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shams

n. (plural of sham English)

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Shams

Shams may refer to:

Shams (singer)

Shams Bandar Al-Aslami ( Arabic: شمس بندر الأسلمي, born April 28, 1980), known mononymously as Shams, (Arabic: شمس) is a Saudi- Kuwaiti singer.

Shams released her first album in 2000, but did not achieve mainstream success until she appeared as a guest on the show Leman Yajro'a Faqat on LBC with the presenter Tony Khalifa to talk about her problems with the Saudi singer Sara. Her third album was released a few weeks after the show and has been a major success. She has enjoyed media attention after her conflict with the singer Ahlam. She also released the successful video "ahlan ezayak", which pokes fun at the Bush Administration.

She has recorded several music videos. Some of Shams's popular songs include "ahlan izayak" with George Bush, "tatah" feat. Obama, "kobar rasek", "mothahra nesa2ya", "milion", "ain frash" and "wesh sayer".

On September 26, 2013, in an effort to show solidarity with demands that Saudi women may be allowed to drive, she launched a single (in Arabic) titled 'It's our right to drive' which went viral on the internet.

In a 2015 interview, Shams lamented the plight of those fleeing the Syrian civil war, the deaths caused in the refugee crisis, and blamed Arab governments for being callous and uncaring. The interview became a viral video and attracted significant attention.

Due to her criticism of the Arab's culture and traditions, Shams has dropped the Kuwaiti nationality in favor to hold the nationality of Saint Kitts and Nevis.

Shams (newspaper)

Shams (in Arabic شمس meaning Sun) was a Saudi Arabian daily newspaper published between 2005 and 2012. Its publisher described the paper as modern and trendy.

Usage examples of "shams".

And, because I love my sister Shams, I conspire with her in that plan.

You never see Shams or touch her, except with your zab, and it encounters nothing repugnant.

While we lay there, I was conscious of a smeary wet kiss being bestowed upon my belly skin, and then there was a brief rustling sound as Shams scuttled unseen out of the room.

I was relieved to learn that the Princess Shams was not going to be fruitful and multiply her ugliness, thanks to her pomegranate preventive, though by rights I should have been disquieted, because I was thereby participating in one of the most abhorrent and mortal sins a Christian can commit.

Princess Shams should be limited to the enjoyment of any one man alone.

Baghdad, and it was time for me to say farewell to all three of my zina partners: to Moth and Shams and my story-made Shams.

Speechless with astonishment and horror and revulsion, I stared at the Shahrpiryar Shams, the wrinkled, balding, mottled, shrunken, moldy, decrepit, unspeakably old grandmother.

But Shams only grew the more rose-beautiful and willow-graceful and clover-sweet as the time went on.

It was not until after his father died, and he had succeeded as Shah in Shiraz, and Shams was thirty or older, that she gave birth to their only child, and then only a daughter.

I believe that the Princess Shams, even when I knew her, could see in her glass the radiant eyes and rose lips and willow grace that her suitor Vizan still could see, more than half a century after parting from her, and could smell the fragrance of clover after rain, the sweetest-scented thing God ever put on this earth.

I had, after all, learned from the Persian Princesses Moth and Shams how two females could be thoroughly pleasured at once, and myself with them.