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Longman Dictionary of Contemporary English
usherette
noun
EXAMPLES FROM CORPUS
▪ An usherette appeared, listened to more tantrums, tried unsuccessfully to reason with him and then disappeared.
▪ Chambermaids, cinema usherettes and bank tellers were all in on the act.
▪ It was hilarious and much appreciated by the select audience of usherettes, theatre staff and cast.
▪ The usherette was untrained in spotting sweaty palms.
▪ The gangs would want to watch the film, but occasionally also drag an usherette into the exit.
▪ The lights were on in a second and the usherette was at the screamer's side.
▪ We had a couple of usherettes raped.
Wiktionary
usherette

n. a female usher

WordNet
usherette

n. a female usher

Wikipedia
Usherette (Rocky Horror)

The Usherette refers to a character or character in disguise from Richard O'Brien's musical The Rocky Horror Show. She opens the production singing " Science Fiction/Double Feature", backed up by a phantom chorus and then reappears at the end to sing a reprise of that song.

The Usherette is almost always doubled with the actress who plays Magenta, another character from the play (although Richard O'Brien did take over the role for one week in 2007 at the New Wimbledon Theatre). In this, she is one of two character combinations portrayed by the same actor (Dr.Scott/Eddie is the other).

Patricia Quinn originated both characters in the original 1973 Royal Court Theatre production. Originally produced in the theatre's second space known as "The Theatre Upstairs". The script is vague in regards to this character, referring to her as Magenta (As Usherette). The tray she carried as the usherette contains a prop with the words "Strawberry Time", which the cast then expanded to call her "Miss Strawberry Time", however the character is not referred to, as such, in the musical. It was not until the show opened in the US in 1974 that she was first known as Trixie, having the name written across the front of the tray. During the shows brief run on Broadway in 1975 at the Belasco Theatre, the Usherette is credited as "The Belasco Popcorn Girl."

The Usherette was not featured in the movie The Rocky Horror Picture Show. The filmmakers and producers wanted a montage of movie clips and stills to fade in and out during the song and Richard O'Brien was asked to record that opening song. It was believed when actress Patricia Quinn was offered the part she initially refused the role due to losing the opening song. Quinn's lips were shot as she lip-synched the song, creating the iconic opening.

While the character is missing from the movie version, fans who attend the screenings in costume and re-enact the entire show have adapted the character to their performances for decades. Many "Shadow Casts" have become very creative with how the character performs during this opening number. Everything from screen accurate recreations from the professional stage productions to "Stripper" style burlesque that could well be an homage to Richard O'Brien's stage show of the same name.

Actresses who have played the Usherette include:

  • Patricia Quinn - 1973 Original London Cast*
  • Jamie Donnelly - 1974 original Los Angeles Roxy Cast*
  • Daphne Rubin-Vega, Joan Jett - 2000 Broadway Revival Cast* (Note: In this production the song became a duet between the two actresses who also played Magenta and Columbia)
  • Shona White- 2006/2007 UK Tour (2006)
  • Claire Parrish - 2006/2007 UK Tour (2007)
  • Maria Franzén - 2008/2009 UK Tour
  • Kara Lane - 2009/2010 UK Tour
  • Djalenga Scott - 2011/2012 German Tour
  • Maria Franzén - 2014/2015 German Tour
  • Ivy Levan - 2016 production for FOX TV Musical version.

-* Appears on cast recording.

Usage examples of "usherette".

He doubled swiftly and scooped up a final gold button the usherette had missed.

The usherette led him to a cubicle at the far end, slightly larger than most, with a cutoff swing-door beneath which he could see the brightly polished brown shoes of the occupant, and the base of the chair on which he sat.

Drowsy, Procyon saw the usherette lean over him: and snap a circlet on his upper arm to slow the blood flow.

His drugged eyes dimly saw the usherette, back in her blue dress, sitting on a white stool by his couch.

He saw, something he had, overlooked then, the sinister line of the black wall encircling the city, and for an instant he thought he saw the puckered face of the usherette, also gilded, superimposed on the golden buildings, and it seemed to him that the imprisoning wall was a wall around her and her only.

Bruno Kretschmar becomes obsessed with cinema usherette Magda Peters, she turns her natural instincts as a courtesan to good effect and forces him to leave his wife and daughter.

The arrival was a uniformed usherette, who had stolen backstage when the house lights had given way to footlights.

Laying a bundle of programs upon the dressing table, the usherette made a quick probe of the pleated dress.

In darkness, The Shadow followed the usherette through the connecting door to the theater proper, and along a dim side aisle.

Most of them were watching the stage when the usherette guided them to their seats, for Wynne Marriot had begun her song-and-dance number in the cafe scene.

He saw the stub when the man drew it from the ticket envelope, because the usherette turned her flashlight on the bit of pasteboard.

The number of the seat was L8, and The Shadow heard the usherette mention that it was on another aisle.

The man kept his ticket stub, but he passed the usherette the envelope that had contained it.

One usherette was missing, the very one who had made the trips backstage.

The usherette stands defiantly at the door, holding it open for the two of them to leave.