French philosopher Foucault

Usage examples of michel.

It was ascertained that a clerk in the War Office, named Michel, had communicated to him the situation of the French forces in Germany.

There, as prompted by Aumery, Michel offered the Order all of his clothes and equipment.

When Aumery dried him off, Michel rubbed the stubble on his head, feeling vulnerable with the air moving against his scalp and his bare, clean skin.

Instead, Michel was imprisoned in the scriptorium while his squire, Aumery, led the knight-brothers in a mock melee.

Despite the heat of the coals held in the hollow metal sphere, and being squeezed between the tall, comfortingly solid forms of Uncle Michel and Brother Aumery, she was still cold.

Then Aumery, having handed his torch to Tirgit, was there, fussily helping Michel to rise to his feet.

As always, he was accompanied by Brother Aumery, who gave her a solemn wink as Michel awkwardly dismounted.

In company with the brothers of the Order, Michel stood easily on his good leg, feeling at once happy, sad, and gratified as he watched Aumery kneeling before the altar.

Michel invested Aumery with a white belt and golden spurs, and instructed him in his duties.

St Michel et plusieurs anges lui avoient baille une Couronne moult riche pour lui.

Rutot also said that stone tools like those of Boncelles had been found in Oligocene contexts at Baraque Michel and the cavern at Bay Bonnet.

Michel handed over bezants and silver in the sum of seventy-two sous, a sum that a week ago had seemed impossibly large, and received a neatly written receipt.

Pavlova, Nijinsky, Adolph Bolm and Tamara Karsavina, with Michel Fokine as choreographer.

French critic Michel Butor takes SF writers to task for not devoting their talents to what might be called relevant exploration of an agreed-uponand dismalfuture society.

Moreover, from the year 1590 and onward the chapels of Crea were begun, and of these, by advice of Monsignor Tullio del Carretto, Bishop of Casale, at the bidding of Michel Angelo da Liverno, who was Vicar of Crea, Tabachetti designed not fifteen but forty, and found himself at the head of the direction of the great work that was then engaging the attention of the foremost Italian artists of the day.