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The Collaborative International Dictionary
Colosseum

Colosseum \Col`os*se"um\, n. [Neut., fr. L. colosseus gigantic. See Coliseum.] The amphitheater of Vespasian in Rome. [Also written Coliseum.]

Colosseum

Coliseum \Col`i*se"um\, n. [NL. (cf. It. coliseo, colosseo), fr. L. colosseus colossal, fr. colossus a colossus. See Colossus, and cf. Colosseum.] The amphitheater of Vespasian at Rome, the largest in the world. [Written also Colosseum.] [1913 Webster] ||

Douglas Harper's Etymology Dictionary
Colosseum

1560s, Medieval Latin name for the classical Amphitheatrum Flavium (begun c.70 C.E.), noun use of neuter of adjective colosseus "gigantic;" perhaps a reference to the colossal statue of Nero that long stood nearby (see colossus).\n

Wiktionary
colosseum

n. (alternative spelling of coliseum English)

Wikipedia
Colosseum

The Colosseum or Coliseum , also known as the Flavian Amphitheatre (Latin: Amphitheatrum Flavium; Italian: Anfiteatro Flavio or Colosseo ), is an oval amphitheatre in the centre of the city of Rome, Italy. Built of concrete and sand, it is the largest amphitheatre ever built. The Colosseum is situated just east of the Roman Forum. Construction began under the emperor Vespasian in AD 72, and was completed in AD 80 under his successor and heir Titus. Further modifications were made during the reign of Domitian (81–96). These three emperors are known as the Flavian dynasty, and the amphitheatre was named in Latin for its association with their family name ( Flavius).

The Colosseum could hold, it is estimated, between 50,000 and 80,000 spectators, having an average audience of some 65,000; it was used for gladiatorial contests and public spectacles such as mock sea battles (for only a short time as the hypogeum was soon filled in with mechanisms to support the other activities), animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It was later reused for such purposes as housing, workshops, quarters for a religious order, a fortress, a quarry, and a Christian shrine.

Although partially ruined because of damage caused by earthquakes and stone-robbers, the Colosseum is still an iconic symbol of Imperial Rome. It is one of Rome's most popular tourist attractions and has also links to the Roman Catholic Church, as each Good Friday the Pope leads a torchlit "Way of the Cross" procession that starts in the area around the Colosseum.

The Colosseum is also depicted on the Italian version of the five-cent euro coin.

The Colosseum's original Latin name was Amphitheatrum Flavium, often anglicized as Flavian Amphitheater. The building was constructed by emperors of the Flavian dynasty, following the reign of Nero. This name is still used in modern English, but generally the structure is better known as the Colosseum. In antiquity, Romans may have referred to the Colosseum by the unofficial name Amphitheatrum Caesareum (with Caesareum an adjective pertaining to the title Caesar), but this name may have been strictly poetic as it was not exclusive to the Colosseum; Vespasian and Titus, builders of the Colosseum, also constructed an amphitheater of the same name in Puteoli (modern Pozzuoli).

The name Colosseum has long been believed to be derived from a colossal statue of Nero nearby (the statue of Nero was named after the Colossus of Rhodes). This statue was later remodeled by Nero's successors into the likeness of Helios (Sol) or Apollo, the sun god, by adding the appropriate solar crown. Nero's head was also replaced several times with the heads of succeeding emperors. Despite its pagan links, the statue remained standing well into the medieval era and was credited with magical powers. It came to be seen as an iconic symbol of the permanence of Rome.

In the 8th century, a famous epigram attributed to the Venerable Bede celebrated the symbolic significance of the statue in a prophecy that is variously quoted: Quamdiu stat Colisæus, stat et Roma; quando cadet colisæus, cadet et Roma; quando cadet Roma, cadet et mundus ("as long as the Colossus stands, so shall Rome; when the Colossus falls, Rome shall fall; when Rome falls, so falls the world"). This is often mistranslated to refer to the Colosseum rather than the Colossus (as in, for instance, Byron's poem Childe Harold's Pilgrimage). However, at the time that the Pseudo-Bede wrote, the masculine noun coliseus was applied to the statue rather than to what was still known as the Flavian amphitheatre.

The Colossus did eventually fall, possibly being pulled down to reuse its bronze. By the year 1000 the name "Colosseum" had been coined to refer to the amphitheatre. The statue itself was largely forgotten and only its base survives, situated between the Colosseum and the nearby Temple of Venus and Roma.

The name further evolved to Coliseum during the Middle Ages. In Italy, the amphitheatre is still known as il Colosseo, and other Romance languages have come to use similar forms such as Coloseumul (Romanian), le Colisée (French), el Coliseo (Spanish) and o Coliseu ( Portuguese).

Colosseum (disambiguation)

The Colosseum is an elliptical amphitheater in Rome, Italy.

Colosseum or coliseum may also refer to:

Colosseum (band)

Colosseum were a pioneering English progressive jazz-rock band, mixing progressive rock and jazz-based improvisation.

Colosseum (board game)

Colosseum is a board game by Markus Lübke and Wolfgang Kramer, published in 2007 by Days of Wonder and illustrated by Julien Delval and Cyrille Daujean. In the game, players attempt to attract the most spectators to the events in their arena.

Colosseum (train)

The Colosseum was an express train initially linking Rome and Milan, later Frankfurt am Main. The train was named after the Amphitheatrum Flavium, renowned as the Colosseum.

Colosseum (album)

Colosseum is the second studio album by Shockabilly, released in 1984 by Rough Trade Records. It released on CD as The Ghost of Shockabilly in 1989.

Usage examples of "colosseum".

Colosseum, and the occupant of the box at the Teatro Argentino, but also his extraordinary host of Monte Cristo.

Colosseum guards, who had accompanied Fastus and who had stood between the prince and the prisoner.

With such a sport, in which life or death depended upon an instant, in which a slip of the foot, a misjudgment of distance, or a wavering of hand or eye meant horrible destruction, we may be sure that the tragedies of the Minoan bull-ring were many and terrible, and that the fair dames of the Knossian Palace, modern in costume and appearance as they seem to us, were as habituated to scenes of cruel bloodshed as any Roman lady who watched the sports of the Colosseum, and saw gladiators hack one another to pieces for her pleasure.

But however the mind of the young man might be absorbed in these reflections, they were at once dispersed at the sight of the dark frowning ruins of the stupendous Colosseum, through the various openings of which the pale moonlight played and flickered like the unearthly gleam from the eyes of the wandering dead.

The others watched the diminishing light as Appius Applosus departed along the corridor beneath the Colosseum.

Tarzan and whom I took this morning from the Colosseum to the palace at the command of the Emperor, that Sublatus might look upon the strange creature, whom some thought to be a spy from Castrum Mare.

Through them Tarzan could see that the enclosure was without a roof and he guessed that this lofty wall enclosed an arena, since it bore a marked resemblance to the Colosseum at Rome.

As the eyes of the newcomer fell upon Tarzan they went wide and he started back, his hand going to the hilt of his sword, and simultaneously Tarzan recognized him as Max-itnus Praeclarus, the young patrician officer who had conducted him from the Colosseum to the palace.

I shall take you in the direction of the Colosseum and when I am opposite my own home I shall give you a signal so that you will understand that the house is mine.

A command from Praeclarus brought silence and at a word from him they formed around the prisoner, and the march toward the Colosseum was begun.

A roar of human voices that started at the palace rolled slowly along the Via Principalis toward the Colosseum as Caesar himself, resplendent in purple and gold, rode alone in a chariot drawn by lions led on golden leashes by huge blacks.

As the pageant moved its length slowly to the Colosseum the crowd found other things to hold their interest.

Caesar were never heard of morebut there was none who could tell her whether Maximus Praeclarus lived or not, and so with her mother she made her way to the Colosseum to witness the opening of the games.

A great multitude had gathered in the Colosseum to witness the entry of Caesar and the pageant of his triumph, and the majority of these remained in their seats for the opening of the games, which commenced early in the afternoon.

The command of the Colosseum guard, who stood just behind Fastus, blocked the doorway.