Nobel author William

Usage examples of faulkner.

Having chosen that warfare as the exciting backdrop for The Unvanquished, Faulkner writes of it well.

Kay Boyle, always perceptive, was ahead of her time in her review of the novel when she credited Faulkner with "the strength and the vulnerability which belong only to the greatest artists: the incalculable emotional wealth, the racy comic sense, the fury to reproduce exactly not the recognizable picture but the unmistakable experience.

She went on to express an opinion less widely held then than today: that Faulkner is "the most absorbing writer of our time.

Because six of the seven chapters appeared originally as stories in The Saturday Evening Post and Scribner's Magazine between 1934 and 1936, some critics said that Faulkner had not made a novel by revising and assembling those six parts and adding the previously unpublished final chapter.

Ab Snopes, as well as slavery with its aftereffects, the evil of which Faulkner clearly presents, and which he finally points up by showing Ringo's ultimate lack of opportunity.

The Unvanquished relates to other Faulkner works by its themes and by many of its people, chiefly the Sartoris family, Ab Snopes, and the McCaslin twins.

Readers increasingly see that Faulkner has created several works of art, each having a unity of its own and giving readers pleasure apart from its presumed position in his "saga.

In writing a novel about this hopeful development, Faulkner drew much from the history of his own family, chiefly of his great-grandfather, Colonel William C.

In The Unvanquished William Faulkner drew on his family's history for more than events.

Sartoris at the death of his father is suggested by a statement Faulkner made in 1955 while visiting Japan.

For artistic purposes Faulkner somewhat alters the timing of the events of the War, and in Chapter VI he places Reconstruction much closer to the surrender at Appomattox than it was in reality.

Having mentioned the people of the South in the Civil War and then' particular troubles during Reconstruction, William Faulkner went on to speak of man in general and to add that in his opinion art has one high purpose—which surely we may conclude that The Unvanquished serves: "I believe our country is even stronger because of that old anguish since that very anguish taught us compassion for other peoples whom war has injured.

The two sides in the play are represented, on the one hand, by Bjorn Faulkner and Karen Andre, his secretary-mistress who is on trial for his murder -- and, on the other, by John Graham Whitfield and his daughter.

If gold is the world's life blood, then Bjorn Faulkner, holding all its dark, hidden arteries, regulating its ebb and flow, its every pulsation, was the heart of the world.

No one suspected the gigantic swindle that lay at the foundation of the Faulkner enterprises.