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quartets

n. (plural of quartet English)

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Quartets (Fred Frith album)

Quartets is a 1994 studio album by English guitarist, composer and improvisor Fred Frith. It consists of two compositions by Frith, "Lelekovice, String Quartet #1", performed by the Violet Wires String Quartet, and "The As Usual Dance Towards the Other Flight to What is Not", performed by an electric guitar quartet. Frith performs with the guitar quartet, but not with the string quartet.

Quartets (card game)

Quartets is a commercial card game similar to Go Fish. The game was invented in the Netherlands where it is known as kwartet. The game was originally created by Austrian card game company Piatnik during the 1960s, but later began being released by Dubreq, Ace, Waddingtons and other companies. Quartets, like Ace Trumps, were usually non-licensed.

Each pack originally contained 32 cards, divided into 8 groups of 4 cards, unlike a normal 52 pack of playing cards, but the number of groups changed from company to company.

The game went on to inspired Top Trumps.

Quartets (Boxhead Ensemble album)

Quartets is the second album by Boxhead Ensemble, released on October 7, 2003 through Atavistic Records.

Usage examples of "quartets".

His cassations, quartets and trios may be compared to a pure, clear stream of water, the surface now rippled by a gentle breeze from the south, and anon breaking into agitated billows, but without ever leaving its proper channel and appointed course.

Of the string quartets and other instrumental compositions of the period nothing need be said.

Thus, in 1784, Prince Henry of Prussia sent him a gold medal and his portrait in return for the dedication of six new quartets, while in 1787 King Frederick William II gave him the famous gold ring which he afterwards always wore when composing.

Symphonies, divertimenti for concerted instruments, string quartets, a clavier trio, airs, a cantata, and other works were all produced at these concerts, and with almost invariable applause.

As Pohl takes pains to point out, he spoke highly of Haydn whenever opportunity offered, often chose one of his themes when improvising in public, scored one of his quartets for his own use, and lovingly preserved the autograph of one of the English symphonies.

One of the Rasoumovsky quartets played in the background, rising eloquently above the drumbeats of the rain: as we soared high, Beethoven gave us a mystic noise, a second cellist unaccountably seeming to join the group, even an oboe at odd moments, a transcendental bassoon below the strings.