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margo

n. (context anatomy English) border, margin

Wikipedia
Margo (actress)

Margo (May 10, 1917 – July 17, 1985), sometimes known as Margo Albert, was a Mexican-American film actress and dancer. She appeared in many American motion pictures and television productions, mostly in minor roles. Her more substantial roles include Lost Horizon (1937), The Leopard Man (1943), Viva Zapata! (1952), and I'll Cry Tomorrow (1955). Her final role was as murderess Serafina in the 1965 Perry Mason episode, "The Case of the Sad Sicilian".

Margo (singer)

Margo (born Margeret Catherine O'Donnell; February 6, 1951) is an Irish singer. She rose to prominence during the 1960s in the Irish country music scene and has had a successful career since.

Margo (soap)

Margo is a brand of soap manufactured in India. The soap has neem as its main ingredient. The soap was manufactured by Calcutta Chemicals and was launched in 1920. In 1988 the soap was among the top five selling brands in India, with a market share of 8.9%. As of 2001, the brand was worth 75 crores and belonged to Henkel-SPIC. As of 2003, the brand was relaunching new products focused on the younger demographics and had a market share of close to 2% of the premium soaps segment in India.

Margo

Margo may refer to:

Margo (magician)

Margo is the screen and stage name of Margo Timon (née Tucker), a magic performer and actress who had a starring slot in the NBC network television special The World's Most Dangerous Magic II. She worked with the duo The Pendragons.

Usage examples of "margo".

The perfect caricature of a hard-driving journalist, and Margo suspected he cultivated the look.

It was so overpopulated with algae and weeds that Margo had only rarely been able to catch sight of a fish peering out through the murk.

Her adviser often seemed preoccupied dur­ing these weekly meetings, and Margo was constantly scrambling to give him something new.

A stranger might think him asleep, but Margo knew Frock was listening with intense concentration.

It hadn’t been a bad deal for Smithback at all, Margo thought, given the only modest success of his previous book on the Boston Aquarium.

As Margo and Moriarty passed from one of the buildings into another, the ceiling ascended, and the catwalk became a branching corridor.

Peering in, Margo could see a tiny room stuffed with masks, sha­man’s rattles, painted and beaded skins, and a group of long sticks topped by grimacing heads.

Normally Margo would have merely sent down a requisition slip and avoided the ordeal.

Though he was nearly eighty, Margo suspected he only feigned deafness to annoy people.

He was Frock’s most brilliant protégé, which made Margo oc­casionally resentful.

Pendergast believes it was constructed as a weapon of some sort,” Margo said quickly.

Certain she had reached a dead end, Margo approached the totem pole unwillingly.

Its head was bent stiffly toward Margo as if prepared to tell her a se­cret, sightless eye sockets bulging, mouth ossified into a rictus of pain.

Wright called in, having to go back into that exhibition—forced Margo to straighten up.

Looking around, Margo spot­ted several Museum staffers, including Bill Smithback.