Wiktionary
n. 1 The subconscious mind or self. 2 The unconscious mind; intuition.
Wikipedia
Undermind is the tenth studio album by the American rock band Phish, released on June 15, 2004, by Elektra Records. Undermind was Phish's last album before their breakup in fall 2004 (the band subsequently reformed in 2009).
The album's cover art appears to be a direct nod to Let It Be, the final studio album by The Beatles. In a review of Undermind, Glide Magazine suggests that the album's individual song contributions may also be intentionally "Beatles-esque". While the bulk of the songs are by frontman Trey Anastasio and Phish lyricist Tom Marshall, keyboard player Page McConnell, bass guitarist Mike Gordon and drummer Jon Fishman all contributed one song each. "Maggie's Revenge" is the album's only instrumental.
One month before the album's release, Anastasio (and separately, McConnell) announced on Phish.com that the band would take an indefinitely long hiatus following a final summer tour. As such, a number of the songs were not performed live before the break up, though most have been played since the band's return in 2009. Undermind's songs remain among the least played originals in Phish's large catalog.
Many reviews praised "The Connection", calling it "the most commanding" and "most commercially accessible" song of Phish's recording career to date. The song has not yet become a fixture in the band's live rotation, however.
Early copies of the album included a DVD with the 25 minute documentary Specimens of Beauty, a behind the scenes film on the making of Undermind, directed by Danny Clinch.
An extended improvisational studio jam recorded at the start of the Undermind sessions was later released as the Headphones Jam at LivePhish.com. Two excerpts from the Headphones Jam were used for the Undermind album: "Maggie's Revenge" and "Tiny" (an internet-only bonus track).
In February 2009, Undermind was made available as a download in FLAC and MP3 formats at LivePhish.com.
Undermind is a 2003 psychological thriller written and directed by Nevil Dwek.
Undermind may refer to:
- Undermind (album), a 2004 album by Phish
- Undermind (film), a 2003 U.S. film
- Undermind (TV series), a 1965 UK science fiction television drama
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Undermind is a science fiction television drama produced by ABC Weekend Television in 1965. It ran for eleven episodes of sixty minutes each. It starred Rosemary Nicols, Jeremy Wilkin and Denis Quilley.
The series was devised by Shoestring and Bergerac creator Robert Banks Stewart, who also went on to write for Doctor Who. Several other writers known for their work on Who also contributed scripts: David Whitaker, Bill Strutton and Robert Holmes.
Usage examples of "undermind".
And a surge of power pushed its way out of the back brain, the undermind, and all the way into his conscious thoughts, where it immediately became as obvious and familiar a thing as breathing.
The feeling in his mind quietly shut down, retreating back into the undermind, the back brain.
In a moment that was no time at all, they reached deep within themselves, and power blazed up from the back brain, the undermind, up through their altered minds and out into the real world, where it became a wall of searing, consuming fire that surged away from Random and Ruby, burning up everything in its path.
He reached inside himself, diving deep into his mind, through the undermind to the back brain, and tapped into the power that lived there.
Though he was far away from the others, he was still linked to them through the undermind, the oversoul, and he knew that they were changing, too, in different, frightening ways.
He concentrated deep within himself, sinking down into the back brain, the undermind, and there were the others, looking back at him.
He turned back to Hazel, already almost lost in the shimmering field, and suddenly will and need slammed together in his mind and awakened something dark and terrible down in the undermind, the back brain, that part of him changed and strengthened by his time in the Madness Maze.
He concentrated, let the power sink back into the undermind, into the back brain, and became just a man again.
Almost before I began the mantra, I was in that sidewise plane of being Wendell had named the undermind, and this time a visual analogy was by far the strongest perception I had of the Zephyrs: I "saw" them as points in a lattice, a three-dimensional and not at all symmetrical network of amber fireflies against a field azure, all this with a clarity I had never before experienced.
Hey, I'll bet that's why I had so much trouble getting to the undermind, that one time I tried to get the Zephyrs to kill Jordan for me.