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Nineteen Eighty-Four (TV programme)

Nineteen Eighty-Four is a British television adaptation of the novel of the same name by George Orwell, originally broadcast on BBC Television in December 1954. The production proved to be hugely controversial, with questions asked in Parliament and many viewer complaints over its supposed subversive nature and horrific content. In a 2000 poll of industry experts conducted by the British Film Institute to determine the 100 Greatest British Television Programmes of the 20th century, Nineteen Eighty-Four was ranked in seventy-third position.

Nineteen Eighty-Four (film)

Nineteen Eighty-Four, also known as 1984, is a 1984 British dystopian drama film written for the screen and directed by Michael Radford, based upon George Orwell's novel of the same name. Starring John Hurt, Richard Burton, Suzanna Hamilton, and Cyril Cusack, the film follows the life of Winston Smith in Oceania, a country run by a totalitarian government.

The film, which features Burton's last screen appearance, is dedicated to him "With love and admiration."

Nineteen Eighty-Four

Nineteen Eighty-Four, often published as 1984, is a dystopian novel by English author George Orwell published in 1949. The novel is set in Airstrip One (formerly known as Great Britain), a province of the superstate Oceania in a world of perpetual war, omnipresent government surveillance and public manipulation, dictated by a political system euphemistically named English Socialism (or Ingsoc in the government's invented language, Newspeak) under the control of a privileged elite of the Inner Party, that persecutes individualism and independent thinking as " thoughtcrime."

The tyranny is epitomised by Big Brother, the Party leader who enjoys an intense cult of personality but who may not even exist. The Party "seeks power entirely for its own sake. It is not interested in the good of others; it is interested solely in power." The protagonist of the novel, Winston Smith, is a member of the Outer Party, who works for the Ministry of Truth (or Minitrue in Newspeak), which is responsible for propaganda and historical revisionism. His job is to rewrite past newspaper articles, so that the historical record always supports the party line. The instructions that the workers receive specify the corrections as fixing misquotations and never as what they really are: forgeries and falsifications. A large part of the ministry also actively destroys all documents that have been edited and do not contain the revisions; in this way, no proof exists that the government is lying. Smith is a diligent and skillful worker but secretly hates the Party and dreams of rebellion against Big Brother. Orwell based the character of the heroine of the novel, Julia, on his second wife, Sonia Orwell.

As literary political fiction and dystopian science-fiction, Nineteen Eighty-Four is a classic novel in content, plot and style. Many of its terms and concepts, such as Big Brother, doublethink, thoughtcrime, Newspeak, Room 101, telescreen, 2 + 2 = 5, and memory hole, have entered into common use since its publication in 1949. Nineteen Eighty-Four popularised the adjective Orwellian, which describes official deception, secret surveillance and manipulation of recorded history by a totalitarian or authoritarian state. In 2005, the novel was chosen by Time magazine as one of the 100 best English-language novels from 1923 to 2005. It was awarded a place on both lists of Modern Library 100 Best Novels, reaching number 13 on the editor's list, and 6 on the readers' list. In 2003, the novel was listed at number 8 on the BBC's survey The Big Read.

Usage examples of "nineteen eighty-four".

The night was hot and sticky and there was music in the air, although the Beale Street of nineteen eighty-four was nothing like the Beale Street that W.

Amber says slowly, pausing for a moment to spawn spectator threads to run down the book and all three movie versions of Nineteen Eighty-Four, followed by the sharecropped series of sequel novels.

The world will then be much as Orwell predicted in Nineteen Eighty-four.

It was just like what they did to Winston Smith in NINETEEN EIGHTY-FOUR, which was a book none of them knew about, but the techniques are really quite ancient, and so they did it to Everett C.