Wikipedia
Renaud Pierre Manuel Séchan, known as Renaud (; born 11 May 1952), is a popular French singer, songwriter and actor. His characteristically 'broken' voice makes for a very distinctive vocal style. Several of his songs are popular classics in France, including the sea tale "Dès que le vent soufflera", the irreverent " Laisse béton", the ballad " Morgane de toi" and the nostalgic " Mistral gagnant". However, with the exception of a recording of "Miss Maggie" in English and a franglais recording of "It is not because you are", his work is almost unknown outside the French-speaking world.
Renaud, born Renaud Séchan, is a French singer, songwriter and actor.
Renaud may also refer to:
- Renaud (given name), a male French given name, related to the English name Reynold
- Renaud (opera), a 1783 opera by Antonio Sacchini
- Renaud, Quebec, part of Laval, Quebec
Renaud is an opera by Antonio Sacchini, first performed on 28 February 1783 by the Académie Royale de Musique at the Théâtre de la Porte Saint-Martin in Paris. It takes the form of a tragédie lyrique in three acts. The French libretto, by Jean-Joseph Lebœuf, is based on Cantos XVII and XX of Torquato Tasso's epic poem Gerusalemme liberata and, more directly, on the five-act tragedy by Simon-Joseph Pellegrin, Renaud, ou La suite d'Armide, which had been set to music by Henri Desmarets in 1722 and was intended as a sequel to Lully's famous opera Armide. According to Théodore Lajarte, Lebœuf was helped by Nicolas-Étienne Framery, the regular translator of Sacchini's libretti.
Renaud, ou La suite d'Armide (Renaud, or the Sequel to "Armide") is an opera by the French composer Henri Desmarets, first performed at the Académie Royale de Musique (the Paris Opera) on 5 March 1722. It takes the form of a tragédie en musique in a prologue and five acts. The libretto, by Simon-Joseph Pellegrin, is based on Torquato Tasso's Gerusalemme liberata. The opera is a sequel to Jean-Baptiste Lully's Armide (1686).
The libretto had an influence on Antonio Sacchini's opera Renaud, first performed in 1783.