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Cinesias (character)

I. Cinesias is Myrrhine's husband in Aristophanes play Lysistrata, in which the women of Greece comically impose a moratorium on all sexual activity as a means to ending the Peloponnesian War. Cinesias (whose name is meant to be a sexual pun of sorts as it derives from kinew or I move, I arouse) makes his way to the Acropolis, where Lysistrata and her women have barricaded themselves, and he pleads for Myrrhine to come back home with him. Lysistrata orders her to torment him. Myrrhine subsequently teases him mercilessly, agreeing to have sex with him if he and other men agree to end the war (a proposition he absurdly assents to) but continually postponing the act until finally she shuts herself in the Acropolis again, leaving him even more frustrated than before.

II. Cinesias was an innovative, 5th century BC Athenian poet who was mocked by his contemporary Aristophanes in a play titled ' The Birds'. Cinesias appears in the play as a ridiculously 'inspired' poet who vainly attempts to borrow wings from the birds so that his imagination might soar even higher above the ordinary human level. His request is denied.

Cinesias

Cinesias may refer to:

  • Cinesias (character)
  • Cinesias (poet)

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Cinesias (poet)

Cinesias (; c. 450 – 390 BC) was an innovative dithyrambic poet (an exponent of the "new music") in classical Athens whose work has survived only in a few fragments. An inscription indicates that he was awarded a victory at the Dionysia in the early 4th century (IG 2/3.3028). His contemporary, the comic poet Aristophanes, ridiculed him in his play The Birds, in which Cinesias attempts to borrow wings from the birds as an aid to poetic inspiration. Aristophanes refers to him also in The Frogs (lines 153, 1437), Ecclesiazusae (line 330), Lysistrata (line 860), and in a fragmentary verse (fragment 156. 10 K-A). Another comic poet, Strattis, wrote an entire play against Cinesias, of which only fragments survive (fragments 14-22 K-A), and he was considered by Pherecrates to have had a corrupting influence on dithyrambic poetry (fragment 155. 8ff. K-A).