Wikipedia
City of God is a 2002 Brazilian crime drama directed by Fernando Meirelles and co-directed by Kátia Lund, released in its home country in 2002 and worldwide in 2003. The story was adapted by Bráulio Mantovani from the 1997 novel of the same name written by Paulo Lins, but the plot is loosely based on real events. It depicts the growth of organized crime in the Cidade de Deus suburb of Rio de Janeiro, between the end of the 1960s and the beginning of the 1980s, with the closure of the film depicting the war between the drug dealer Li'l Zé and vigilante-turned-criminal Knockout Ned. The tagline is "If you run, the beast catches you; if you stay, the beast eats you", a proverb analogous to the English "Damned if you do, damned if you don't".
The cast includes Alexandre Rodrigues, Leandro Firmino da Hora, Phellipe Haagensen, Douglas Silva, Alice Braga and Seu Jorge. Most of the actors were, in fact, residents of favelas such as Vidigal and the Cidade de Deus itself.
The film received worldwide critical acclaim, receiving four Academy Award nominations in 2004: Best Cinematography ( César Charlone), Best Director (Meirelles), Best Editing (Daniel Rezende) and Best Writing (Adapted Screenplay) (Mantovani). Before that, in 2003 it had been chosen to be Brazil's runner for the Academy Award for Best Foreign Language Film, but it was not nominated to be one of the five finalists. If it had been nominated, it would have been ineligible the next year for any other category. The film continued to be praised.
Meirelles and Lund went on to create the City of Men TV series and film City of Men (2007), which share some of the actors (notably leads Douglas Silva and Darlan Cunha) and their setting with City of God.
The term City of God may refer to the unity between the Holy Roman Empire and the Roman Catholic Church in the Middle Ages. The term may also refer to:
City of God ( Malayalam: സിറ്റി ഓഫ് ഗോഡ്) is a 2011 Indian crime thriller film directed by Lijo Jose Pellissery and written by Babu Janardhanan. It tells the story of Tamil migrant workers and a team of land mafia criminals in the city of Kochi. It stars Indrajith, Prithviraj, Rajeev Pillai, Rohini, Parvathi, Rima Kallingal and Swetha Menon.
The film uses the hyperlink cinema format as its narrative structure, a technique first used by Satyajit Ray in his Kanchenjungha (1962). City of God is not a remake and shares no resemblance to the 2002 Brazilian film of the same name, although both use non-linear narrative structure. The film received favourable critical reviews, but it ended up being a disaster at the Kerala box office as it was pulled from the theatres within one week of its release. The film was subsequently dubbed and released in Hindi under the same name.
City of God was one of the first among the "New Generation" Malayalam movies, although the trend was just becoming recognised during 2011. Had it been released a little later, moviegoers and analysts feel the film would have better received at the box office.
City of God is a 1997 semi- autobiographical novel by Paulo Lins, about three young men and their lives in Cidade de Deus, a favela in Western Rio de Janeiro where Lins grew up. It is the only novel by Lins that has been published. It took Lins 10 years to complete the book. The novel was hailed by critics as one of the greatest works of contemporary Brazilian literature.
It was made into a feature film of the same name in 2002, which went on to be nominated for four Oscars. An English translation of the book was published in 2006. Thanks to the international recognition of the film the book continued to be translated into several more languages including Italian, French, Spanish and German.
City of God: A Novel of the Borgias is a 1979 historical novel by Cecelia Holland. Set in 15th century Rome during the Borgia period, it follows Nicholas Dawson, ambitious secretary to the Florentine ambassador, as he becomes embroiled in dangerous political intrigue.
Usage examples of "city of god".
Augustine considered the City of God mingled with the City of Earth so as to make them indistinguishable to us now.
But to be in the palace of the Lord was for him as frightening, as numinous an experience, as it would be for a terrestrial Christian to be transported to the City of God &mdash.