Nero or Rubinstein

Usage examples of pianist.

Madam Anna Bishop was making her American tour, she included San Francisco, and with her troupe came also Alfred Wilkie, tenor, and Frank Gilder of New York, an organist and pianist of high repute.

The Silver Cornet band was under the direction of Professor Henry von der Mehden and Frank Gilder, pianist.

There was a Madame de Raudon, who certainly had a matinee musicale at Wildbad, accompanied by Herr Spoff, premier pianist to the Hospodar of Wallachia, and my little friend Mr.

Light blue and lashless, they looked out upon concert halls in which an imaginary public refused to stop applauding him, Felsner-Imbs the concert pianist.

After a short education at the Prague university Smetana entered diligently upon the study of music, becoming a brilliant pianist, and as such forming one of the circle of enthusiastic and advancing souls surrounding Liszt at Weimar, between 1850 and 1860.

Happy Hart the pianist and Syd Skelton the tympanist and Carlos Rivera the piano-accordionist were, he said and believed, the Tops.

Van der Valk watched Arlette, talking to the pianist, and Hjalmar, chatting with a little group around the bar.

San Francisco in 1852 as solo pianist and accompanist with the famous Catherine Hayes.

When Felsner-Imbs moved to Berlin with hourglass, porcelain ballerina, goldfish, stacks of music, and faded photographs -- Haseloff had engaged him as pianist for the ballet -- Tulla gave him a letter to take with him: for Jenny.

She was outside in the yard and I, with still electric hair, was too slow in following to prevent her assault on the piano teacher and ballet pianist.

Stooped, he strode stiffly to the machine shop and inquired of the machinist when the buzz saw and lathe were planning to take a fairly protracted intermission, because he, the ballet pianist and former concert pianist, wished to practice, very softly, some thing complicated, a so-called adagio.

I am writing, to whom I am writing, although if Brauxel had his way, I should be writing of nothing but Eddi Amsel, Tulla arranged for our watchdog Harras to attack Felsner-Imbs, the piano teacher and ballet pianist, a second time.

His rifle work was a revelation of genius--like the work of a prodigious young pianist or billiardist in the midst of mere natural excellence.

By the time I left, the pianist was playing a Bach partita in a minor key.

The success of these works was such that in 1854 the composer was given a subvention for further foreign study by the Princess Helene and Count Wielhorski, upon which followed four brilliant years of incessant activity as virtuoso pianist and composer, extending as far as London and Paris.