What is "yamato-e"

is a style of Japanese painting inspired by Tang dynasty paintings and fully developed by the late Heian period. It is considered the classical Japanese style. From the Muromachi period (15th century), the term Yamato-e has been used to distinguish work from contemporary Chinese style paintings (Kara-e), which were inspired by Chinese Song and Yuan era ink wash paintings.

Characteristic features of Yamato-e include many small figures and careful depictions of details of buildings and other objects, the selection of only some elements of a scene to be fully depicted, the rest either being ignored or covered by a "floating cloud", an oblique view from above showing interiors of buildings as though through a cutaway roof, and very stylised depiction of landscape.

Yamato-e very often depict narrative stories, with or without accompanying text, but also show the beauty of nature, with famous places (meisho-e 名所絵) or the four seasons (shiki-e 四季絵). The pictures are often on scrolls that can be hung on a wall (掛け物, kakemono), handscrolls ( emakimono) that are read from right to left, or on a folding screen ( byōbu, 屏風) or panel (shōji, 障子). Although they received their name from the Yamato period (大和), no Yamato-e paintings from this period survive, nor from several centuries afterwards. Yamato-e pictures rather stand for a style and are not restricted to a particular period.

There was a revival of the Yamato-e style in the 15th century by the Tosa school, including a return to narrative subjects, and although the rival Kanō school grew out of the alternative tradition of Chinese-style works, the style it developed from the late 16th century for large paintings decorating Japanese castles included some elements of the Yamato-e style. In the 17th century, the simplified and stylised depiction of landscape backgrounds in Yamato-e was revived as a style for large landscape works by the Rimpa school (琳派). Later the narrative element of Yamato-e, the interest in the depiction of everyday life, and the choice of oblique and partial views in a composition heavily influenced the ukiyo-e (浮世絵) style, as well as the Nihonga (日本画).