Toy wind instrument that buzzes

Usage examples of kazoo.

Shouting to be heard above the moan of the bullroarer and the wailing of the bunyip, he held high a solid-gold, intricately inscribed kazoo.

Music shop sold five hundred ukeleles, two hundred twelve steel guitars, four hundred sixty ocarins and kazoos in four weeks.

I fathered upon her in those nights the poker chip, the cash register, the juice extractor, the kazoo, the rubber pretzel, the cuckoo clock, the key chain, the dime bank, the pantograph, the bubble pipe, the punching bag both light and heavy, the inkblot, the nose drop, the midget Bible, the slot-machine slug, and many other useful and humane cultural artifacts, as well as some thousands of children of the ordinary sort.

A small flock of Chinese Whites cruised the blue pond, and after I rumbled over the cattle guard and parked near the house and turned the engine off, I heard their goose-alarm, like a chorus of baritone kazoos.

He lay slumped across his drum kit, mouthing the words to a song his mother had taught him back in Poona and blowing half-heartedly into a crisp-muffled kazoo.

Through the rest of the afternoon, through her trip to the market in downtown Kinneret-Among-The-Pines to buy ricotta and listen to the Muzak (today she came through the bead-curtained entrance around bar 4 of the Fort Wayne Settecento Ensemble's variorum recording of the Vivaldi Kazoo Concerto, Boyd Beaver, soloist).

Most of them sat serenely with stage mothers and stage fathers, and the only noise they made was the hideous sounds that issued from their kazoos, harmonicas, and Jew's harps.

Even to Wiz’s musically untrained ear it sounded more like a chorus of kazoos than a trumpet call.

Now it sounded like some of the kazoos had bass voices and they weren’t quite playing together.

The band was heavy on kazoos and percussion (a lot of the littler kids had insisted on playing drums, tambourines, sticks, and cymbals), but we also featured a couple of piano players, a flute player, a trumpet player, a violin player, and Charlotte, our guitar player.

I perceived it in musical terms, of course: to me what we built was something like a vast symphony orchestra, save that in addition to the usual ordnance of a full orchestra it incorporated saxophones, electric guitani, tin flutes, tablas, trap drums, Yamaha synthesizers, steel drums, vocoders, kazoos, baby rattles, Zal Yanovsky's Electric' Gorgle and the Big Jukebox in Close Encounters, included every means the race has ever devised for making music and some that haven't been invented yet, the whole thing integrated into a vast tapestry of sonic and tonal textures that was indescribable and probably unimaginable-certainly I had never imagined anything like it before that night-and primevally satisfying to what a Buddhist might call my "third ear.