Musical composition

Usage examples of concerto.

I read of a concert pianist who could play the most complex concerti from memory yet who could not point to middle C.

If composers could map that other land with their concerti, or painters with their palettes, why not other varieties of magic too?

The concerti, the often flashy and tinselly pianoforte compositions of Liszt and Rubinstein were the immediate and surface result of that deeper sense of the instrument which arrived during the nineteenth century, and intoxicated folk with the piano timbres, and made them eager to hear its many voices in no matter how crude a form.

He, the troubled, nervous, modern man, wrote with fluency fugues and double fugues, chaconnes and passacaglie, concerti grossi and variations.

He writes fugues for organs and sonatas for violin solo under the influence of Bach, concerti grossi under the influence of Haendel, variations under that of Mozart, sonatas under that of Brahms.

It is not that fugues and concerti in the olden style cannot be written to-day, that modern music and the antique forms are incompatible.

I was ready to give up rock and roll in favor of some Beethoven piano concerti, music that I hoped would soothe and calm me.

Martin himself preferred more serious music and was very familiar with the likes of Telemann and the flute concerti of Mozart and Haydn.

Concerto in D for flute filled the small car causing Desis One and Two to look at each other in disapproval and Pinkus to breathe steadily, deeply, for a few moments of peace.

Brandenburg Concertos for my ear, but I am open to wonder whether the same events are recalled by the rhythms of insects, the long, pulsing runs of birdsong, the descants of whales, the modulated vibrations of a million locusts in migration, the tympani of gorilla breasts, termite heads, drumfish bladders.

But he had not quite finished his incantations,--the last part of the Concerto was yet to come,--and as soon as the hubbub of excitement had calmed down, he dashed into it with the delicious speed and joy of a lark soaring into the springtide air.

There drifted down from behind the picture the scratchy recorded notes of a Khatchaturian piano concerto, which mingled eerily with the sullen pipes of snake charmers in a neighbouring street.

On this occasion the programme was entirely confined to his own compositions, with the exception of concertos by Viotti, the violinist, and Ferlendis, the oboist.

He never enthused about anything, and he listened with that funny look on his face while I rhapsodised about the Elgar violin concerto.

After a fine symphony, a concerto for the violin, another for the hautbois, the Italian singer whose repute was so great and who was styled Madame Trend made her appearance.