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Group for Beethoven's Ninth
Answer for the clue "Group for Beethoven's Ninth ", 5 letters:
choir
Alternative clues for the word choir
Usage examples of choir.
New Agey, like heaven without the harps and angelic choirs and pink clouds and alabaster pillars, or whatever.
They therefore represent a bay of the choir, of which the clerestory and triforium are removed, and the aisle roof is raised to the height of the roof of the choir itself.
This inter-penetration of mouldings is found also on the aisle side of the main piers of the choir, and is more characteristic of later German Gothic than of English.
The entrance to the crypt is from the north aisle of the choir as it was in ancient days.
Before this fire, the only crypt whose existence was known of, was a small chamber under the platform of the high altar, no wider than the central aisle of the choir, and only equal to a bay and a half of that aisle in length.
At the east end of the south aisle of the choir stood the altar of All Saints, founded by Bowet.
There is also an early Perpendicular Jesse in the third window from the west in the south aisle of the choir.
The slow, solemn enunciation of each word by a choir of hoary anchorets rolled in majestic cadence through the precipices of the mountains, and died away in the distant ravines in echoes of heavenly harmony.
They had crossed the three steps which led to the choir, then they turned by the circumference of the apse, which was the very oldest part of the building, and seemed most sepulchral.
In all probability there was, according to the usual plan of Norman churches, a tower at the junction of the nave and transepts, and beyond this an apsidal choir.
A sacristy of Early English date stands to the east of the apsidal chapel, and occupies the space between the apse and the south choir wall.
This is a thirteenth-century addition to the church, and is of irregular shape, as it is wedged in, as it were, between the apsidal chapel on the east side of the transept and the south wall of the choir aisle.
It was practically safe to assume that the choir ended in an apse, though whether the aisles were also apsidal, or continued round a great apse as an ambulatory, was a debatable point.
It had been a day full of obligations and endless ministerial duties, including a meeting with Larry Garber regarding his drawings of the sacristy, revised based on their telephone exchange, and a general review of the floor plan for the nave, the baptistry, and the choir.
All things fell into order, stars and men, the silent growing things, the seas, the mountains and the plains, fell into order like a vast choir to obey the command of the canticle: Benedicite, omnia opera!