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Longman Dictionary of Contemporary English
classicism
noun
EXAMPLES FROM CORPUS
▪ His ring classicism has always argued so persuasively against excessive physical harm, his pride was beyond anything but a regal exit.
▪ However, the chromaticism of the series breaks up the association with classicism to a large degree.
▪ Ignatius of Antioch Church in Manhattan for a funeral service that was his final lesson in classicism, grace and humility.
▪ It is at this point that Todorov's' classicism, is projected towards postmodernism.
▪ It misleadingly marginalizes both the centrality of the Church and classicism, the dominant artistic trend of the period.
▪ Manet's break with classicism was threefold.
▪ Such a contrast between classicism and positivism seems rather generous to Beccaria.
▪ The Justice Model asserted two central principles, both of which harked back to the classicism of Beccaria.
The Collaborative International Dictionary
Classicism

Classicism \Clas"si*cism\, n. A classic idiom or expression; a classicalism.
--C. Kingsley.

Douglas Harper's Etymology Dictionary
classicism

"classical style in art or literature," 1830, from classic + -ism. Related: Classicist.

Wiktionary
classicism

n. 1 (context uncountable English) All the classical traditions of the art and architecture of ancient Greece and Rome, especially the aspects of simplicity, elegance and proportion. 2 (context uncountable English) Classical scholarship. 3 (context countable English) A Latin or Ancient Greek expression used in an English sentence.

WordNet
classicism

n. a movement in literature and art during the 17th and 18th centuries in Europe that favored rationality and restraint and strict forms; "classicism often derived its models from the ancient Greeks and Romans" [ant: romanticism]

Wikipedia
Classicism

Classicism, in the arts, refers generally to a high regard for a classical period, classical antiquity in the Western tradition, as setting standards for taste which the classicists seek to emulate. The art of classicism typically seeks to be formal and restrained: of the Discobolus Sir Kenneth Clark observed, "if we object to his restraint and compression we are simply objecting to the classicism of classic art. A violent emphasis or a sudden acceleration of rhythmic movement would have destroyed those qualities of balance and completeness through which it retained until the present century its position of authority in the restricted repertoire of visual images." Classicism, as Clark noted, implies a canon of widely accepted ideal forms, whether in the Western canon that he was examining in The Nude (1956), or the literary Chinese classics or Chinese art, where the revival of classic styles is also a recurring feature.

Classicism is a force which is often present in post-medieval European and European influenced traditions; however, some periods felt themselves more connected to the classical ideals than others, particularly the Age of Enlightenment, when Neoclassicism was an important movement in the visual arts.

Usage examples of "classicism".

His virilia, which he has always regarded as boyish, appear to mesh with this classicism: just Praxitelean enough to avert ridicule if not to summon awe.

We hear a great deal about romanticism as contradistinguished from classicism, but it is seldom that we have the line of demarcation between the two tendencies or schools drawn for us.

In the larger study of the opera made in another place, I have attempted to show that the contest is in reality the one which is always waging between the principles of romanticism and classicism, a contest which is essentially friendly and necessary to progress.

And with respect to classicism likewise, there is the classicism that finds an achievement of the recognized forms easy and can play with them at will, expressing through them its own creative aims in a rich and vital way.

A country flung two thousand years back in an orgy of Classicism could find no place for him and no use.

But they would find enough classicism at Ansbach, he promised them, and he entered with sympathetic intelligence into their wish to see this former capital when March told him they were going to stop there, in hopes of something typical of the old disjointed Germany of the petty principalities, the little paternal despotisms now extinct.

They could make sure, afterwards, of a personal pleasure in a certain prescient classicism of the house.

His video self has a cold masculine classicism only marginally compromised by scars, skeletal forearms, the inchoate pudge about his middle.