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Longman Dictionary of Contemporary English
phantasmagoria
noun
EXAMPLES FROM CORPUS
▪ Quirky buildings are often just that: oddballs, curios, rococo phantasmagoria that quickly pall.
▪ Soon enough, however, Pelevin veers off into his trademark philosophical phantasmagoria.
▪ The product of wishful and naive thinking - nothing but a cruel deceit: a phantasmagoria.
▪ This phantasmagoria is not entirely original.
The Collaborative International Dictionary
Phantasmagoria

Phantasmagoria \Phan*tas`ma*go"ri*a\, n. [NL., from Gr. ? a phantasm + ? an assembly, fr. ? to gather: cf. F. phantasmagorie.]

  1. An optical effect produced by a magic lantern. The figures are painted in transparent colors, and all the rest of the glass is opaque black. The screen is between the spectators and the instrument, and the figures are often made to appear as in motion, or to merge into one another.

  2. The apparatus by which such an effect is produced.

  3. Fig.: A medley of figures; illusive images. ``This mental phantasmagoria.''
    --Sir W. Scott.

Douglas Harper's Etymology Dictionary
phantasmagoria

1802, name of a "magic lantern" exhibition brought to London in 1802 by Parisian showman Paul de Philipstal, the name an alteration of French phantasmagorie, said to have been coined 1801 by French dramatist Louis-Sébastien Mercier as though to mean "crowd of phantoms," from Greek phantasma "image, phantom, apparition" (see phantasm) + second element probably a French form of Greek agora "assembly" (but this may have been chosen more for the dramatic sound than any literal sense). Transferred meaning "shifting scene of many elements" is attested from 1822. Related: Phantasmagorical.

Wiktionary
phantasmagoria

n. 1 A popular 18th- and 19th-century form of theatre entertainment whereby ghostly apparitions are formed; a magic lantern. 2 A series of events involving rapid changes in light intensity and colour. 3 A dreamlike state where real and imagined elements are blurred together.

WordNet
phantasmagoria

n. a constantly changing medley or real or imagined images (as in a dream)

Wikipedia
Phantasmagoria (disambiguation)

Phantasmagoria is a type of show using an optical device to display moving images.

Phantasmagoria may also refer to:

  • Phantasmagoria (video game), a 1995 video game
  • Phantasmagoria: A Puzzle of Flesh, a 1996 video game sequel to Phantasmagoria
  • Phantasmagoria (poem), a Lewis Carroll poem
  • Phantasmagoria (audio drama), an audio drama based on the British science fiction television series Doctor Who
  • Phantasmagoria: The Visions of Lewis Carroll, a film project by Marilyn Manson
  • Phantasmagoria (2014), a horror movie by Mickaël Abbate; Domiziano Cristopharo and Tiziano Martella.
  • Phantasmagoria (amusement ride), a ride at Bell's Amusement Park, Tulsa, Oklahoma
  • Phantasmagoria, an animated work by Shigeru Tamura
  • A large, aggressive, ghostly creature with many heads in the computer game American McGee's Alice
Phantasmagoria (audio drama)

Phantasmagoria is a Big Finish Productions audio drama based on the long-running British science fiction television series Doctor Who. The story was written by Mark Gatiss and stars Peter Davison and Mark Strickson. It was recorded between 26–27 June 1999.

Phantasmagoria was considered a more "assured and confident" production than director, Nicholas Briggs', previous works. Gatiss' acting, who plays Jasper Jeake, was considered especially good in the audio play.

Phantasmagoria (The Damned album)

Phantasmagoria is the sixth album by The Damned, released by MCA records in July 1985. Special editions were available on white vinyl or picture disc — some versions included a free 12" of their No. 3 hit " Eloise".

After much wrangling, the Damned received a new contract with MCA Records in October 1984 (past member Captain Sensible's hit solo career helped) and recorded the album in Eel Pie Studios between March and June 1985. It reached No. 11 in the charts, and was the band's highest charting album ever. The non-album single "Eloise," (a Barry Ryan cover), released six months later, became a huge UK hit, reaching No. 3.

The Damned centred the entire album around David Vanian's deep voice, giving much of the album a gothic feeling. "Edward the Bear" is a light pop tune sung by Roman Jugg. The album is currently out of print in North America, but was remastered and reissued by Geffen Records in Japan in 2007, featuring replicas of the LP's outer and inner sleeves and a CD label resembling the white vinyl edition.

Phantasmagoria

Phantasmagoria (, also fantasmagorie, fantasmagoria) was a form of theatre which used a modified magic lantern to project frightening images such as skeletons, demons, and ghosts onto walls, smoke, or semi-transparent screens, frequently using rear projection. The projector was mobile, allowing the projected image to move and change size on the screen, and multiple projecting devices allowed for quick switching of different images. Invented in France by a Belgian physicist in the late 18th century, it gained popularity through most of Europe (especially England) throughout the 19th century.

Phantasmagoria (band)

Phantasmagoria was a visual kei rock band formed in November 2004 in Osaka, Japan by Kisaki, the executive of Under Code Production, a popular independent label.

Phantasmagoria (Curved Air album)

Phantasmagoria is a 1972 album by Curved Air. It reached No. 20 in the UK Charts and is notable for its early use of the EMS Synthi 100 synthesizer to process lead singer Sonja Kristina's voice on the second side. Unavailable for many years, the album was reissued on CD in April 2007.

Phantasmagoria (video game)

Phantasmagoria is an interactive movie point-and-click adventure game released by Sierra On-Line and designed by Roberta Williams for MS-DOS and Microsoft Windows. Released on August 24, 1995, it tells the story of Adrienne (Victoria Morsell), a writer who moves into a remote mansion and finds herself terrorized by supernatural forces. Made at the peak of popularity for interactive movie games, it featured live-action actors and footage, both during cinematic scenes and within the three-dimensional rendered environments of the game itself. Phantasmagoria was noted at the time of its release for its graphic gore, violence, and sexual content.

Williams had long planned to design a horror game, but waited eight years for software technology to improve before doing so. Based on Williams' 550-page script, about four times the length of an average Hollywood screenplay, more than 200 people were involved in the making of Phantasmagoria, which took more than two years to develop and four months to film. Though originally budgeted for US$800,000, the game ultimately cost $4.5 million to develop, and it was filmed in a $1.5 million studio Sierra built specifically for the game.

Directed by Peter Maris, the game featured a cast of 25 actors, with all filming taking place in front of a blue screen. While most games at the time featured 80 to 100 backgrounds, Phantasmagoria included more than 1,000. A professional Hollywood special effects house worked on the game, and the musical score included a neo- Gregorian chant performed by a 135-voice choir. Sierra strongly promoted the game, but stressed it was intended for adult audiences. The company willingly submitted it to a ratings system, and included a password-protected censoring option within the game to tone down the graphic content.

Released on seven discs after multiple delays, Phantasmagoria was a financial success, grossing $12 million in its opening weekend and becoming one of the best-selling games of 1995. It received positive to mixed reviews, earning praise for its graphics and suspenseful tone, but received criticism for its slow pacing and easy puzzles. The game drew controversy, particularly due to a rape scene. CompUSA and other retailers declined to carry it, religious organizations and politicians condemned it, and it was banned altogether in Australia. A sequel, Phantasmagoria: A Puzzle of Flesh, was released in 1996, although Williams was not involved and it has no storyline connection to the original game.

Phantasmagoria (Nobuo Uematsu album)

Phantasmagoria is an original studio album that was composed and performed by Nobuo Uematsu, composer of the Final Fantasy series, with vocals performed by Chinatsu Kuzuu and other artists. This album features electronic and synthesized piano throughout. Although it is Uematsu's first original album, it contains a vocal arrangement of the "Final Fantasy" theme (Prologue), which usually plays during the ending themes of the Final Fantasy series. The track was used as background music in a Japanese Final Fantasy VI television commercial. It was released on October 26, 1994, by NTT Publishing Co., Ltd.. The release bears the catalog number PSCN-5010.

Phantasmagoria (amusement ride)

The Phantasmagoria is a deteriorating haunted house ride. With a facade similar to several other Bill Tracy rides like several Whacky Shack rides, Lumalusion at the Texas state fair, and Fantastic Journey at Wonderland Amusement Park in Texas. The two-person track cars that carry the riders were made by Bell's, but the ride itself, including psychedelic tunnels and a mannequin freak show, was designed by Bill Tracy. The Phantasmagoria was chronicled on Davis' site in 1999.

According to Davis' history of the ride, "In 1971 or ’72, Bob and his father decided that a dark attraction was needed at the park so they headed off to the East Coast to do some research. What they liked most were the gory attractions built by Freddie Mahanon and Bill Tracy. Although New Jersey had some fantastic walkthroughs, complete with attendants haunting the insides, they thought that it was a bit too risky for them. They decided on a Tracy dark ride, but what to name it? Bob’s dad was looking for just the right name...something dealing with gore and phantasms. Bob blended the two words together and came up with the name Phantasmagoria, finding a word that described the dark ride experience perfectly."

While many of today's haunted house rides are geared towards younger patrons, the Tracy ride is geared towards teenaged riders and adults accustomed to hardcore horror films with its lack of restraint concerning gore. In one portion of the ride there was once a naked woman to tantalize the male riders. However, when the bare bottomed vixen spun around, she revealed that the front half of her body had been skinned down to muscle and bone.

The ride is dark, but not without novelties. A waterfall pouring over the track appears to threaten riders with being drenched, but shuts off as the car passes underneath. In one pitch black room, the riders are teased by apparent nothingness, but are startled when a bullhorn blares and headlights reveal the front end of an actual bus, driven by a rotting corpse.

One of the most noticeable changes since the ride opened is the outside portion. About halfway through the ride, when riders are on the second floor of the haunted house, the car pops through a door and travels along a balcony above the queue area outside, swiftly dips to the first floor, then glides back up to the second floor. The rollercoaster-like dip has since been removed, but the car still comes outside for the entire queue area to see.

The Bill Tracy Project - billtracy.net

Phantasmagoria (poem)

"Phantasmagoria" is a poem written by Lewis Carroll and first published in 1869 as the opening poem of a collection of verse by Carroll entitled Phantasmagoria and Other Poems. The collection was also published under the name Rhyme? And Reason? It is Lewis Carroll's longest poem. Both the poem and the collection were illustrated by A.B. Frost.

Phantasmagoria (Limbonic Art album)

Phantasmagoria is the seventh studio album by the Norwegian symphonic black metal band Limbonic Art released in 2010 on Candlelight Records. All music was composed by Daemon alone since Morfeus had left the band leaving Daemon the only remaining Limbonic Art member.

Usage examples of "phantasmagoria".

Half maddened by the shrieks and dying groans that resounded everywhere about him, and yet all the time feeling as though he were some spectator set apart, and condemned to watch the progress of a ghastly phantasmagoria in Hell, Theos was just revolving in his mind whether it would or would not be possible to make a determined climb for escape through one of the tall painted windows, some of which were not yet reached by the fire, when, with a sudden passionate exclamation, Sah-luma broke from his hold and rushed to the Sanctuary.

Wings and buds of all the hues which aesthetic painters love to blend, crossed one another and intermixed in chastest harmony, while the sailors glided on into a phantasmagoria of loveliness and peace, yet bearing with them the horror of that awful carnage behind.

The complex swirl of looping wide ramps we were descending from the west culminated in a phantasmagoria of cloverleafs and delicate concrete columns supporting roads on a dozen levels.

The weirdly illumined knoll was a phantasmagoria of writhing figures and wailing incantation.

Now, therefore, since phantasmagoria maketh not thy heart to quail, I present thee a more material horror.

There were cave pearls and fried eggs and a whole phantasmagoria of wondrous speleotherms to admire.

The yard beyond the small house held a phantasmagoria of painted wooden figures, galloping horses, dogs balanced on wheels, a row of chrome hubcaps on sticks.

He had a singular propensity, for example, to hang over Maule's well, and look at the constantly shifting phantasmagoria of figures produced by the agitation of the water over the mosaic work of colored pebbles at the bottom.

Through the horrible phantasmagoria she flitted--a seductive vision, her piquant loveliness standing out richly in its black setting of murder and devilry.

The acts and scenes of the piece--one of those singularly witless compositions which have at the least the merit of giving entire relief to an audience engaged in mental action or business excitements and cares during the day, as it makes not the slightest call on either the moral, emotional, esthetic or spiritual nature--a piece in which among other characters, so called, a Yankee--certainly such a one as was never seen, or at least like it ever seen in North America, is introduced in England, with a varied fol-de-rol of talk, plot, scenery, and such phantasmagoria as goes to make up a modern popular drama--had progressed perhaps through a couple of its acts, when, in the midst of this comedy, or tragedy, or non-such, or whatever it is to be called, and to offset it, or finish it out, as if in Nature's and the Great Muse's mockery of these poor mimics, comes .