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hollies

n. (holly English)

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Hollies (1974 album)

Hollies is a 1974 album by the English pop-rock band The Hollies, marking the return of Allan Clarke after he had left for a solo career. The centerpiece is the band's classic cover of Albert Hammond's ballad " The Air That I Breathe," a major worldwide hit that year. It also contains another " Long Cool Woman in a Black Dress" soundalike in "The Day That Curly Billy Shot Down Crazy Sam McGee".

Hollies (1965 album)

Hollies is the Hollies' third LP for Parlophone. This is also referred to as Hollies '65 to differentiate it from the similarly titled 1974 album. It went to No. 8 in the UK album charts. Originally available in mono only, it was reissued in stereo under the title Reflection in 1969. In 1997, British EMI put both mono and stereo versions of this album onto a single CD.

Of the twelve tracks on this album, only "So Lonely" was issued on 45 in Great Britain; even then, it was the B-side to the 1965 hit " Look Through Any Window", a song recorded concurrent with the rest of this album. On the original album, only five of the twelve songs are band originals, attributed at the time to the pseudonym "L. Ransford" but actually written by Allan Clarke, Tony Hicks and Graham Nash. The rest were covers. In Scandinavia "Very Last Day" and "Too Many People" were issued on 45, with the former becoming a major hit in Sweden.

The song "Put Yourself in My Place" (written by Clarke, Hicks and Nash) was also recorded by Episode Six and became their 1966 debut single.

Hollies (disambiguation)

The Hollies are an English rock group.

Hollies may also refer to:

Usage examples of "hollies".

And when the hollies were started—some to grow forty feet tall—she added her final touch, the extravagant gesture which would make this stretch of lawn her timeless portrait: in seven open areas where the sun could strike she planted clumps of daylilies, knowing that when they proliferated the areas would be laden with tawny-colored flowers of great vitality and brilliance.

Even the oak was barren, but then as she walked among the bare limbs she would catch sight of the hollies, those fine and stubborn trees to which the birds of winter came, seeking red berries, and her heart would leap and she would cry: “When the last berries are gone, spring begins and all this starts again.

The hollies were sub­stantial trees now, the females laden with red berries, the males stern and aloof like their master.

Thence she wandered into all the nooks around the place from which the sound seemed to proceed—among the huge laurestines, about the tufts of pampas grasses, amid the variegated hollies, under the weeping wych-elm—nobody was there.

Straight across from t he ford the track runs up into the forest, through a shaw of hollies, and afte r that it's plain enough to see.

The hollies had made great advances since his last time downside, and Vanderhorst found the sensation fascinating.

Pale birch-girls were tossing their heads, willowwomen pushed back their hair from their brooding faces to gaze on Aslan, the queenly beeches stood still and adored him, shaggy oak-men, lean and melancholy elms, shockheaded hollies (dark themselves, but their wives all bright with berries) and gay rowans, all bowed and rose again, shouting, “Aslan, Aslan!

They drank very little wine, and it made the Hollies very talkative: for the most part they quenched their thirst with deep draughts of mingled dew and rain, flavoured with forest flowers and the airy taste of the thinnest clouds.

Pale birch-girls were tossing their heads, willowwomen pushed back their hair from their brooding faces to gaze on Aslan, the queenly beeches stood still and adored him, shaggy oak-men, lean and melancholy elms, shockheaded hollies (dark themselves, but their wives all bright with berries) and gay rowans, all bowed and rose again, shouting, "Aslan, Aslan!