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Sequenza

Sequenza ( Italian for "sequence") is the name borne by fourteen compositions for solo instruments or voice by Luciano Berio. The pieces, some of which call for extended techniques, are:

  • Sequenza I (1958; rev. 1992) for flute
  • Sequenza II (1963) for harp
  • Sequenza III (1965) for female voice
  • Sequenza IV (1965) for piano
  • Sequenza V (1966) for trombone
  • Sequenza VI (1967) for viola
  • Sequenza VII (1969/2000) for oboe (reworked as Sequenza VIIb for soprano saxophone in 2000)
  • Sequenza VIII (1976) for violin
  • Sequenza IX (1980) for clarinet (reworked 1981 as Sequenza IXb for alto saxophone, and 1980 as Sequenza IXc for bass clarinet)
  • Sequenza X (1984) for trumpet and piano resonance
  • Sequenza XI (1987) for guitar
  • Sequenza XII (1995) for bassoon
  • Sequenza XIII (1995) for accordion
  • Sequenza XIV (2002) for cello (reworked in 2004 by Stefano Scodanibbio as Sequenza XIVb for double bass)

Several of these pieces became the basis of larger works: Sequenza II, with the addition of extra instrumental parts around the original solo, became Chemins I; Sequenza VI developed into Chemins II, Chemins IIb, Chemins IIc and Chemins III; Sequenza VII became Chemins IV; Sequenza XI became Chemins V; Sequenza X became Kol-Od, also known as Chemins VI; Sequenza IXb became RĂ©cit, also known as Chemins VII; and Sequenza VIII became Corale. Conversely, Sequenza IX grew out of a piece for clarinet and electronics (later withdrawn), originally known as Chemins V; NB it is not the same as the work with the same title which originates from Sequenza XI.

Category:Compositions by Luciano Berio