Wikipedia
Sumud meaning "steadfastness" or "steadfast perseverance" is an ideological theme and political strategy that first emerged among the Palestinian people through the experience of the dialectic of oppression and resistance in the wake of the 1967 Six-Day War. This noun is derived from a verb meaning "arrange, adorn, lay up, save". Those who are steadfast, that is those who exhibit sumud, are referred to as samidin, the singular forms of which are samid (m.) and samida (f.).
With the passing of the years since 1967, Palestinians have distinguished between two main forms of sumud. The first, static sumud, is more passive and is defined by Ibrahim Dhahak as the "maintenance of Palestinians on their land." The second, resistance sumud (in Arabic, sumud muqawim) is a more dynamic ideology whose aim is to seek ways of building alternative institutions so as to resist and undermine the Israeli occupation of the Palestinian territories.
The ultimate symbol associated with the concept of sumud and the Palestinian sense of rootedness in the land is the olive tree, ubiquitous throughout Palestine. Another icon of sumud that has often been portrayed in Palestinian artwork is that of the mother, and more specifically, a peasant woman depicted as when with child.
Sumud ( صمود), which was released on 22 May 2012, is the third album by Niyaz. It was originally reported that like their previous album Nine Heavens it would be released as a double album with one disc each for acoustic versions and electronic versions of songs, though it was released as a normal record with ten songs. The album features the guest appearance of A.R. Rahman on the song Mazaar, a traditional Afghan folk song.
The album's lyrics are mostly in Persian (Parishaan, Shah Sanam, Mazaar, Rah-e-Vafa, Masooz and Mahtaab) with two songs in Turkish (Dertli and Arzusun) and features the band's first lyrics in Arabic (Rayat Al Sumud) and Kurdish (Sosin). It is their first album to feature no Urdu songs.