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Douglas Harper's Etymology Dictionary
Gethsemane

name of a garden on the Mount of Olives in Jerusalem [Matt. xxvi:36-46], from Greek Gethsemane, from Aramaic gath shemani(m) "oil-press."

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Gethsemane
Gethsemane (The X-Files)

"Gethsemane" is the twenty-fourth and final episode of the fourth season of the American science fiction television series The X-Files. It premiered on the Fox network on . It was directed by R.W. Goodwin, and written by series creator Chris Carter. "Gethsemane" featured guest appearances by Charles Cioffi, Sheila Larken and Pat Skipper, and introduced John Finn as recurring character Michael Kritschgau. The episode helped to explore the overarching mythology, or fictional history of The X-Files. "Gethsemane" earned a Nielsen household rating of 13.2, being watched by 19.85 million people in its initial broadcast.

The show centers on FBI special agents Fox Mulder ( David Duchovny) and Dana Scully ( Gillian Anderson) who work on cases linked to the paranormal, called X-Files. In the episode, Mulder is shown evidence of alien life which may actually be part of a huge government hoax designed to deflect attention from secret military programs. Meanwhile, Scully struggles with her cancer in the face of hostility from her brother, who believes she should no longer be working.

"Gethsemane" was filmed on one of the series' most elaborate and costly sets, replicating an icy mountaintop inside a refrigerated building using real snow and ice. Shooting for exterior scenes took place on Vancouver's Mount Seymour, occurring just a week before Duchovny's wedding. The episode, which has been described by Carter as pondering "the existence of God", has received mixed responses from critics, with its cliffhanger ending frequently being cited as its main failing.

Gethsemane (disambiguation)

Gethsemane is a garden in Jerusalem believed to be the place where Jesus and his disciples prayed the night before the crucifixion.

Gethsemane may also refer to:

  • Gethsemane (play), a play by David Hare
  • "Gethsemane" (The X-Files), an episode of the television show The X-Files
  • "Gethsemane", a song in the musical Jesus Christ Superstar
  • "Gethsemane", a song by Nightwish from the album Oceanborn
  • "Gethsemane", a song by Peter Gabriel from the album Passion
  • "Gethsemane", a song by Rise Against from the album The Unraveling
  • "Gethsemane", a song by Richard Thompson from the album The Old Kit Bag
  • "Gethsemane", a song by Conception from the album Flow
  • "Gethsemane", a song by Om from the album Advaitic Songs
  • "Gethsemane", a song by Dry The River from the album Alarms in the Heart
  • Gethsemane Cemetery, a cemetery in New Jersey
  • " Christ's agony at Gethsemane", a passage from the Bible
Gethsemane (play)

Gethsemane is a play by David Hare. It premièred at the National Theatre in London on 4 November 2008.

The work opens with a reflection on the sway religious books hold over their adherents, but it soon establishes itself as a political piece dramatising the methods used by the governing Labour Party in Britain to raise party funds. Using lapses in the personal and public lives of the characters, often easily recognisable as incidents drawn from the lives of real politicians recently departed from office, the play illuminates the cynicism and expediency of a political party too long unchallenged in power.

The title '' Gethsemane'' refers to the life-changing decision by the character "Lori" to give up teaching and become a busker. Only later in the play, as other less idealistic characters avoid their own "Gethsemane moments", is it explained to her that in the Garden of Gethsemane Christ's decision was to stick with the plan and not to take the easy path.

Gethsemane (oratorio)

Gethsemane is a chamber-oratorio by the British composer, Matthew King. Commissioned for the opening concert of the 1998 Spitalfields Festival, the work was composed for the early music group, Florilegium and is scored for 4 vocalists (soprano, alto, tenor, bass) and a 'Baroque' ensemble consisting of flute solo, 2 oboes, 3 natural trumpets, strings, harpsichord and percussion. The oratorio uses a compilation of Biblical texts to relate the New Testament narrative from Christ's triumphal entry into Jerusalem until his arrest in the Garden of Gethsemane. Each of the four vocalists represents several characters in the story and all four join together to sing collectively as disciples, pharisees and various crowds. Certain instruments within the ensemble are used to represent characters in the drama: for example, Christ is always accompanied with a flute, the pharisees are joined by rumbling timpani and Judas by a solo harpsichord.

After the first performance, the critic Roderick Dunnett described King's Gethsemane as "passion music in the great tradition" whilst Michael White wrote in The Independent that "there's an innocence about the music which is honest, heartfelt, full of what a German would call "ear-worms": ideas that dig deep into the listener's mind."

Usage examples of "gethsemane".

Judas could not be bothered with anything, he headed for the Gethsemane gate, he wanted to leave the city quickly.

From the garden a wave of myrtle and acacia from the Gethsemane glades poured over the fence.

The whole garden of Gethsemane was just then pealing with the song of nightingales.

Our Lord Himself also was meditating terror in the garden of Gethsemane, and Paul both guilt and terror when he imagined himself both an apostate preacher and a castaway soul.

A hundred yards past the deserted school was the church: Gethsemane Lutheran church is a red brick building with quite a sturdy, pompous, peaceful air to it, probably conferred by the Palladian columns at the top of the stairs.

When I was ten and he seventeen, Polar Bears and I had spitballed the congregation from the choir loft at Gethsemane church.

I certainly had not foreseen wearing them to Gethsemane Lutheran church.

Strobel first touched on the Gethsemane scene, as found in the three synoptic Gospels.

Transfiguration, in the Garden of Gethsemane - these are crisis moments in which God confirmed to him who he was and what his mission was.

In Gethsemane He went through in spirit what on the morrow He went through in actual experience.

The same sort of suffering that came in Gethsemane had run all through His life, but is strongest in Gethsemane.

This is the meaning of Gethsemane, intense suffering of spirit because of the sin of others.

This is the Gethsemane experience, and it will not grow less but more.

But there are two things in the Gethsemane experience that give it a meaning quite different from such.

We need not go through the Gethsemane experience save as we make the choice that comes to include this.