoming her second single to top the chart. "So What" also became her highest selling single in the United States, with sales of over four million downloads.

The music video for "So What" was directed by longtime collaborator Dave Meyers. It shows Pink drinking while riding a lawnmower, sawing down a tree, streaking on a red carpet appearance and other activities. The video also features a cameo appearance from Hart. Pink performed "So What" on MTV Europe Music Awards 2008 on November 6, 2008. The song was nominated for several awards, eventually winning the MTV Europe Music Award for the Most Addictive Track.

So What is a live album by George Russell released on the Blue Note label in 1987, featuring performances by Russell with his Living Time Orchestra recorded in 1983 in Boston. The Allmusic review by Richard S. Ginell awarded the album 3 stars and states "These tracks were recorded at the same Boston church concert that yielded The African Game, and Russell's Living Time Orchestra responds with the same kick and enthusiasm, although the musicians' individual solo turns aren't terribly startling... further evidence of Russell's (mixed?) desire to come to terms with the idioms of his time".