Gazetteer
Housing Units (2000): 535
Land area (2000): 1.296362 sq. miles (3.357561 sq. km)
Water area (2000): 0.005469 sq. miles (0.014164 sq. km)
Total area (2000): 1.301831 sq. miles (3.371725 sq. km)
FIPS code: 27190
Located within: Puerto Rico (PR), FIPS 72
Location: 18.098814 N, 65.477976 W
ZIP Codes (1990):
Note: some ZIP codes may be omitted esp. for suburbs.
Headwords:
Esperanza
Wikipedia
Esperanza may refer to:
Esperanza is a Filipino primetime television drama that was aired by ABS-CBN from February 17, 1997 to July 30, 1999 replacing the 4-year run Mara Clara. It was re-aired in Studio 23 and Kapamilya Channel, which are both an ABS-CBN subsidiaries. The show posted the country's highest rating of a single episode in a TV series which is 67%. Its finale episode rating of 59.8% is the second highest rated finale episode of all time, behind the 2002 finale episode of Pangako Sa 'Yo (also aired by ABS-CBN). A film adaptation was subsequently made in 1999 by Star Cinema with the same title.
The series was delayed in 1997 on its international channel TFC due to late broadcasting. It was aired on June 2, 1997 to November 12, 1999 with current broadcasts of Mula Sa Puso.
"Esperanza" (Eng.: Hope) is the title of the first single released by Enrique Iglesias from his third studio album, Cosas del Amor.
Esperanza is the second studio album by the American bassist and vocalist Esperanza Spalding. It was released on May 20, 2008.
Being exposed to many different cultural impressions while growing up, Spalding sings in three different languages here: English, Spanish and Portuguese. After Spalding's Grammy Award win in February 2011, the album entered the Billboard 200 at 138.
Esperanza, also known as John Rose House, is a historic home located at Jerusalem in Yates County, New York. It is a Greek Revival style structure with a -story, side-gabled main block and a -story, side-gabled west wing. It was built in 1838 and features a massive 2-story portico composed of four Ionic columns supporting a full entabulature and pediment.
It was listed on the National Register of Historic Places in 1995.
Esperanza Municipality is a municipality in Puebla in south-eastern Mexico.
Esperanza is the eighth studio album by the German solo artist Michael Rother. It was released on 11 March 1996. Excepting 1993's compilation album Radio, the studio album was Rother's first since 1987 and his sole full release of material in the 1990s.
The album was recorded between January 1995 and January 1996 in Germany at Rother's own studio Random Studio in Forst and Studio B3, Hamburg. Additional recording and digital treatments took place at Alphaton Studio, Wentorf in December 1995 and January 1996. Receiving positive reviews the album was released as an CD and limited edition double LP in 1996 before it was re-released in 2000. The artwork and photography and for the album was designed and shot by Thomas Beckmann.
'Esperanza ' ("Hope") is a 1946 Mexican film. It was directed by Fernando de Fuentes.
Esperanza is a Spanish feminine given name, meaning " hope" or "expectation".
Esperanza ( Spanish for "Hope"), also known as La Esperanza, is a Cuban village and consejo popular ("people's council", i.e. hamlet) of the municipality of Ranchuelo, in Villa Clara Province. With a population of 11,555 it is the most populated village in the municipality after Ranchuelo.
Esperanza (English: Hope) is a 2011 Chilean telenovela produced and broadcast by TVN.
"Esperanza" is a 1961 hit song by Charles Aznavour with French lyrics written by Aznavour after the original instrumental composition by Ramón Cabrera Argotes. The Aznavour version commences "Esperanza, esperanza, le bonheur en nos coeurs...".
The Spanish original also achieved popularity in its own right particularly the Spanish-language version by Nino de Murcia, but the French version of Aznavour was successful even in Spanish speaking countries.
Esperanza is a station on Line 4 of the Madrid Metro. It is located in fare Zone A.
Usage examples of "esperanza".
At first she had resisted making him the fleet liaison, but Esperanza had reminded her of the old adage about keeping friends close and enemies closer.
What do you figure, Esperanza has five more minutes with the president before she comes down and hits me over the head with a rock?
For years, Esperanza had been begging Nan Bacco to fire him, but she insisted that he was the only one who kept her life organized.
They were at red alert the entire time, and by the end of the second week, Esperanza felt like she had run six marathons in the space of two hours.
Turning to her left, she saw Esperanza, her right hand, and Raisa, looking nonplussed.
Good, maybe I can accomplish something there—’cause I gotta tell you, Esperanza, right now I don’t feel like we’re accomplishing a damn thing.
As soon as Esperanza saw the expression on the former’s face—Spock was too stoic to give anything away—she knew it wasn’t good news.
For Esperanza, as well as Fred, Ashanté, several members of the speechwriting staff, and the president herself, that meant following the traditions of Cestus III—or, at least, Nan Bacco’s interpretations of them.
While Myk had been left to handle whatever Palais business needed to be dealt with, Esperanza and Xeldara, with help from Councillor Ra’ch B’ullhy’s office, had spent the month that the president had been gone working with Ambassador Morrow and the Trinni/ek diplomats to make sure their trip to Earth went off without a hitch.
Esperanza had always looked forward to her visits, filled as they had been with humor and stories and a genuine interest in what Esperanza had been concerned with, something small children rarely encountered among the adult population.
Traveling with a security detail, as the president did, always meant that using a transporter was a more complicated endeavor, so it didn’t surprise Esperanza that she was ready first.
The two human men were in tuxedoes, the Vulcan woman wore a skintight suit embroidered with Vulcan script (not the formal wear Palais tradition would have preferred, Esperanza suspected, but the woman did need to be able to do her job, and a loose robe would not have accomplished that), and the Trill woman wore a sky-blue one-piece dress that was sleeveless with a slit up the side of the knee-length skirt, which Esperanza suspected was there more for freedom of leg movement than fashion.
The table would be half Trinni/ek and half Federation, comprising Esperanza, Colton, Xeldara, Xeldara’s husband, Ashanté, Fred, and the president.
The Federation anthem—a tune that Esperanza had to admit to never liking, possibly because she was subjected to it at the beginning of every baseball game the president made her sit through—played over speakers.
Being telepaths, Betazoids rarely paid attention to how humanoids looked, as they were more concerned with more thoughtful matters, so the fact that Cort Enaren took note of her outfit made Esperanza feel a little better about having to wear the outdated clothing.