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amalia

n. (given name female from=Germanic), a less common variant of Amelia.

Wikipedia
Amalia (1914 film)

'Amalia ' is a 1914 Argentine silent film directed by Enrique García Velloso and written by Eugenio Py. It was based on the novel by José Mármol. The film starred Dora Huergo and Lola Marcó del Pont. It is the first full-length film ever produced in Argentine cinema history.

Amalia (1936 film)

'Amalia ' is a 1936 Argentine silent film directed and script written by Luis Moglia Barth. It was based on the novel by José Mármol and is also a remake of the 1914 film Amalia of the same name. The film starred Herminia Franco.

Amalia (given name)

Amalia is a female given name. It is a cross-cultural name found all over the world.

It is derived from the Germanic word amal meaning "work, activity", specifically the woman's name Amalberga. Its popularity is attributed to the Belgian Saint Amalberga of Maubeuge. The origins of the name Amalia have often been erroneously associated with those of Emilia and Emily, both of which in fact originate from the Latin nomen Aemilia. In Greece, the name is celebrated on 10 July in honour of Saint Amalia.

Amalia name was popular among early Zionist pioneers. Amalia name has several variants, including Amelia in English, Amélie in French, Amalie in German, and Amalka, a diminutive form of the name used in Slavic languages.

Amalia (novel)

Amalia is a 19th-century political novel written by the exiled Argentine author José Marmol. First published serially in the Montevideo weekly, Amalia (1851) became Argentina's national novel. Along with Domingo Faustino Sarmiento's Facundo, Amalia can be seen as an early precursor to the Latin American dictator novel through its strong criticism of caudillo Juan Manuel de Rosas, who ruled Argentina with a strong fist from 1829 to 1852.

Set in post-colonial Buenos Aires, Amalia was written in two parts and is a semi-autobiographical account of José Mármol that deals with living in Rosas's police state. Mármol's novel was important as it showed how the human consciousness, much like a city or even a country, could become a terrifying prison. Amalia also attempted to examine the problem of dictatorships as being one of structure, and therefore the problem of the state "manifested through the will of some monstrous personage violating the ordinary individual's privacy, both of home and of consciousness."

Amália (film)

Amália is a 2008 Portuguese biographical film directed by Carlos Coelho da Silva and starring Sandra Barata, Carla Chambel and José Fidalgo. Barata portrays legendary Portuguese fado singer Amália Rodrigues; songs used in the film are recordings of Amália. The film has been criticised by some members of her family.

Usage examples of "amalia".

And the lady is the tenant, Miss Bezhetskaya, Amalia Kazimirovna Bezhetskaya.

He gave the appearance of being rather bored and hardly even looked at Amalia Bezhetskaya, contemplating the other guests with a wry grin of contempt.

It was hard to believe that the brilliant Amalia Kazimirovna Bezhetskaya could be staying at this third-rate hotel.

Morbid, Amalia Bezhetskaya tossed the letters carelessly on the bureau and walked over to the window.

Erast Fandorin shivered as he recalled the events of the previous night and the plaintive shriek with which Amalia had collapsed when she was shot.

Erast Fandorin longed to say something remarkable to Amalia in parting, something really exceptional, so that she would not remember him as a stupid, frightened little boy but as a valiant warrior who fell in an unequal struggle with a whole army of nihilists.

I kept seeing you lovey-doveying with Amalia and both of you laughing at me.

Today Amalia will draw a line under the bookkeeping for June and the envelope will go off to Nicholas Croog in St.

Fandorin realized that Hippolyte had not killed Amalia after all, but had evidently carried her off somewhere.

He paused here to indicate the young lord, who preened at this mention and looked sidelong at Lady Amalia to make sure she had heard.

Wichman shifted restively, only half listening now as he brooded over the bold and prideful Lady Amalia, who did not deign to look at him.

He intended to help Elias and Amalia, but instead he pushed them across some deadly boundaries.

Be that as it may, she ended up seducing the poor sexton, who fell so deeply, so hopelessly in love with Amalia that he ended up in the hut of a nagual man.