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Douglas Harper's Etymology Dictionary
Alcestis

wife of Admetus, she offered her life for her husband and was rescued from the Underworld by Herakles, from Greek Alkestis, literally "valiant, courageous," from alke "protection, help, strength, power."

Wikipedia
Alcestis

Alcestis (; , Alkēstis) is a princess in Greek mythology, known for her love of her husband. Her story was popularised in Euripides's tragedy Alcestis. She was the daughter of Pelias, king of Iolcus, and either Anaxibia or Phylomache.

In the story, many suitors appeared before King Pelias, her father, when she became of age to marry. It was declared she would marry the first man to yoke a lion and a boar (or a bear in some cases) to a chariot. The man who would do this, King Admetus, was helped by Apollo, who had been banished from Olympus for nine years to serve as a shepherd to Admetus. With Apollo's help, Admetus completed the king's task, and was allowed to marry Alcestis. After the wedding, Admetus forgot to make the required sacrifice to Artemis, and found his bed full of snakes.

Apollo again helped the newlywed king, this time by making the Fates drunk, extracting from them a promise that if anyone would want to die instead of Admetus, they would allow it. Since no one volunteered, not even his elderly parents, Alcestis stepped forth. Shortly after, Heracles rescued Alcestis from Hades, as a token of appreciation for the hospitality of Admetus. Admetus and Alcestis had a son, Eumelus, a participant in the siege of Troy, and a daughter, Perimele.

Alcestis (play)

Alcestis (; , Alkēstis) is an Athenian tragedy by the ancient Greek playwright Euripides. It was first produced at the City Dionysia festival in 438 BCE. Euripides presented it as the final part of a tetralogy of unconnected plays in the competition of tragedies, for which he won second prize; this arrangement was exceptional, as the fourth part was normally a satyr play. Its ambiguous, tragicomic tone—which may be "cheerfully romantic" or "bitterly ironic"—has earned it the label of a " problem play." Alcestis is, possibly excepting the Rhesus, the oldest surviving work by Euripides, although at the time of its first performance he had been producing plays for 17 years.

Usage examples of "alcestis".

He knew her now,-- Alcestis,--and he left her with due thanks: No goddess, but a mortal, to be won By such a simple feat as driving boars And lions to his chariot.

Admetus prayed for his celestial aid To win Alcestis, which the god vouchsafed, Granting with smiles, as grant all gods, who smite With stern hand, sparing not for piteousness, But give their gifts in gladness.

His mother came, Clymene, and with her His father, Pheres: his unconscious child They brought him, while forlorn Alcestis sat Discouraged, with the face of desolation.

With broken blessings, inarticulate joy And tears, Alcestis thanked Hyperion, And worshipped.

The funeral of a rich person was to them what the funeral of Alcestis or Ophelia is to the educated.

Under the name of Philogenet, a clerk or scholar of Cambridge, the poet relates that, summoned by Mercury to the Court of Love, he journeys to the splendid castle where the King and Queen of Love, Admetus and Alcestis, keep their state.

Admetus and Alcestis, we have all the personages and machinery necessary for one of those erotic contentions, in the present poem we see the personages and the machinery actually at work, upon another scene and under other guises.

The bond between the story of Alcestis, who goes down to death to save the life of Admetus, and that of Leonore, who ventures her life to save Florestan, is closer than that of the Orphic myth, for though the alloy only serves to heighten the sheen of Eurydice's virtue, there is yet a grossness in the story of Aristaeus's unlicensed passion which led to her death, that strongly differentiates it from the modern tale of wifely love and devotion.