Max Ernst, Man Ray, Hans Arp et al.

Usage examples of dadaists.

If given a choice of spending the evening with Brent and his crowd or being abused by the dadaists, Indy would be hard pressed to choose.

And I knew that it was this same thought which had sent the Impressionists and the Cubists and the Dadaists and the Surrealists and so on in their quite successful efforts to make good pictures which cameras and people like Dan Gregory could not duplicate.

Hundreds of books, as you know, have been filled with exegetical opinions about the Impressionists, Expressionists, Suprematists, Cubists, Futurists, Dadaists, and Surrealists of the early years of this century.

In retrospect, it's easy enough for us to see how Debierue captured the hearts and minds of the remaining Dadaists who were gradually, one by one, dropping out of Dada and losing their hard-earned recognition to the burgeoning Surrealists.

And the remaining Dadaists in 1925, those who hadn't joined André Breton, were largely disorganized.

There was a news clipping from _Paris Soir_, an unsigned review of a Man Ray retrospective exhibit in Paris, and Debierue's name was mentioned, together with the names of a dozen other artists, in a listing of Dadaists who had known Man Ray during the 1920s.

There are some interesting comparisons between the dadaists and the performance artists of the late twentieth century.

His creative ventures, all incomplete, ranged from a western in blank verse to a wall he'd had removed from a stall in the Penn Station men's room and entered in an exhibition as what the old Dadaists called a "ready-made.