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Longman Dictionary of Contemporary English
orangery
noun
EXAMPLES FROM CORPUS
▪ An orangery filled with conservatory plants overlooks placid lawns and a fountain rising from a raised pool.
▪ At Sandridge an extensive orangery took up most of the southern façade ingeniously masking the servants' wing.
▪ From the roofed gateway, a paved terrace leads to the Summer Garden past a perfect lawn to the orangery.
▪ Gloria and I were lagging behind the party as it stepped out into the garden via the orangery.
▪ It was sort of orangery, not black like Marie's, but it was real nice too.
▪ Margam Park - 850 acres of parkland with a fairytale model village, maze, adventure playground, orangery.
The Collaborative International Dictionary
Orangery

Orangery \Or"an*ger*y\, n. [F. orangerie, fr. orange. See Orange.] A place for raising oranges; a plantation of orange trees.

Wiktionary
orangery

n. A greenhouse in which orange trees are grown.

Wikipedia
Orangery

An orangery or orangerie was a room or a dedicated building on the grounds of fashionable residences from the 17th to the 19th centuries where orange and other fruit trees were protected during the winter, similar to a greenhouse or conservatory. The orangery provided a luxurious extension of the normal range and season of woody plants, extending the protection which had long been afforded by the warmth offered from a masonry fruit wall. A century after the use for orange and lime trees had been established, other varieties of tender plants, shrubs and exotic plants also came to be housed in the orangery, which often gained a stove for the upkeep of these delicate plants in the cold winters of northern Europe. As imported citrus fruit, pineapples and other tender fruit became generally available and much cheaper, orangeries were used more for tender ornamental plants.

The orangery originated from the Renaissance gardens of Italy, when glass-making technology enabled sufficient expanses of clear glass to be produced. In the north, the Dutch led the way in developing expanses of window glass in orangeries, though the engravings illustrating Dutch manuals showed solid roofs, whether beamed or vaulted, and in providing stove heat rather than open fires. This soon created a situation where orangeries became symbols of status among the wealthy. The glazed roof, which afforded sunlight to plants that were not dormant, was a development of the early nineteenth century. The orangery at Dyrham Park, Gloucestershire, which had been provided with a slate roof as originally built about 1702, was given a glazed one about a hundred years later, after Humphrey Repton remarked that it was dark; though it was built to shelter oranges, it has always simply been called the "greenhouse" in modern times.

The 1617 Orangerie (now Musée de l'Orangerie) at the Palace of the Louvre, inspired imitations that culminated in Europe's largest orangery. Designed by Jules Hardouin-Mansart for Louis XIV's 3,000 orange trees at Versailles, its dimensions of by were not eclipsed until the development of the modern greenhouse in the 1840s, and were quickly overshadowed by the glass architecture of Joseph Paxton. Notable for his 1851 design of the Crystal Palace, his "great conservatory" at Chatsworth House was an orangery and glass house of monumental proportions.

The orangery, however, was not just a greenhouse but a symbol of prestige and wealth and a feature of gardens, in the same way as a summerhouse, folly or "Grecian temple". Owners would conduct their guests there on tours of the garden to admire not only the fruits within but the architecture without. Often the orangery would contain fountains, grottos, and an area in which to entertain in inclement weather.

Usage examples of "orangery".

I was wearing work gloves in the orangery, of course, but the mess was so foul.

French windows opened onto a double flight of stairs which curved down into the orangery, where fountains pattered like rain under a mass of foliage.

She hurried along the path that led to the old orangery, and with each tap of her heels on the cobbled stones her anger grew.

When the new conservatory had been built closer to the house, the old orangery had been allowed to fall into disuse.

Lucy and Gregory immediately moved forward to peer inside, but the orangery was dark, the only light the moon, shining through the expansive windows.

He stood with his hands on his hips, his stance wide as he scanned the orangery for occupants.

Wingfield turned on his heel, and followed by Dan, a negro lad of some eighteen years old, he walked toward the house, leaving Jonas Pearson, the overseer of the Orangery Estate, looking after him with an evil expression of face.

Wingfield, and upon the fact that she was the life owner of the Orangery, and believed that he would be able to maintain his position even when Vincent came of age.

At the same time it vexed her at heart that there should be any severity on the Orangery Estate, where the best relations had always prevailed between the masters and slaves and she had herself spoken to Jonas on the subject.

Dan and told him to take Dinah to the Orangery, then mounting his horse he rode off home to prepare his mother for the reception of his new purchase.

He had then suffered terrible anxiety all day, and the relief of learning that Vincent himself had bought her, and that she was now installed as a house servant at the Orangery, but a few miles away, was quite overpowering, and for some minutes he could only gasp out his joy and thankfulness.

Wingfield of the Orangery would have anything to do with a runaway, but Mr.

Wingfield of the Orangery, connected as she was with half the old families of Virginia, and herself a large slave-owner, was beyond suspicion, and no one would venture to suggest that such a lady could have the smallest sympathy for a runaway slave.

The next day was spent in a long round of farewell visits, and then Vincent mounted Wildfire, and, with Dan trotting behind, rode off from the Orangery amidst a chorus of blessings and good wishes from all the slaves who could on any pretext get away from their duties, and who had assembled in front of the house to see him start.

I have about a hundred and seventy working hands on the Orangery, and shall be happy to place a hundred at your disposal for as long a time as you may require them.