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n. A single still frame or picture taken from a film (movie), or from a video stream.
Wikipedia
Freeze-Frame is the 12th studio album by American rock band The J. Geils Band, released in 1981. This was the band's only No. 1 album and their biggest seller. The album reached number one on the Billboard 200 album chart in February 1982, and remained at the top for four weeks. The album featured the hit singles " Centerfold" (No. 1 US; No. 3 UK) and " Freeze Frame" (No. 4 US). " Angel in Blue" also reached the US Top 40.
This was the first album where songwriters Peter Wolf and Seth Justman, who provided the band with its original material, did not share credit on every song. Justman wrote or co-wrote all of the album as well as receiving credit as arranger and producer of the material.
The album was remastered in 1993 and reissued on BGO in the UK and was remastered in 2008 for the Japanese market, but has not been remastered in the U.S.
Part of the success of the album can be attributed to the videos that were run constantly on MTV including "Centerfold" and the title track from the album.
Freeze frame may refer to:
Freeze Frame ( 2004) is a psychological thriller film written and directed by John Simpson, and starring comedian Lee Evans in a rare dramatic role.
Freeze Frame is a 1979 album by Godley & Creme. The album was recorded at Nigel Gray's Surrey Sound Studios, Leatherhead, Surrey and featured cover art designed by Hipgnosis.
This album featured a couple of technical innovations which gave it a unique sound. "I Pity Inanimate Objects" featured a distinctive vocal treatment in which the notes are seemingly obtained by altering the pitch of pre-recorded voices. In an interview for The Idler magazine in 2007, Kevin Godley explained how that song was realized:
Recently, I played I Pity Inanimate Objects from Freeze Frame and I remembered how and why we actually did that. The idea was driven by a new piece of equipment called a harmoniser. It's used in studios all the time these days as a corrective device to get performances in tune, but this early version came with a keyboard. You could put a sound through a harmoniser and if you wanted an instrument or voice to hit a certain note that it hadn't, you could play that note on the keyboard. So we got to thinking, 'Let's forget about singing for the moment. What happens if I vocalize these words in a monotone - do an entire song on one note - and get Lol to play my vocal on the harmoniser keyboard?' That was the experiment. It worked pretty well. Predated Cher's digital gurglings by a few years. I don't know where the lyric came from. Maybe because the harmoniser was inanimate.
In the same interview, Godley was asked whether he and Creme used the Brian Eno/Peter Schmidt 'Oblique Strategies' chance cards:
No, we used dope. (Laughter.) Dope Strategies. There's only one card and you use it as a roach. The way we recorded the Brazilia track on Freeze Frame harked back to first year art college techniques. There was this great teacher who, in order to free up your mind, would say, 'OK, I want you to blindfold yourself, and you to tie your right arm behind your back, you stand on one leg... Now paint!' In other words, he would create obstacles for you to overcome as you did what you usually did. Painting whilst blindfolded frees you because you don't know what you are doing. What we did with Brazilia was, after we made a simple rhythm track, each of us - including Phil Manzanera - would come in independently and record something we wanted to hear. I would go in one evening to tape my vocal bits and pieces, then Lol, and then Phil, with none of us hearing what the others had done. Then we played it all back to see what happened: 'AAAARGHH! WHAAAAT?' [...] The take that's on the album is it. Obviously with things that almost worked we had to slide 'em left or right a bit or clean out of sight. It's an interesting process, the element of chance.
Some tracks also featured the Gizmo, which was a mechanical device invented by Godley, Creme, and John McConnell (professor of physics at the University of Manchester) to give a guitar a bowed effect like a violin. The device used keys which, when pressed, allowed rotating wheels to touch the guitar strings.
Freeze Frame is a 1992 television film directed by William Bindley.
"Freeze-Frame" is a classic hit song written by Seth Justman and Peter Wolf for The J. Geils Band. It was first released as the opening track on the chart-topping 1981 album of the same name. The song was released on a 45 in early 1982 as the second single from the album, following the million-selling US #1/UK #3 hit " Centerfold". The single's flip side, " Flamethrower," received airlplay on urban contemporary radio stations throughout the United States, and reached #20 on the Billboard Soul Chart.