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The Collaborative International Dictionary
Grisaille

Grisaille \Gri"saille`\, n. [F., from gris gray.]

  1. (Fine Arts) Decorative painting in gray monochrome; -- used in English especially for painted glass.

  2. A kind of French fancy dress goods.
    --Knight.

Douglas Harper's Etymology Dictionary
grisaille

painting technique, 1848, from French grisaille (17c.), from gris "gray" (12c.), from a Germanic source (see ambergris).

Wiktionary
grisaille

n. (context arts English) In painting, a method of working which employs only varying values of gray to create form. Often a preliminary step in a fully colored painting.

WordNet
grisaille

n. chiaroscuro painting or stained glass etc., in shades of gray imitating the effect of relief

Wikipedia
Grisaille

Grisaille ( or ; 'grey') is a term for a painting executed entirely in shades of grey or of another neutral greyish colour. It is particularly used in large decorative schemes in imitation of sculpture. Many grisailles in fact include a slightly wider colour range, like the Andrea del Sarto fresco illustrated. Paintings executed in brown are referred to as brunaille, and paintings executed in green are called verdaille.

A grisaille may be executed for its own sake, as underpainting for an oil painting (in preparation for glazing layers of colour over it), or as a model for an engraver to work from. "Rubens and his school sometimes use monochrome techniques in sketching compositions for engravers." Full colouring of a subject makes many more demands of an artist, and working in grisaille was often chosen as being quicker and cheaper, although the effect was sometimes deliberately chosen for aesthetic reasons. Grisaille paintings resemble the drawings, normally in monochrome, that artists from the Renaissance on were trained to produce; like drawings they can also betray the hand of a less talented assistant more easily than a fully coloured painting.

Usage examples of "grisaille".

Quietly now went her steed, with the cunning of his kind, his horny feet making no sound, scarcely dislodging a leaf of the gray sedges or strange grisaille grasses.

They shifted the bedroom from a familiar collection of grisaille outlines to a strong two-tone portrait of red and impenetrable black.

In the end he struck his head against the feet of a hanged man who, swaying from a tree, made of himself a grisaille grotesque.