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perceptions

n. (plural of perception English)

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Perceptions (magazine)

Perceptions is an LGBT news magazine which began publication in 1983 in Saskatoon, Saskatchewan, Canada.

Perceptions (This Beautiful Republic album)

Perceptions is the second and final full-length studio album by the Christian rock band This Beautiful Republic. The album was released by ForeFront Records on August 19, 2008. The album charted at No. 21 on the Billboard Top Christian albums chart and No. 16 on the Billboard Heatsseeker albums chart.

Perceptions (EP)

Perceptions is the second EP by American experimental rock band VersaEmerge and the first featuring Sierra Kusterbeck as lead vocalist. It was independently released in 2008. Physical copies of this EP are rare and are commonly sought after by fans.

Perceptions (Dizzy Gillespie album)

Perceptions is a composition for trumpet soloist and large jazz orchestra composed and arranged by J. J. Johnson. The piece was commissioned by Dizzy Gillespie and recorded in 1961 for the Verve label. The instrumentation of the orchestra is unusual in that no saxophones or woodwinds are used.

Usage examples of "perceptions".

Additionally, because of human weakness - imbalances within our mind energies - these perceptions are usually clouded by our own emotions, desires, personality and sense of ego.

Take moths, for instance, and probably many other insects, too, who, in their sensory perceptions, are creatures of the electromagnetic energy fields.

The child thus learns to distrust his or her own perceptions - both sensory and inward - moving further and further into emotional isolation, playing out games of egotism and conventional social ritual as a substitute for real life, consciousness and direct perception.

But such perceptions are limited by the tattwas which are active within their make-up.

We fit our perceptions into pre-arranged patterns and belief systems, subconsciously interpreting all that we experience, thereby losing the meaning and the life within the direct experience.

This was followed subsequently by great interest in all the smells and scents of the roadside, even the occasional canine encounter - accompanied by the whole world of doggie communication: nose to nose, nose to tail, side by side, tail and body postures, ears up, ears down - their inward mental structure is quite clearly being expressed in a language and through sense perceptions and actions we do not share.

The mind structure - its motives, sense perceptions and instinctive drives - these are all reflected automatically in the outward physical form.

We have to get outside our human perceptions and enter into another world.

Once again we can see how the outward only exists because of the inward, and it tells us, too, how our own physical brain and body are formed, as outward projections of more inward energy currents and how our senses and the world of their perceptions are more closely intertwined with each other and with our mind than we may be aware.

They drink from the springs of peace, roam on the trackless soil of perceptions, swim in the ocean-endlessness of bliss.

Therefore, clairvoyant perceptions of this mind level often come as flashes of insight, or inward perception - as indeed do intuitive and intellectual insights - rather than as a continual ability to read the inner mind patterns.

Man discovers order in all things, he seeks out the laws of nature, but where our perceptions fail us, we immediately involve chance and random fluctuations as fundamental explanations.

But these two revealing perceptions of order and design in the physical universe are discussed more fully in Natural Creation: The Mystic Harmony, for they represent clear scientific evidence in favour of the Formative Mind hypothesis.

Natural Creation and the Formative Mind I have taken the perennial, mystic philosophy and applied its perceptions to the world of physical creatures.

This prompts him to investigate the perceptions of the five known senses: smelling, tasting, hearing, touching and seeing, which he discusses in this order.