Te Kanawa of opera

Usage examples of kiri.

The three of them strolled across the room of topaz light, stopping momentarily as one of the girls offered them tea and rice wine, and Kiri introduced them one by one to the women who were not already engaged with men.

Down the wide sweeping stairs and into a square covered carriage Kiri called a ricksha.

They bowed to Kiri and stepped impassively away from the doors, allowing them entrance.

He closed the door behind them and in pitch-darkness Kiri went away from him.

Lifting it high over his head, he spoke in the ancient tongue, words that neither Ronin nor, he suspected, Kiri could understand.

He felt Kiri against him now, warm and trembling, as they brought the girl before the multitude.

Oh, Kiri, like a song in his dazzled brain, as he slipped through the crowded labyrinth of streets.

The scream came then, filled with terror and something more, and he bolted out the door with Kiri just behind him.

He had been with Matsu, not Kiri, that night when the Makkon came to Tencho and killed Sa.

Only when a shadow dropped across his face did he look up to behold Kiri in breastplate of deep yellow lacquered leather, high polished boots, and light leather leggings.

After the Makkon they flew and Ronin, glancing at Kiri, the noble profile with its firm nose and high cheekbones, failed to notice the movement behind them, as a pursuing luma kept pace with them.

They had descended perhaps halfway when Kiri gasped and strained forward in her saddle.

He called to Kiri but his voice was a quiet croak in the restless meadow.

Beside him came Tuolin and Kiri, hacking at the warriors as if they were wild foliage.

Near him, Kiri was nearly disemboweled as she watched, horrified and fascinated.