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The Collaborative International Dictionary
Iambus

Iambus \I*am"bus\, n.; pl. L. Iambi, E. Iambuses. [L. iambus, Gr. ?; prob. akin to ? to throw, assail (the iambus being first used in satiric poetry), and to L. jacere to throw. Cf. Jet a shooting forth.] (Pros.) A foot consisting of a short syllable followed by a long one, as in [a^]m[=a]ns, or of an unaccented syllable followed by an accented one, as invent; an iambic. See the Couplet under Iambic, n.

Wiktionary
iambus

n. (context poetry English) an iamb

WordNet
iambus

n. a metrical unit with unstressed-stressed syllables [syn: iamb]

Wikipedia
Iambus (genre)

Iambus or iambic poetry was a genre of ancient Greek poetry that included but was not restricted to the iambic meter and whose origins modern scholars have traced to the cults of Demeter and Dionysus. The genre featured insulting and obscene language and sometimes it is referred to as "blame poetry". For Alexandrian editors, however, iambus signified any poetry of an informal kind that was intended to entertain, and it seems to have been performed on similar occasions as elegy even though lacking elegy's decorum. The Archaic Greek poets Archilochus, Semonides and Hipponax were among the most famous of its early exponents. The Alexandrian poet Callimachus composed "iambic" poems against contemporary scholars, which were collected in an edition of about a thousand lines, of which fragments of thirteen poems survive. He in turn influenced Roman poets such as Catullus, who composed satirical epigrams that popularized Hipponax's choliamb. Horace's Epodes on the other hand were mainly imitations of Archilochus and, as with the Greek poet, his invectives took the forms both of private revenge and denunciation of social offenders.

Usage examples of "iambus".

It is a decasyllabic line, with a trochee substituted for an iambus in the third foot--Around : me gleamed : many a : bright se : pulchre.

Homage was paid to it in iambi and trochees, in trisyllabic feet, Buchnerian dactyls, and alexandrines, with metathesis, alliteration, internal rhymes, and nimble improvisations.