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Longman Dictionary of Contemporary English
house music
▪ Joey Meeson watched as Lizzy danced, her body undulating to the thumping rhythm of the acid house music.
▪ The heavy thump of acid house music was everywhere.
house music

n. A particular type of electronic dance music with an uptempo beat and recurring kickdrum.

House music

House music is a genre of electronic dance music created by club DJs and music producers that originated in Chicago in the early 1980s. Early house music was generally dance-based music characterized by repetitive 4/4 beats, rhythms mainly provided by drum machines, off-beat hi-hat cymbals, and synthesized basslines. While house displayed several characteristics similar to disco music, it was more electronic and minimalistic, and the repetitive rhythm of house was more important than the song itself. House music initially became popular in Chicago clubs in 1984, pioneered by figures such as Frankie Knuckles, Phuture, and Mr. Fingers, and was associated with African-American and gay subcultures. House music quickly spread to other American cities such as Detroit, New York City, Baltimore, and Newark – all of which developed their own regional scenes. In the mid-to-late 1980s, house music became popular in Europe as well as major cities in South America, and Australia.

Early house music commercial success in Europe saw songs such as " Pump Up The Volume" by MARRS (1987), "House Nation" by House Master Boyz and the Rude Boy of House (1987), " Theme from S'Express" by S'Express (1988) and " Doctorin' the House" by Coldcut (1988) in the pop charts. Since the early to mid-1990s, house music has been infused in mainstream pop and dance music worldwide. In the late 1980s, many local Chicago house music artists suddenly found themselves presented with major label deals. House music proved to be a commercially successful genre and a more mainstream pop-based variation grew increasingly popular. House music in the 2010s, while keeping several of these core elements, notably the prominent kick drum on every beat, varies widely in style and influence, ranging from the soulful and atmospheric deep house to the more minimalistic microhouse. House music has also fused with several other genres creating fusion subgenres, such as euro house, tech house, electro house and jump house.

Artists and groups such as Madonna, Janet Jackson, Paula Abdul, Aretha Franklin, Bananarama, Diana Ross, Tina Turner, Whitney Houston, Steps, Kylie Minogue, Björk, and C+C Music Factory all incorporated the genre into their work in the 1990s and beyond. After enjoying significant success in the early to mid-90s, house music grew even larger during the second wave of progressive house (1999–2001). The genre has remained popular and fused into other popular subgenres, for example, ghetto house, deep house and tech house. As of 2016, house music remains popular in both clubs and in the mainstream pop scene while retaining a foothold on underground scenes across the globe.

House Music (album)

House Music is the debut solo album from Steven James Adams, formerly of Broken Family Band and Singing Adams. It was released by London label The state51 Conspiracy in September 2014.

The album features appearances and contributions from Dan Mangan, Justin Young from The Vaccines, Martin Green from Lau and Emily Barker.

Usage examples of "house music".

As Jody screams over the din of the house music, Fuck the agendas.

This is what house music is, this is what the psychedelic rebirth is, this is what the new cyber-tribalism is, and at the centre of this the sparkplug, the necessary element, the sine qua non, if you will, is the psychedelic experience, because it's not an ideology, it's not something that you get from Baba if you clean up around the ashram for a few years, it doesn't come to you from some beady-eyed roshi, rishi, geshe, or guru.