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currents

n. (plural of current English)

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Currents (periodical)

Currents is the official international trade law journal of South Texas College of Law.

Debuting in the winter of 1991 featuring an article by Senator Lloyd Bentsen, Currents is published twice annually by the law student members and editors, who receive academic credit for writing projects and staff participation.

Currents focuses on international trade law in its broadest sense, addressing the legal effects and structure of international trade agreements as well as the legal aspects of international business transactions, including the sale of goods and services, licensing, investment, and dispute resolutions. Individual past editions have focused on the North American Free Trade Agreement (NAFTA) marketplace, the European Union, maritime law, emerging markets and international finance, and oil and gas transactions in Latin America.

The full text of articles published in Currents are available on Westlaw and LexisNexis.

Currents (TV series)

Currents is a daily Catholic news magazine television show on New Evangelization Television (NET), broadcast five days a week from its studios in Brooklyn. The program examines current events through the perspective of the Catholic faith.

Currents (Eisley album)

Currents is the fourth full-length album by the band Eisley. It was released on May 28, 2013, on Equal Vision Records. The title-track song "Currents," is the first official single from the album, and was publicly released on April 23, 2013. On April 16, 2013, Eisley released an online stream of the song "Drink The Water," hosted by Nylon Magazine. The streaming of this song marked the first full length song to be heard from Currents.

The album charted at number 66 on the Billboard 200, making it the group's highest charting album to date.

Currents (Tame Impala album)

Currents is the third studio album by Australian rock band Tame Impala, released on 17 July 2015 by Modular Recordings and Universal Music Australia in Australia, Fiction Records in Europe and Interscope Records in the United States. Like the group's previous two albums, Currents was written, recorded, performed, and produced by primary member Kevin Parker. For the first time, Parker also mixed the music. It was also the first time that Parker recorded all instruments by himself; the album featured no other collaborators.

After the release of the group's previous album, Lonerism (2012), Parker began work on Currents, largely recording at his home studio in Fremantle. He engrossed himself with writing and recording, and in keeping with his reputation as a musical auteur, laboured over the details of each song, ultimately causing the release date to be delayed by two months. In contrast to the psychedelic rock sound of the project's prior work, Currents marks a shift to more dance-oriented music, with more emphasis placed on synthesisers than guitars. Parker was inspired to seek a change out of desire to hear Tame Impala's music played in dance clubs and a more communal setting. Thematically, the record is about the process of personal transformation, which many critics interpreted to be the result of a romantic break-up. The album's cover art depicting vortex shedding is a visualisation of these themes.

Currents was preceded by the release of the singles " Let It Happen", " 'Cause I'm a Man", "Disciples", and "Eventually". Like its predecessors, the album received critical acclaim, and it became the group's best charting release, debuting at number one in Australia, number three in the United Kingdom, and at number four in the United States. Currents has sold over 120,000 copies in North America as of December 2015. It appeared on various critics' year-end lists of the best albums of 2015. At the 2015 ARIA Music Awards, Currents was awarded Best Rock Album and Album of the Year.

Usage examples of "currents".

Back to the amoral currents of nature that, however lively and vital, still do not have to construct intersubjective cultures and do not therefore provide a model for human interaction?

I can do now is look at the currents of power, and guess at the forces that molded them.

Their orientation with the currents they were supposed to be using could be told only from the length of cordage paid out to the various corners, and their depths from the angle at which these lines entered the water.

Is there any sign that the big thing is being influenced by deep currents as well as wind?

The captain again ordered the doll to calculate as best it could how far into the deep currents this one reached.

Saxon and Norman tongues refused to coalesce and were like two distinct currents flowing in different directions.

By this time the cutter had begun to drift at the mercy of the currents of the lake, her head turning in all directions, though slowly, and not in a way to attract particular attention.

The weather was warm, as is not always the case in that region even in summer, while the air that came off the land, in breathing currents, brought with it the coolness and fragrance of the forest.

In short, the upper and lower currents would, in a manner, counteract each other.

A dull, distant, heavy roar came down through the opening in the banks, swelling on the currents of the air, like the deeper notes of some immense organ, and occasionally seeming to cause the earth itself to tremble.

Marxist and techno-economic factors in the generation of worldviews, and an introduction to currents in postmodern thought, as set in the context of the spectrum overview.

Ascending and Descending currents together admirably, expressing and polishing the original Platonic nonduality.

We are still living in its shadow, still under the sway of powerful currents unleashed three centuries ago, still trying to situate ourselves in a Kosmos profoundly shaken by the events of the Enlightenment, still wondering exactly what it all meant.

Ego, of inserting it back into the larger currents of Life and Love, the Eco camps ended up inadvertently, paradoxicallychampioning modes of knowing and feeling that were supremely egocentric and flagrantly narcissistic.

Divine, and find instead its soul in Grace and drenched throughout with a luminous God that is its own true Beingits always and only Original Face, smiling now from the radiant Abyss, unreasonably happy in the face of every sight, set helplessly afloat on the Sea of Intimacy, adrift in currents of Compassion and caressed in unrelenting Care, one with each and one with all in mutual Self-recognition, dancing in the dawn that heralds now the Self of all that truly is, and the Community of all that well might me, and the State of all that is to come.