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tracks

n. 1 (plural of track English) 2 railroad tracks; the rails on which trains run. vb. (en-third-person singular of: track)

Wikipedia
Tracks (Bruce Springsteen album)

Tracks is a four-disc box set by Bruce Springsteen, released in 1998 containing 66 songs. This box set mostly consists of never-before-released songs recorded during the sessions for his many albums, but also includes a number of single B-sides, as well as demos and alternate versions of already-released material.

Tracks (Transformers)

Tracks (Le Sillage in Québec, Puma in Italy) is a character in the Transformers Universes. The name is now too generic to license in recent times; so the toys creator, Hasbro had to add a "modifier" - a prefix to the name in order to use it on their product, in this case the name became "Autobot Tracks" or "Turbo Tracks".

Tracks (magazine)

Tracks is a monthly Australian surf magazine, promoting itself as "the surfers' bible". It is published by Next Media.

It was established in October 1970 by Alby Falzon, John Witzig and David Elfick, starting as a kind of counter-culture tabloid, printed on newsprint and produced on Sydney's northern beaches. Since then it has grown to be a major surfing publication. Over the years its editors have included:

  • Alby Falzon 1970-1975
  • John Witzig 1970-1972
  • David Elfick 1970
  • Phil Jarratt 1975-1977
  • Paul Holmes 1978-1981
  • Kirk Wilcox 1981-1984
  • Nick Carroll 1984-1986
  • Jon Ellis 1986-1988
  • Tim Baker 1989-1991
  • Gary Dunne 1991-1994
  • Neil Ridgeway 1994-1997
  • Wayne Dart 1997-2000
  • Sean Doherty 2000-2008
  • Luke Kennedy 2008-

Tracks published a cartoon series," Captain Goodvibes", by Australian cartoonist Tony Edwards. The Goodvibes cartoons were first published in May 1973 and appeared regularly until July 1981. Goodvibes became an icon of Australian surfing culture.

"Lash Clone" by Australian Author D.C Greening appeared in the pages of Tracks during the 1980s, and his later works "Cosmic Surf Wars" appearing more recently.

In July 1988 the masthead was updated from tracks to tRACKS.

In March 2000 the magazine changed format from the original newsprint size down to a tabloid size.

In 2014, 13-year-old reader and surfer Olive Bowers wrote an open letter to the magazine pointing out sexism in the print and digital editions of the magazine. She referenced the absence of female surfers covered by the magazine while instead they showed scantily-clad women not involved in surfing.

Tracks (novel)

Tracks is a novel by Louise Erdrich, published in 1988. It is the third in a tetralogy of novels beginning with Love Medicine that explores the interrelated lives of four Anishinaabe families living on an Indian reservation near the fictional town of Argus, North Dakota. Within the saga, Tracks is earliest chronologically, providing the back-story of several characters such as Lulu Lamartine and Marie Kashpaw who become prominent in the other novels. As in many of her other novels, Erdrich employs the use of multiple first-person narratives to relate the events of the plot, alternating between Nanapush, a tribal patriarch, and Pauline, a young girl of mixed heritage.

Tracks (Bomb the Bass and Jack Dangers album)

Tracks is a 12" vinyl collaboration between Bomb The Bass and Jack Dangers.

Tracks (1977 film)

Tracks is a 1977 American drama film written and directed by Henry Jaglom. The film stars Dennis Hopper, Taryn Power and Dean Stockwell. The story involves a returned Vietnam veteran escorting a fellow soldier's coffin across the United States for burial.

Tracks (Collin Raye album)

Tracks is the sixth studio album released by country music artist Collin Raye. It contains the singles "Couldn't Last a Moment", "Loving This Way" (also known as "Tired of Loving This Way"), and "You Still Take Me There". "Couldn't Last a Moment" was Raye's final Top 40 hit on the Billboard country charts at number 3, while the other two singles both failed to reach Top 40. Two of this album's tracks were later recorded by Kenny Rogers: "Harder Cards" on his 2003 album Back to the Well, and "Water and Bridges" on his 2006 album of the same name.

Tracks (Oscar Peterson album)

Tracks is a 1970 album by Oscar Peterson.

Tracks (Liverpool Express album)

Tracks is the debut studio album by Liverpool Express, released in June 1976. It features two of the band's most memorable songs, "You Are My Love" and "Every Man Must Have a Dream," both of which were UK Top 20 hits and #1 in Brazil. Other notable hit singles were "Hold Tight" and "Smile."

Tracks (2003 film)

"Tracks" is a 2003 animated short film by Corrie Francis Parks. The film is created with sand animation on a colored background, making it unique in the genre of sand animation films. The film features music from the group Iguewa Ni Mbia from Cameroon and is an impressionistic journey through the African savannah. The film has been shown at the Hiroshima International Animation Festival, Anima Mundi, Melbourne International Animation Festival and Tehran International Animation Festival

Tracks (Law & Order: UK)

Tracks is an episode on the television series Law and Order: UK; first airing in the United Kingdom on 14 July 2013 and 7 August 2013 in the United States on BBC America. It is the first episode of the seventh season, and the 40th episode overall.

Tracks (2013 film)

Tracks is a 2013 Australian drama film directed by John Curran and starring Mia Wasikowska and Adam Driver. It is an adaptation of Robyn Davidson's memoir of the same name, chronicling the author's nine-month journey on camels across the Australian desert. It was shown at the 2013 Toronto International Film Festival (Special Presentation) and the 70th Venice International Film Festival 2013 (in Official Competition). It was the opening film at the Adelaide Film Festival on 10 October 2013. This was the Australian premiere. The film has also been shown at several other film festivals, including London, Vancouver, Telluride, Dubai, Sydney OpenAir, Dublin and Glasgow.

Usage examples of "tracks".

Beyond the highway, the megacity rolled away into the smoggy horizon, vast housing estates alternating with industrial precincts, stitched together by the curving lines of the railway tracks and highways.

Radar scanned ahead, showing him the tracks were broken less than a kilometer in front of them.

The westbound track from platform 12A slid out into a broad area of a hundred crisscrossing tracks, a major junction zone between the passenger terminal and a cargo yard, which eventually curved around toward the cliff of gateways five kilometers to the north.

The whole junction area represented on his virtual map, so neatly laced with various tracks, was in reality a harsh environment of concrete and steel sprawling for kilometers in every direction.

He stepped over a set of rail tracks that ran down the middle of the floor to a huge door at the end of the warehouse.

Keeping the citywide grid of five-lane expressways open and the all-embracing network of rail tracks clear and functional for those three icy months of the year required thousands of snowplows and ancillary fleets of GPbots.

His e-butler played him a file of old acoustic rock tracks, allowing him to forget about the training.

All the tracks out here had been made by residents taking off to explore.

Smaller robotic manipulators rolled along their tracks, darting out with serpentine agility to peck at some chunk of compact machinery.

They rocked violently as they cut across tracks and drainage ditches, always maintaining their position in the line.

A laser radar sweep showed him a bike, moving fast as it jumped rail tracks, heading for the wormhole.

He took in all the peripheral scenes with a swift sweep through his virtual vision display grid, concentrating on the tracks ahead.

Over twenty vehicles were clustered together outside the force field, guarding the point where the tracks led into the Far Away section.

The train tracks had been ripped up and replaced by a vast apron of enzyme-bonded concrete that had been poured without any finesse over the ground all the way back to the main highway leading to the planetary station.

Amid the darkening sky and belligerent uproar of the storm he watched the express train from StLincoln leave the tracks in a cloying oily fireball, saw the carriages jackknife and crumple, caught sight of the broken charred bodies sprawled along the side of the tracks.