What is "leonora"

Leonora may refer to:

In people:

• Leonora (given name), a feminine given name
• Leonora of Castile (disambiguation)
• Leonora of England, Queen of Castile and Toledo as wife of Alfonso VIII of Castile
• John Leonora, research scientist, Loma Linda University
• Leonora Krajina

In places:

• Leonora, Guyana
• Leonora, Western Australia
• Shire of Leonora, a local government area of Western Australia

In arts and entertainment:

• Leonora (opera), the original title of Ludwig van Beethoven's opera Fidelio, in which the heroine is named Leonora (or Leonore in German)
• Leonora (opera), the 1804 opera by Ferdinando Paer based on the same source as the work by Beethoven
• Leonora, heroine of the opera Il trovatore, the 1853 opera by Giuseppe Verdi based on the 1836 drama El trovador by Antonio García Gutiérrez
• Leonora, heroine of the opera La forza del destino, the 1862 opera by Giuseppe Verdi based on the 1835 drama Don Álvaro o la fuerza del sino by Ángel de Saavedra, 3rd Duke of Rivas
• Leonora, another name for Lenore (ballad), by Gottfried August Bürger
• Leonora (novel), by Maria Edgeworth
• Leonora (film), a 1984 Australian film
• Leonora (Fry), an opera by William Henry Fry
• Leonora (Hazel Holt novel), by Hazel Holt
• Leonora (Arnold Bennett novel), by Arnold Bennett
• Leonora, the main character of a brief narrative pocket in Henry Fielding's Joseph Andrews

In other:

• 696 Leonora, a minor planet

Leonora is a novel written by Maria Edgeworth and published in 1806.

Although Edgeworth is known for having her novels ( Castle Rackrent, The Absentee) address issues of nationalism in an Anglo-Irish context, Leonora instead privileges English manners over French ones. The plot of the novel centers on the newly married Leonora and her decision to bring back to England a woman who had been exiled to France. The woman, Olivia, is known as a "coquette," and her controversial behavior with regard to her marriage had driven her to France, where she cultivated an aristocratic, "French" sensibility that exists apart from conventional morality.

The novel is written in an epistolary style, which means all of the action is mediated through personal letters and the letter-writers' points-of-view. By having the main characters tell the story through their own perspectives, the reader gets to read full articulations of competing sensibilities and philosophies, although the narrative clearly prefers Leonora's prudent reserve over Olivia's extravagant emotional displays.

Indeed, this novel can be read as a critique of Sensibility, a behavioral phenomenon that tries to correlate a person's emotional sensitivity with her elevated moral sentiments. Olivia, a self-professed woman of Sensibility, often makes dramatic displays of feeling that are described by others as "theatrical," or contrived, and in her personal correspondence with her French friend, Gabrielle, Olivia makes grand claims about sentiment and love that, conveniently, justify her insatiable need for attention, particularly male attention. While a conventional reading of Jane Austen's Sense and Sensibility dismisses the heroine Marianne's Sensibility as romantic teenage folly, Edgeworth's novel Leonora emphasizes Olivia's behavior as hypocritical narcissism.

Maria Edgeworth’s letter to Mrs. Pruxton at Black Castle, Navan, dated 8 June 1806, reads:

“------ Lady Olivia in ‘ Leonora ‘ is now supposed by all Dublin to be a portrait of Lady Asgill [wife of Sir Charles Asgill, 2nd Baronet] and that wherever they go they have to defend me by asserting that I’m not acquainted with the said Lady Asgill. Very luckily I never did meet her at Lady Holt’s where she was intimate. She was educated by Mademoiselle Le Noir who was Miss Bracebridge’s governess and who was more like Mademoiselle Panache than Lady Asgill is - to Olivia - at all events this fancy of the Dublin fine world promotes the sale of the book and I am content. -------.”

Lady Bessborough, writing to Granville Leveson Gower from Paris on Thursday, 23 December 1802, had this to say about Maria Edgeworth:

“…..I was introduc’d by him [François de la Harpe] to the famous Miss Edgeworth and her Brother (Castle Rackrent &c. By the by, I am sure she wrote it all herself, for the brother seems a fool and a coxcomb; she very ugly, but delightful.)”

Leonora or Leonore is a feminine given name which is a variation of Eleanor. It was relatively common in the 19th Century in Western countries, ranking as the 314th most popular female given name in the US in 1880. The name became less popular in the 20th Century, and is now the 2138th most popular name in the US with 7,774 people with the first name.

Leonora is a 1985 Australian sex film about a couple who have an open marriage.

Leonora, ossia L’amore coniugale (Leonora or Conjugal Love) is an opera (specifically a dramma semiserio) in two acts by the Italian composer Ferdinando Paer. The libretto, by Giovanni Schmidt, is based on Léonore ou L’Amour conjugal (1794) by Jean-Nicolas Bouilly, which was also the source of Beethoven's Fidelio. Beethoven himself owned a score of Paer's opera and it is believed to have had some influence on his work. Leonora was first performed at the Kleines Kurfürstliches Theater, Dresden on 3 October 1804 with the composer's wife singing the title role.