n. The Ancient Greek letter eta, or variants of it, when used in their original function of denoting the consonant /h/.
Heta is a conventional name for the historical Greek alphabet letter Eta and several of its variants, when used in their original function of denoting the consonant /h/. The letter Η had been adopted by Greek from the Phoenician letter Heth originally with this consonantal sound value, and Hēta was its original name. The Italic alphabets, and ultimately Latin, adopted the letter H from this Greek usage. However, Greek dialects progressively lost the sound /h/ from their phonological systems. In the Ionic dialects, where this loss of /h/ happened early, the name of the letter naturally changed to Ēta, and the letter was subsequently turned to a new use denoting the long half-open sound. In this function it later entered the classical orthography adopted across the whole of Greece. In dialects that still had the /h/ sound as part of their phonological systems, including early Athens, the same letter continued to be used in its consonantal function. Just like vocalic Eta, it could occur in a number of glyph variants in different local varieties of the alphabet, including one shaped like a square "8" similar to the original Phoenician , but also a plain square , a crossed square , shapes with two horizontal or with diagonal bars .
During the classical era, more dialects adopted the new Ionian vocalic Eta (as Athens did around c. 400 BC). As many of these dialects nevertheless still also pronounced /h/, they faced the problem of distinguishing between their own old consonantal symbol and the new vocalic symbol. Some dialects, including classical Attic, simply omitted the marking of the /h/-sound. In others (for instance Rhodes), the same symbol was used in both functions. Others distinguished between glyph variants, for instance in Delphi by using the closed square sign for /h/, and the open H for the vowel. In the southern Italian colonies of Heracleia and Tarentum, a new innovative shape for /h/ was invented, consisting of a single vertical stem and a rightward-pointing horizontal bar, like a half H . From this sign, later scholars developed the rough breathing or spiritus asper, which brought back the marking of the old /h/ sound into the standardized post-classical ( polytonic) orthography of Greek in the form of a diacritic.
From scholia to the grammar of Dionysius Thrax, it appears that the memory of the former consonantal value of the letter Η was still alive in the era of the Alexandrine Koiné insofar as the name of the vocalic η was still pronounced "heta" and accordingly written with a rough breathing. The later standard spelling of the name eta, however, has the smooth breathing.
Under the Roman emperor Claudius in the mid-1st century AD, Latin briefly re-borrowed the letter in the shape of the half-H tack glyph, as one of the so-called Claudian letters. It denoted the sonus medius, a short close vowel sound of a quality between i and u.
In modern transcriptions and editions of ancient Greek epigraphic text that use consonantal Heta, in any of its shapes, the letter is most often rendered simply with a Latin h, both in Latin transliteration and in Greek scholarly transcriptions (using lowercase in Greek, so that Latin h and Greek η are distinct). Some authors have also adopted the Heracleian "tack" Heta for use in modern transcription. Jeffery (1961) uses the tack symbol also as a modern label for the abstract grapheme, i.e. as a cover label for any letter shape denoting /h/ in any given local alphabet.
Usage examples of "heta".
It is called by the Guarani Heta I, which in loose translation means Many Waters.
They took the healing arts and in their madness perverted Heta I into a terrible force for evil.
It was Heta I Croaker could do nothing more than slip his right hand in his pocket.
This is not allowed in Heta I Perhaps, though, he wishes you to know how you will be betrayed by those closest to you.