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French square
Answer for the clue "French square ", 5 letters:
carre
Alternative clues for the word carre
Word definitions for carre in dictionaries
Wikipedia
Word definitions in Wikipedia
Carré (Square) for four orchestras and four choirs (1959–60) is a composition by the German composer Karlheinz Stockhausen , and is Work Number 10 in the composer's catalog of works.
Usage examples of carre.
Whereas Lerondeau seemed still wrapped in a kind of plaintive stupor, Carre was already enfolding me in a deep affectionate gaze.
One does not come into this ward to talk, but to suffer, and Carre is bracing himself to suffer as decently as possible.
Then, feeling that he is about to howl like the others, Carre begins to sing.
And gradually I became aware that this lament was becoming a real melody, and for five long minutes Carre improvised a terrible, wonderful, heart-rending song on "the pain in his knee.
In the middle of the dressing, Carre opened his lips, and in spite of himself, began to complain without restraint or measure, giving up the struggle in despair.
And Carre ceased staring out of the window to look at the lady with eyes full of respectful astonishment.
And I felt instinctively that her interest in Carre was suddenly quenched.
So much so, that one day Carre was unable to control himself, before a good many people who had come in.
For a week after the Carre episode I dared not show my face in the streets of Paris.
John which ran (and still runs partly) from Lake Pontchartrain north of the city to the heart of the old town near the Vieux Carre, the multitudes would assemble at night at a place called "the Wishing Spot.
John le Carre is also the author of The Naive and Sentimental Lover, A Small Town in Germany, Tinker, Tailor, Soldier, Spy, The Honourable Schoolboy, Smiley's People, The Little Drummer Girl.
Michel Carre and Jules Barbier, who made the book for Gounod's opera "Faust," went for their subject to Goethe's dramatic poem.
In 1856 he made the acquaintance of Jules Barbier and Michel Carre, and asked them to collaborate with him in an opera.
Of necessity it has suffered by comparison with the opera of Barbier, Carre, and Gounod, though it was far from Boito's intentions that it should ever be subjected to such a comparison.
In the book which Barbier and Carre wrote for Gounod, Faust sells his soul to the devil for a period of sensual pleasure of indefinite duration, and, so far as the hero is concerned, the story is left unfinished.