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Longman Dictionary of Contemporary English
iconoclastic
adjective
EXAMPLES FROM CORPUS
▪ As a pastor he was diligent and although iconoclastic, he defended the clergy against outside attack.
▪ I thought he was very handsome, tragic and iconoclastic.
▪ It is in its nature neither conservative nor iconoclastic.
▪ It is tempting to see here an iconoclastic attitude towards male-female roles.
▪ Of course the paper was not totally iconoclastic.
▪ Their memories emphasise his intrepid, iconoclastic, and freedom-loving wilfulness.
▪ Today his message is more austere, more profound and more iconoclastic than ever.
▪ Zinberg was an iconoclastic Harvard drug researcher.
The Collaborative International Dictionary
Iconoclastic

Iconoclastic \I*con`o*clas"tic\, a. Of or pertaining to the iconoclasts, or to image breaking.
--Milman.

Douglas Harper's Etymology Dictionary
iconoclastic

1640s; see iconoclast + -ic.

Wiktionary
iconoclastic

a. Characterized by attack on established and accepted beliefs, customs, or institutions; of or pertaining to iconoclasm.

WordNet
iconoclastic

adj. characterized by attack on established beliefs or institutions

Usage examples of "iconoclastic".

It was probably that numinous element in the religion which riddled even the most brilliant and iconoclastic Romans with superstitions.

Planting himself on this ground, surrounding himself with these evidences, the reverential Christian will at least for a long time to come cling firmly to the accepted fact of the resurrection of Christ, regardless of whatever misgivings and perplexities may trouble the mind of the iconoclastic and critical truth seeker.

There may be some universe in which it is iconoclastic for anemic Hollywood starlets to denigrate the Catholic Church.

On the extreme left wing of Proletkult there was a strong iconoclastic trend that revelled in the destruction of the old world.

Surely not McGee, not that big brown loose-jointed, wirehaired beach rambler, that lazy fish-catching, girlwatching, grey-eyed iconoclastic hustler.

The Tsigane version of Sara and the saints is from Claude Clément's wonderful children's book Contes Traditionelles de Provence, and represents either the iconoclastic extreme or the earliest, least-changed myth.

The Nakeds faced a Camelotian dilemma: whether to accede to the realities of social stratification and capitulate to appearances as eveiything and deny your own hunger and seek contentment in conformity and tone down your spiel, spritz, shtick, and performance capability and rework it to suit a mainstream audience-or go iconoclastic all the way and fuck this overweening adolescent urge to BELONG.